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Michael Billington (Life in Lockdown)

Michael Billington (Life in Lockdown)

By Michael Billington, Theatre Critic, The Guardian.

An open letter to HM Secretary of State for Digital, Culture, Media and Sport.
(3 July 2020)

Dear Oliver Dowden,

You presumably heard Boris Johnson, when asked at Prime Minister’s Questions this week about the future of theatre, declare that ‘the show must go on’. I wonder what your reaction was. Did you let out a silent cheer? Or did you, like the rest of us, groan at Johnson’s hollow bombast at a time when not only theatre but the whole performing arts sector faces decimation by December?

We are in a situation like that in a Shakespeare history play, where messengers arrive hourly with bad news from all ends of the kingdom. The Nuffield Southampton, which combines a new city centre theatre with a longstanding campus playhouse, is closing, with 86 roles made redundant. The Theatre Royal Plymouth has made its entire artistic team redundant and the Royal Exchange Manchester may have to make 65% of its staff redundant. The story is much the same wherever you look, be it Birmingham, Norwich or Perth. Even the big, seemingly well-protected institutions are not immune: the Royal Opera House, Covent Garden, was reported in the London Evening Standard to be ‘facing closure’.

So what are you and your team at the Department for Digital, Culture, Media & Sport doing to reassure the arts community and provide a concrete plan of action? Well so far you have come up with a five-phase roadmap for the performing arts that is worse than useless. Sam Goldwyn said that ‘a verbal agreement isn’t worth the paper it’s written on’ and a roadmap that offers no clue as to how to get to one’s destination is positively insulting. What’s most alarming is that it reveals a total incomprehension as to how the arts actually work. A Phase 1 stage of ‘rehearsal and training’ supposedly leads to a Phase 4 and 5 stage of outdoor and indoor performance. But how can any theatre start rehearsing a production when it has no guarantee of financial support nor any idea whether it will even exist in a few weeks’ time? Wouldn’t that be the height of irresponsibility?

It’s time, Mr Dowden, you faced up to a simple truth: artists know much more about the arts than politicians. So far the most practical plan for the theatre has come from Sam Mendes, who has made numerous recommendations: increasing the theatre’s tax-relief scheme from 20% to 50%, inviting the government to become theatrical ‘angels’ by investing in productions, challenging the streaming services to put money into an industry from which they directly benefit. Have you spoken to Sir Sam about his ideas? Have you co-opted him onto the cultural renewal taskforce you have set up? Or are you simply fiddle-faddling while Rome burns?

I also wonder if you have spoken to your European counterparts about protecting the arts from economic ruin. I am well aware that you are part of a Brexit-driven government that relies on the myth of British exceptionalism. But it is surely worth noting that the German government has pledged €1bn to support the arts in crisis and that the French have, among other measures, created a fund of €7bn for small businesses, including those that have had to cancel shows and film shoots. By comparison our £160m Arts Council emergency package looks like very small beer.

I’ve never met you and I’m ready to believe you are well-intentioned. But I wonder if you have even begun to grasp the scale of the crisis facing the perform-ing arts – theatre, opera and dance as well as classical music – in this country. Unless you come up soon with a detailed, precise, properly financed plan of action you will go down in history as the politician who presided over the dissolution of the arts in Britain. The only thing one can say for sure is that the show definitely won’t go on.

Michael Billington

Coronavirus / Covid-19 (Foreword)

We hardly need to point out how we all find ourselves on untested ground right now, with the situation changing daily (or even hourly)… and the schools have just closed!

For all we know, Government advice may have been updated by the time you come to open our new issue. And with ‘theatre’ falling into the leisure and entertainment sector – where crowds of more than 100-500 people often assemble (for amateur shows) – societies up and down the country are having to make some difficult decisions regarding production schedules. Even rehearsing is impossible at the moment, with casts and creatives around the UK including many of the more vulnerable members of society.

On 17 March, the UK Government ‘asked’ rather than ‘ordered’ the public to stay away from all public meeting places, including theatres. The subsequent instant closure of West End, regional and amateur theatre productions may present an insurance nightmare, with such action possibly seen as ‘voluntary’ rather than ‘compulsory’ by insurers. We hope that it doesn’t threaten some venues with bankruptcy but, at the moment, many social media posts are extremely worrying. UK theatre closures appear to represent an opposite of what happened on Broadway five days earlier, when: “Under the direction of Governor Andrew Cuomo, Broadway shows in New York City will suspend all performances immediately in support of the health and well-being of the theatregoing public, as well as those who work in the theatre industry.”

In line with the advice, all producers and venues took the decision to cancel production plans and, likewise, nearly all amateur theatre societies decided to shelve or postpone part of their current season of productions. As we go to press, even our cover story – the tour of A Bunch of Amateurs – has been postponed until later in the year… and Hairspray’s London return is certainly delayed! So, please check respective society websites and social media posts for all the latest up-to-date information before booking tickets and/or attending performances.

Like all of you, Sardines is monitoring the situation daily and, for now, we’ll be carrying on as usual (whatever that means!) – perhaps employing a bit of ‘the show must go on’ spirit. Let’s hope that by Summer the crisis will have passed but, for now, we hope you all stay safe and well.


Paul Johnson, Editor-in-Chief, Sardines