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NEW PLAYS, BOOKS & MUSICALS

NEW PLAYS, BOOKS & MUSICALS

Our regular up-to-date selection of recently published books as well as new or re-released plays and musicals, many of which are now available for amateur performance. As a result of the pandemic some licensors are now offering special online-performance arrangements, so please get in touch with the appropriate company to find out more.

CONCORD THEATRICALS

E: licensing@concordtheatricals.co.uk
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SAMUEL FRENCH

SENSE AND SENSIBILITY by Jane Austen, Emma Whipday, Brian McMahon

Full-length dramatic comedy | F5, M5 | 16th Century | 978 0 573 70684 4 | £10.99 paperback

Sisters Marianne (a hopeless romantic) and Elinor (a stoic realist) experience the pitfalls of society, the generosity of new friends, and the passion of unexpected love in this funny and poignant adaptation of Jane Austen’s exquisite early work.

When Mr. Dashwood dies, he leaves behind him a fine estate – but the law dictates that this must go to his eldest son, John, leaving his wife and daughters bereft. The Dashwood women must learn to embrace a new life, for better or for worse. Sisters Marianne (a hopeless romantic) and Elinor (a stoic realist) experience the pitfalls of society, the generosity of new friends, and the passion of unexpected love in this funny and poignant adaptation of Jane Austen’s exquisite early work. Battling vicious gossip, painful secrets, and the well-meaning interference of would-be matchmaker Mrs. Jennings, the Dashwood sisters learn the importance of both sense and sensibility.

RODGERS & HAMMERSTEIN

ALLEGRO by Music by Richard Rodgers | Book and Lyrics by Oscar Hammerstein II

Full-length musical comedy | F5, M6 | 1900-1930s | DIGLIB0000004 | £4.00 perusal/rental

This ensemble musical chronicles nearly four decades in the life of an Everyman, Joseph Taylor, Jr., from cradle through a mid-life discovery of who he is and what his life is truly about. The first musical to be staged by a director who was also the choreographer (the legendary Agnes de Mille), the unique structural format allows the saga to whisk us from Joe’s birth through his childhood, from college dorm to marriage altar, and on to his career; from the tranquility of his small Midwestern hometown to the hectic din of big city life, in a series of vignettes and musical sequences dazzling in their simplicity and stunning in their impact. Ahead of its time theatrically, Allegro remains timeless in its appeal.

Allegro opened on Broadway at the Majestic Theatre on October 10, 1947, featuring John Battles as Joseph Taylor, Jr., Annamary Dickey as Marjorie Taylor, William Ching as Dr. Joseph Taylor, Roberta Jonay as Jennie Brinker, Lisa Kirk as Emily, and John Conte as Charlie Townsend.

WINNER! Three 1947 Donaldson Awards, for Best Book, Best Lyrics and Best Score
NOMINEE: Seven 2005 Helen Hayes Awards
WINNER! Two 2005 Helen Hayes Awards for Outstanding Resident Musical and Outstanding Director

CAROUSEL by Music by Richard Rodgers | Book and Lyrics by Oscar Hammerstein II

Full-length musical drama | F5, M5 | 19th Century | DIGLIB0000007 | £4.00 perusal/rental

In a Maine coastal village toward the end of the 19th century, the swaggering, carefree carnival barker, Billy Bigelow, captivates and marries the gentle millworker, Julie Jordan. Billy loses his job just as he learns that Julie is pregnant and, desperately intent upon providing a decent life for his family, he is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent ‘up there.’ Billy is allowed to return to earth for one day fifteen years later, and he encounters the daughter he never knew. She is a lonely, friendless teenager, her father’s reputation as a thief and bully having haunted her throughout her young life. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love.

After tryouts in New Haven and Boston, Carousel opened at Broadway’s Majestic Theatre on April 19, 1945, where it ran for 890 performances. The original Broadway cast featured John Raitt as Billy, Jan Clayton as Julie, and Jean Darling as Carrie. Winner of the New York Drama Critics’ Circle Award as Best Musical of 1945, Carousel went on to a two-year national tour, as well as countless productions throughout the world. In 1950, Carousel premiered at London’s Theatre Royal Drury Lane, where it played for 566 performances, and in 1956 the motion picture version, starring Gordon MacRae as Billy and Shirley Jones as Julie, was released.

In March 1994, Carousel marked its first return to Broadway since the original run, playing for a year at the Vivian Beaumont Theater. This Carousel received a record-setting five Tony Awards (the most of any show that season), including Best Revival of a Musical. A Japanese production played extended engagements in Tokyo, Nagoya and Osaka in 1995, and a U.S. National Tour visited over 40 cities from February of 1996 through May of 1997, and starred Broadway stars to be Patrick Wilson, Sarah Uriarte Berry and Jennifer Laura Thompson. In 2002, Carnegie Hall hosted a concert performance with Hugh Jackman, Audra McDonald, Philip Bosco, Blythe Danner, John Raitt, Norbert Leo Butz, Jason Danieley, Judy Kaye and Lauren Ward.

In April 2018, Carousel returned to Broadway starring Joshua Henry, Jessie Mueller, Renée Fleming, Lindsey Mendez and Alexander Gemignani.

Winner! 1993 Olivier Award, Best Musical Revival
Winner! Five 1994 Tony Awards, including Best Revival of a Musical
Winner! Three 1994 Drama Desk Awards
Nominee: Seven 1994 Drama Desk Awards, including Outstanding Musical Revival
Winner! Two 2018 Tony Awards
Nominee: Eleven 2018 Tony Awards, including Best Revival of a Musical
Winner! Five 2018 Drama Desk Awards, including Outstanding Orchestrations
Nominee: Twelve 2018 Drama Desk Awards, including Outstanding Musical Revival

ME AND JULIET by Music by Richard Rodgers | Book and Lyrics by Oscar Hammerstein II

Full-length musical comedy | F14, M9 | 1950s | DIGLIB0000014 | £4.00 perusal/rental

This show-within-a-show follows the romance between a chorus girl and an assistant stage manager leading to their secret marriage. Their happy union is threatened by the electrician who still carries a torch for the girl and, in a drunken rage, tries to kill them both. A contrasting romance involves the stage manager, whose credo never to fall for a girl in a show he’s working on is complicated when a dancer he’s been wooing is suddenly thrown into the cast of ‘Me and Juliet.’ Informed by rich insights into the world of Broadway-how jobs are gotten and lost, the inside tricks of the trade and the pitfalls of backstage romances – Me and Juliet is an innovative, irresistible show that consistently delivers both musically and dramatically.

Me and Juliet opened on Broadway at the Majestic Theatre on May 28, 1953, featuring Isabel Bigley, Bill Hayes and Joan McCracken.

PIPE DREAM by Music by Richard Rodgers | Book and Lyrics by Oscar Hammerstein II

Full-length musical comedy | F10, M17 | 1950s | DIGLIB0000016 | £4.00 perusal/rental

From the pages of Steinbeck, the drifters and dropouts along Cannery Row spring to life in this uncommon story of love and hope. When Suzy, a homeless girl, is picked up for stealing food, she’s taken in by Fauna, the big-hearted Madam of the Bear Flag Café (which is no café at all). Here she meets Doc, a carefree marine biologist, and soon romance is in the air. Rodgers & Hammerstein struck a new tone with Pipe Dream: warm and highly personal. It illuminates Rodgers & Hammerstein’s benevolence for outcasts who are infinitely capable of every emotion and longing felt by the more fortunate members of society. As sung by Doc at the top of the show, the soulful message is simple: “It takes all kinds of people to make up a world.” Is there a better one?

The seventh musical by the team of Richard Rodgers and Oscar Hammerstein II, Pipe Dream premiered on Broadway at the Shubert Theatre on November 30, 1955. The original cast featured Helen Traubel, William Johnson and Judy Tyler.

Nominee: Nine 1956 Tony Awards, Including Best Musical
Winner! 1956 Tony Award

 

TAMS-WITMARK

DREAMGIRLS by Henry Krieger, Tom Eyen

Full-length musical drama | F4, M4 | 1970s, 1960s | DIGLIB0000139 | £4.00 perusal/rental

“Dreamgirls is a show about a time in American musical history when rhythm and blues blended with other styles of popular music creating a new American sound. Act One is set in the fabulous sixties – a time when we were still screaming at Elvis and listening to the Beatles, but were dancing to the new beat of countless girl and boy groups like The Supremes, The Marvelettes, The Temptations and The Shirelles. Dreamgirls is not just about the singing and the dancing and the performing. The play is also about the behind-the-scenes reality of the entertainment industry – the business part of show business that made possible this cultural phenomenon. Act Two shows the creation and the arrival of disco – though the word is never used in the script. The subject matter of this play deals with a musical contribution to America of such importance that only now – decades later – are we beginning to understand.” – Michael Bennett

Dreamgirls opened on Broadway on December 20, 1981 at the Imperial Theatre, where it played for 1521 performances. The original cast included Jennifer Holliday, Loretta Devine, Sheryl Lee Ralph and Ben Harney. In 1987, a Broadway revival starring Lillias White ran for 177 performances at the Ambassador Theatre. On September 24, 2001, a “One Night Only” concert performance was staged at the Ford Center for the Performing Arts, featuring Audra McDonald, Lillias White, Heather Headley, and Norm Lewis. The show made its London premiere at The Savoy Theatre in December 2016, with Amber Riley appearing as Effie White; running through January 12, 2019.

Winner! Six 1982 Tony Awards, including Best Book
Nominee: Thirteen 1982 Tony Awards, including Best Musical
Winner! Four 1982 Drama Desk Awards
Nominee: Ten 1982 Drama Desk Awards, including Outstanding Musical
Winner! 1982 Theatre World Award (Jennifer Holliday)

HAIR by Gerome Ragni, James Rado, Galt MacDermot

Full-length musical | F4, M5 | New York City. 1968 | DIGLIB0000168 | £4.00 perusal/rental

The American tribal love rock musical Hair celebrates the sixties counterculture in all its barefoot, long-haired, bell-bottomed, beaded and fringed glory. To an infectiously energetic rock beat, the show wows audiences with songs like “Aquarius,” “Good Morning, Starshine,” “Hair,” “I Got Life,” and “Let The Sun Shine.” Exploring ideas of identity, community, global responsibility and peace, Hair remains relevant as ever as it examines what it means to be a young person in a changing world.

Hair debuted Off-Broadway at Joseph Papp’s Public Theater on October 17, 1967. The show was an instant sensation, moving to a second venue and playing 144 performances. On April 29, 1968 Hair opened on Broadway at the Biltmore Theatre, starring James Rado, Gerome Ragni, Lynn Kellogg and Melba Moore. Breaking all theatre conventions, the show made national headlines and played for 1,750 performances. A 1977 Broadway revival starred Randall Easterbrook, Michael Holt, Ellen Foley and Iris Rosenkrantz. In 2009, Hair returned to Broadway and played for 519 performances at the Al Hirshfeld Theatre, starring Gavin Creel, Will Swenson, Caissie Levy and Sasha Allen.

Winner! 1968 Drama Desk Award for Outstanding Music
Nominee: Two 1969 Tony Awards, including Best Musical
Winner! 2009 Tony Award for Best Revival of a Musical
Nominee: Eight 2009 Tony Awards
Winner! 2009 Drama Desk Award for Outstanding Revival of a Musical

SNOOPY!!! (LONDON VERSION) by Charles M. Schulz, Warren Lockhart, Arthur Whitelaw, Michael L. Grace, Larry Grossman, Hal Hackady

Full-length musical comedy | F3, M3 F/M1 | Present Day, 1970s | DIGLIB0000272 | £4.00 perusal/rental

Based on the beloved Peanuts comic strip by Charles Schulz, Snoopy!!! sparkles with wit and warmth as it depicts life as seen through the eyes of Schulz’s unforgettable characters. Musical numbers include “Just One Person,” “Poor Sweet Baby,” “Don’t Be Anything Less (Than Everything You Can Be),” “Edgar Allen Poe” and “Daisy Hill.”

This London Version of Snoopy!!! includes all the songs from the Original Version, plus four more: “Hurry Up, Face,” “Mother’s Day,” “Dime A Dozen,” and “When Do The Good Things Start?”

Snoopy!!! premiered on December 9, 1975 at the Little Fox Theatre in San Francisco, California. Directed by Arthur Whitelaw, the cast featured Don Potter in the title role, James Gleason as Charlie Brown, Janell Pulis as Lucy, Cathy Cahn as Woodstock, Jimmy Dodge as Linus, Randi Kallan as Sally and Pamela Myers as Peppermint Patty. In 1982, the musical was produced Off-Broadway at the Lamb’s Theatre featuring David Garrison as Snoopy, Terry Kerwin as Charlie Brown, Stephen Fenning as Linus, Kay Cole as Lucy, Cathy Cahn as Woodstock, and Vicki Lewis as Peppermint Patty. The London Version opened at the West End Duchess Theatre on September 20, 1983 and played for 479 performances, starring Teddy Kempner as Snoopy.

YOU’RE A GOOD MAN, CHARLIE BROWN (REVISED) by Charles M. Schulz, Clark Gesner, Michael Mayer, Andrew Lippa

Full-length musical comedy | F2, M4 | Contemporary, Present Day | DIGLIB0000002 | £0.00 perusal/rental

Happiness is great musical theatre! With charm, wit, and heart, You’re A Good Man, Charlie Brown explores life through the eyes of Charlie Brown and his friends in the Peanuts gang. This revue of songs and vignettes, based on the beloved Charles Schulz comic strip, is the ideal first show for those who would like to do a musical. Musical numbers include “My Blanket and Me,” “The Kite,” “The Baseball Game,” “Little Known Facts,” “Suppertime,” and “Happiness.” Guaranteed to please audiences of all ages!

NOTE: You are not required to perform the entire show! You may, at your option, perform your choice of scenes from the show, provided that the total running time for your performance (without intermission) is no less than 45 minutes. Under no circumstances may you add any dialogue, music, or vocal material to the show or combine versions. In the event that you do exercise this option, you do not need to notify us, and the quotation will not change.

All Tams-Witmark shows other than You’re A Good Man, Charlie Brown (Revised or Original) must be performed in their entirety.

You’re A Good Man, Charlie Brown opened on March 7, 1967 and played for 1,597 performances in New York at the theatre 80 St. Marks with Gary Burghoff in the title role. This version was revived on Broadway in 1971 and played for 32 performances at the John Golden Theatre. A new version, You’re A Good Man, Charlie Brown (Revised), was presented on Broadway in 1999 and played for 149 performances at the Ambassador Theatre with Tony Award-winning performances by Roger Bart as Snoopy and Kristin Chenoweth as Sally.

Winner! Two 1967 Drama Desk-Vernon Rice Awards for Director and Performer
Winner! 1967 Outer Critics Circle Award for Production
Winner! Three 1999 Drama Desk Awards, including Outstanding Revival of a Musical
Winner! Two 1999 Tony Awards® for Best Actress and Featured Actor
Nominee: Two 1999 Tony Awards® for Best Revival and Best Director of a Musical

 

YOUNG ACTORS & HIGH SCHOOL STUDENTS

NICE WORK IF YOU CAN GET IT (HIGH SCHOOL EDITION) by George Gershwin, Ira Gershwin, Joe DiPietro, Guy Bolton, P.G. Wodehouse

Full-length musical comedy | F5, M5 | 1920s | DIGLIB0000224 | £4.00 perusal/rental

A hilarious new screwball comedy, Nice Work If You Can Get It pokes fun at the Prohibition era in a clash of elegant socialites and boorish bootleggers, all set to the glorious songs of George and Ira Gershwin. Highlights from the score include “Fascinating Rhythm,” “Let’s Call The Whole Thing Off,” “Someone To Watch Over Me,” “Sweet and Low Down,” “Delishious” and the title song.
Nice Work If You Can Get It opened on Broadway at the Imperial Theatre, April 24, 2012, and played for 478 performances starring Matthew Broderick and Kellie O’Hara as Jimmy and Billie.

Winner! Two 2012 Tony Awards
Nominee: Ten 2012 Tony Awards, including Best Musical and Best Book of a Musical
Winner! Three 2012 Drama Desk Awards, including Outstanding Book of a Musical

ROCK OF AGES (HIGH SCHOOL EDITION) by Chris D’Arienzo

Full-length musical comedy | F11, M9, F/M10 | 1980s | DIG0000000055 | £4.00 perusal/rental

It’s the tail end of the big, bad 1980s in Hollywood, and the party has been raging hard. Aqua Net, Lycra and Heavy Metal flow freely at one of the Sunset Strip’s last legendary venues, a place where legendary rocker Stacee Jaxx takes the stage and groupies line up for their chance at an autograph. Amidst the madness, aspiring rock star (and resident toilet cleaner) Drew longs to take the stage as the next big thing (and longs for small-town girl Sherri, fresh off the bus from Kansas with stars in her eyes). But the rock ‘n’ roll fairy tale is about to end when German developers sweep into town with plans to turn the fabled Strip into just another capitalist strip mall. Can Drew, Sherri and the gang save the strip – and themselves – before it’s too late? Only the music of hit bands Styx, Journey, Bon Jovi, Whitesnake and more can hold the answer.

Rock of Ages: High School Edition takes you back to the times of big bands with big egos playing big guitar solos and sporting even bigger hair! This Tony Award -nominated Broadway musical features the hits of bands including Night Ranger, REO Speedwagon, Pat Benatar, Twisted Sister and others.

Rock of Ages opened on Broadway on April 7, 2009 at the Brooks Atkinson Theatre, where it played for 2,328 performances. At the time of its closing, Rock of Ages was the 29th longest-running show in Broadway history.

(For the Original Version)
Nominee: Five 2009 Tony Awards, including Best Musical
Nominee: Two Outer Critics Circle Awards, including Outstanding New Broadway Musical

THE SECRET GARDEN, SPRING VERSION by Marsha Norman, Lucy Simon, Frances Hodgson Burnett

Full-length musical drama | F7, M8, Boy1, Girl1 | Contemporary, 1900-1910. Colonial India & Misselthwaite Manor in England | 978 0 573 69759 3 | £10.99 paperback

The long-awaited new 70-minute version of the beloved musical, The Secret Garden, is as beautiful and spirited as the original in just half the time.

This new “Spring Version” promises to be a treasure for children and adults!

THE SECRET GARDEN first appeared at the St. James Theater. Directed by Susan H. Schulman.

THE WIZARD OF OZ (YOUNG PERFORMERS’ EDITION) by L. Frank Baum. Harold Arlen. E.Y. Harburg. Herbert Stothart

Full-length musical comedy | F5, M5, F/M10 | Contemporary, Present Day, 1930s. The Gale farmhouse in Kansas and various locations in the Land of Oz | DIGLIB0000067 | £0.00 perusal/rental

This Young Performers’ Edition is a one-hour adaptation of The Wizard of Oz, specially tailored for school-aged actors. The materials have been prepared to help your school or organisation mount the best possible production and to give your young cast and crew an exciting and rewarding experience.

The MGM film The Wizard of Oz, based on L. Frank Baum’s 1900 novel, premiered Graumoan’s Chinese Theatre in Hollywood on August 15, 1939. The Royal Shakespeare Company presented a live stage adaptation of the film at the Barbican Centre in London in 1987. In 2011, this one-hour adaptation of the RSC version was designed in conjunction with iTheatrics.

Winner! 1940 Academy Award for Best Music, Original Song (“Over The Rainbow”)
Winner! 1940 Academy Award for Best Music, Original Score

 

The Crowood Press

01672 520320
W: crowood.com | E: enquiries@crowood.com
F: TheCrowoodPress | T: @crowoodpress | In: crowoodpress

UNARMED STAGE COMBAT by Philip d’Orleans

Theatre book | 978 1 785 00785 9 | £20.00

Stage combat is a constantly evolving craft, responsive to the growing demands of an ever changing industry and an ever more perceptive audience. Experienced fight director, teacher and examiner Philip d’Orleans shows how to respond to this challenge through innovative techniques and original choreography. Unarmed Stage Combat explores the fundamental performance principles of violence on stage, before a dedicated series of chapters focus on over forty specific unarmed combat techniques, including non-contact slaps, punches, kicks and chokes as well as controlled contact and the illusion of falling. Each technique is beautifully illustrated with step-by-step photos and detailed practical guidance through the preparation, action and reaction to the movement, as well as the key safety principles, common pitfalls and staging variables.

Packed with a career’s worth of industry experience, this is far more than a simple book on technique – this is a master class in how to create a unique fight performance, allowing performers to reach their full fight potential, safely. Key coverage includes:

  • Acting while you fight – maintaining an authentic character
  • How staging and sightlines affect choice of technique
  • Vocal choreography and how to perform it safely
  • A detailed examination of pain
  • Knapping
  • Fighting for camera

Philip d’Orleans is a Master Teacher with the British Academy of Stage and Screen Combat. As well as his role of Physical Skills instructor at RADA, he also teaches at a number of other UK drama schools and is a fight examiner with the BASSC, Stage Combat Deutschland and the Irish Dramatic Combat Academy. Philip has choreographer fights for the RSC, the ROH, and the West End, as well as many other theatres throughout the UK and internationally.

 

Nick Hern Books

T: 020 8749 4953
W: www.nickhernbooks.co.uk | E: info@nickhernbooks.co.uk
F: NickHernBooks | T: @NickHernBooks

AMSTERDAM by Maya Arad Yasur. Translated by Eran Edry

Full-length Play | minimum 3 performers | Flexible staging | 978 1 848 42889 8 | epub £9.99 (£7.99 direct from publisher)

An Israeli violinist. Living in her trendy canal-side Amsterdam apartment. Nine months pregnant. One day a mysterious unpaid gas bill from 1944 arrives. It awakens unsettling feelings of collective identity, foreignness and alienation. Stories of a devastating past are compellingly reconstructed to try and make sense of the present. An intense, enigmatic play with dialogue not assigned to any characters – giving it great flexibility for casting.

“A fascinating, multilayered play’ The Stage

SEEDS by Mel Pennant

Full-length Play | F2 | Contemporary, simple staging | 978 1 848 42945 1 | epub £9.99 (£7.99 direct from publisher)

It’s Michael Thomas’s birthday. A cake sits in his mother Evelyn’s living room, its candles burning undisturbed. On the fifteenth anniversary of Michael’s fatal stabbing, Jackie wants to clear her conscience, whilst Evelyn’s got a big speech to deliver. Are some things better left unsaid? This emotional play explores the human story behind a tragedy, through the eyes of those left behind: two mothers united in sorrow, and sharing the hardship of protecting their sons – one in life, and one in death.

“seeds pushes at the limits of maternal love, asking how far a mother would go to protect her son” Guardian

TEENAGE DICK by Mike Lew

Full-length Play | F4, M2 | Contemporary, set in an American high school | 978 1 848 42872 0 | epub £9.99 (£7.99 direct from publisher)

A darkly comic, smashed-up retelling of Richard III, Shakespeare’s classic tale about the lust for power, Teenage Dick reimagines the most famous disabled character of all time as an American high-school outsider in junior year: the deepest winter of his discontent. Picked on because of his disability (as well as his sometimes creepily Shakespearean way of speaking), Richard is determined to have his revenge and make his name by becoming president of the senior class. But like all teenagers, and all despots, he is faced with the hardest question of all: is it better to be loved, or feared?

“A smart, probing play… sinks a cunning, shining dagger into an author who’s buried in centuries of history and glory” Time Out

THERE ARE NO BEGINNINGS by Charley Miles

Full-length Play | F4 | 1970s and 1980s Leeds | 978 1 848 42886 7 | epub £9.99 (£7.99 direct from publisher)

A powerful play about the community affected by the Yorkshire Ripper. Between the years of 1975 and 1980, the women of Leeds lived in fear. With no clue as to who was responsible for the sustained attacks and murders across the city, the authorities urged women to stay at home. From the fear and fury, a steadfast solidarity arose, birthing the Reclaim the Night movement and echoing down the generations to this day.

“A heated play with a panoramic sense of empathy… surprisingly funny and full of fury… a raw, emotive depiction of a generation overshadowed by these murders” Guardian

 

Music Theatre International (Europe)

T: 020 7580 2827
W: www.mtishows.co.uk | E: shows@mtishows.co.uk
F: mtieurope | T: @mtieurope

DISNEY’S THE LITTLE MERMAID

Music by Alan Menken. Lyrics by Howard Ashman, Glenn Slater. Book by Doug Wright. Based on the Hans Christian Andersen story and the Disney film that was produced by Howard Ashman & John Musker. Originally Produced by Disney Theatrical Productions.

Based on one of Hans Christian Andersen’s most beloved stories and the classic animated film, Disney’s The Little Mermaid is a hauntingly beautiful love story for the ages. With music by eight-time Academy Award winner Alan Menken, lyrics by Howard Ashman and Glenn Slater, and a compelling book by Doug Wright, this fishy fable will capture your heart with its irresistible songs including ‘Under the Sea,’ ‘Kiss the Girl,’ and ‘Part of Your World.’

Ariel, King Triton’s youngest daughter, wishes to pursue the human Prince Eric in the world above and bargains with the evil sea witch, Ursula, to trade her tail for legs. But the bargain is not what it seems and Ariel needs the help of her colorful friends Flounder the fish, Scuttle the seagull, and Sebastian the crab to restore order under the sea.

Disney’s The Little Mermaid offers a fantastic creative opportunity for rich costumes and sets, and the chance to perform some of the best-known songs from the past thirty years.

THE HUNCHBACK OF NOTRE DAME

Music by Alan Menken. Lyrics by Stephen Schwartz. Book by Peter Parnell.

Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame showcases the film’s Academy Award-nominated score, as well as new songs by Menken and Schwartz. Peter Parnell’s new book embraces story theatre and features verbatim passages from Hugo’s gothic novel.

The musical begins as the bells of Notre Dame sound through the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer who longs to be ‘Out There,’ observes all of Paris reveling in the Feast of Fools. Held captive by his devious caretaker, the archdeacon Dom Claude Frollo, he escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though – the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies – and it’s up to Quasimodo to save them all.

A sweeping score and powerful story make The Hunchback of Notre Dame an instant classic. Audiences will be swept away by the magic of this truly unforgettable musical.

NATIVITY! THE MUSICAL

Book by Debbie Isitt. Music and Lyrics by Debbie Isitt, Nicky Ager

Your favourite festive film is now a major new musical adapted for the stage by the creator of the much-loved films.

Every child in every school has one Christmas wish, to star in a Nativity, and at St Bernadette’s School they’re attempting to mount a musical version! Only trouble is teacher Mr Maddens has promised that a Hollywood producer is coming to see the show to turn it into a film. Join him, his teaching assistant the crazy Mr Poppy, hilarious children and a whole lot of sparkle and shine as they struggle to make everyone’s Christmas wish come true.

Feel-good, funny and full of yuletide joy, Nativity! The Musical features all of the favourite sing-a-long hits from the films including Sparkle and Shine, Nazareth, One Night One Moment, She’s the Brightest Star and a whole host of new songs filled with the spirit of Christmas!

OLIVER! JR

Book, music and lyrics by Lionel Bart.

Consider yourself at home with the Broadway Junior version of Lionel Bart’s classic musical based on Charles Dickens’ novel, Oliver Twist. The Tony and Olivier Award- winning show is one of the few musicals to win an Academy Award for Best Picture and is widely hailed as a true theatrical masterpiece by actors and audience members alike.

The streets of Victorian England come to life as Oliver, a malnourished orphan in a workhouse, becomes the neglected apprentice of an undertaker. Oliver escapes to London and finds acceptance amongst a group of petty thieves and pickpockets led by the elderly Fagin. When Oliver is captured for a theft that he did not commit, the benevolent victim, Mr. Brownlow takes him in. Fearing the safety of his hideout, Fagin employs the sinister Bill Sikes and the sympathetic Nancy to kidnap him back, threatening Oliver’s chances of discovering the true love of a family.

Oliver! JR. is full of classic songs like ‘Consider Yourself’, ‘Food Glorious Food’, and ‘Oom-Pah-Pah’, and perfectly showcases the talents of a large ensemble cast.

 

Bloomsbury – Methuen Drama

T: 01256 302699
W: www.bloomsbury.com | E: direct@macmillan.co.uk
F: BloomsburyPublishing | T: @bloomsburybooks

THE DUCHESS OF MALFI by John Webster, edited by Karen Britland

Full-length play | 978 1 474 29567 3 | £8.09 (incl. 10% discount)

The Duchess of Malfi is a classroom favourite, with its heroine standing out as one of the most compelling female characters on the early modern stage. Webster’s macabre masterpiece examines the familial bonds that bind the widowed Duchess to her over-controlling brothers, foregrounding the intricate networks of connection that link people to each other and to their environments. Progressively breaking down the distinction between insides and outsides, humans and animals, the play reminds us that we are not so very different from all the other creatures on the earth.

New Plays,  Books & Musicals

New Plays, Books & Musicals

Our regular up-to-date selection of recently published books as well as new or re-released plays and musicals, many of which are now available for amateur performance.
To find out more about the availability of any specific performing licenses please make contact with or visit the relevant publisher’s website.

Samuel French (A Concord Theatricals Company)
E: licensing@concordtheatricals.co.uk
E: customerservices@concordtheatricals.co.uk
W: www.concordtheatricals.co.uk
F: ConcordShows | T: @ConcordUKShows

THE ALTERNATIVE by Michael Patrick, Oisín Kearney

Full-length Drama, Modern day, 978 0 573 11681 0, £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
What if Ireland was still part of the United Kingdom? What if Home Rule had passed? What if there was no War of Independence? No Civil War? No partition? What if the island had only one soccer team?
The year is 2019 and it is the eve of the Referendum. British Prime Minister Ursula Lysaght is returning to her hometown of Dublin to convince voters to Remain. With the threat of chaos in the streets, and personal conflict behind the scenes, the final debate is set to begin at BBC Dublin: Should Ireland leave the UK?

 

THE BUTTERFLY LION by Michael Morpurgo, Anna Ledwich

Full-length Play, 978 0 573 11682 7, £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
When Bertie is sent away from the African farm of his childhood to school in England, he leaves behind not only his beloved mother and the beautiful land, swarming with wildlife, but also his best friend – a white lion he rescued as a cub.
Bertie’s struggle to adjust to his new life in harsh, grey England is alleviated only by a chance friendship with the equally lonely Millie and his dreams of his treasured lion, now trapped in a French circus. But their remarkable journey is only just beginning, and the pair are destined to meet again.
The Butterfly Lion combines music, design and puppetry to bring a magical adventure to life: celebrating nature, friendship and the triumph of love. Based on Michael Morpurgo’s best-selling novel, which won the Smarties Prize and the Writers’ Guild Award, this stage adaptation was commissioned by Chichester Festival Theatre and written by Chichester Festival Theatre’s Writer-in-Residence Anna Ledwich.

 

A CHRISTMAS CAROL by Charles Dickens, Alan Harris

Full-length Play, Victorian, 978 0 573 11696 4, £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
It’s Christmas Eve and Ebenezer Scrooge is miserable – will he ever get into the Christmas spirit?
Set in North Wales, this version of Dickens’ festive classic tale explores a living, breathing Victorian community.
This adaptation by Alan Harris is a funny immersive family show filled with music and mystery that whisks away the audience to a dream world where anything can happen and ghosts are just around the corner.

 

LITTLE MISS BURDEN by Matilda Ibini

Full-length Drama, 978 0 573 13017 5, £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
They are the coolest, fiercest, most super talented girl band ever assembled: Big Sis and Little Sis are waiting for the third member of their trio to arrive. Little Miss is on her way. It just takes her a little bit longer.
At thirteen, Little Miss is given a gift which cannot be returned. She has to share her body and life with it. And she needs to find a way for the two of them to get along as they can’t both be Player One. Little Miss Burden explores rewriting your narrative and embracing your identity on your own terms.
Matilda Ibini’s coming-of-age tale smashes together 90s nostalgia, Nigerian family, East London and Sailor Moon to tell the sometimes tricky, often funny truth about growing up with a physical impairment.

 

THE WIND OF HEAVEN by Emlyn Williams

Full-length Play, 4M 4F, 19th Century, 978 0 573 01653 0, £9.99

Dilys Parry lives in Blestin, a Welsh mountain village which has no children and worships no god since a disaster snatched away all its youth.
Inconsolable since her husband died in the Crimean War, Dilys is gradually re-awakened to life when a prophet-like child working in her household is called by God to serve the world.
In the wake of vast social inequality and a mismanaged war, one small community rediscovers its lost faith, with startling consequences for the village, and the world beyond…
A parable about healing the wounds inflicted by a national trauma, The Wind of Heaven was first produced in the West End in April 1945, just three weeks before the end of the Second World War in Europe, starring Emlyn Williams himself.
It received its first London production in nearly seventy-five years at the Finborough Theatre, London, in November 2019.

 

Bloomsbury – Methuen Drama
T: 01256 302699
W: www.bloomsbury.com | E: direct@macmillan.co.uk
F: BloomsburyPublishing | T: @bloomsburybooks

Theatre Books…

Introduction to the Alexander Technique by Bill Connington

978 1 350 05295 6, £19.99

This practical guides for actors includes over 150 practical, easy-to-follow exercises to improve alignment, flexibility, and poise. The book is supported by a range of online videos demonstrating key exercises described throughout the book.

 

 

Questors, Jesters and Renegades by Michael Coveney

978 1 350 12837 8, £25.00 Hardback

The Story of Britain’s Amateur Theatre
This is the vital story of the amateur theatre as it developed from the medieval guilds to the modern theatre of Ayckbourn and Pinter, with a few mishaps and missed cues along the way. Michael Coveney – a former member of Ilford’s Renegades – tells this tale with a charm and wit that will have you shouting for an encore.
Between the two world wars, amateur theatre thrived across the UK, from Newcastle to Norwich, from Bolton to Birmingham and Bangor, championed by the likes of George Bernard Shaw, Sybil Thorndike, and J.B. Priestley. Often born out of a particular political cause or predicament, many of these theatres and companies continue to evolve, survive and even prosper today.
This is the first account of its kind, packed with anecdote and previously unheard stories, and it shows how amateur theatre is more than a popular pastime: it has been endemic to the birth of the National Theatre, as well as a seedbed of talent and a fascinating barometer and product of the times in which we live.
Some of the companies Coveney delves into – all taking centre stage in this entertaining and lively book – include The Questors and Tower Theatre in London; Birmingham’s Crescent Theatre; The Little Theatre in Bolton, where Ian McKellen was a schoolboy participant; the Halifax Thespians; Lincolnshire’s Broadbent Theatre, co-founded by Jim Broadbent’s father and other conscientious objectors at the end of World War II; Crayford’s Geoffrey Whitworth Theatre, where the careers of Michael Gambon and Diana Quick were launched; Anglesey’s Theatr Fach, a crucible of Welsh language theatre; and Cornwall’s stunning cliff-top Minack.

Methuen Drama (Bloomsbury) is pleased to offer readers a 35% discount on Questors, Jesters and Renegades.

Enter the code QUESTORS35 at checkout online at: www.bloomsbury.com to apply the discount.
Offer valid until 31 May 2020.

 

Screen Acting Skills by Roger Wooster and Paul Conway

978 1 350 09303 4, £18.99

This handbook addresses the fact that many screen actors beginning their careers lack the necessary pre-shoot preparation and knowledge of studio protocols that are required of them, and offers practical, focussed exercises that can be explored in low-tech workshop situations.

 

 

Music Fundamentals for Musical Theatre by Christine Riley

978 1 350 00175 6, £24.99

Offers a series of lessons in music fundamentals, including theory, sight-singing and aural tests, giving readers the necessary skills to navigate music and all that is demanded of them without necessarily having had a formal music training.

 

Plays…

Rough Magic Theatre Company, Edited by Patrick Lonergan

978 1 350 11979 6, £24.99

Celebrating the work of one of Ireland’s most daring theatre companies, this anthology gathers five plays by established and emerging playwrights. They include vibrant new adaptations of Peer Gynt and Phaedra alongside vital new dramas that explore issues of urgent contemporary concern, such as sex and sexuality, emigration and climate change.

 

 

The Sugar Syndrome by Lucy Prebble

978 1 350 17457 3, £10.99

Dani is 17. She’s looking to meet someone honest and direct. What she finds is a man twice her age who thinks she’s an 11-year-old boy.
Lucy Prebble’s debut play is a devastatingly and disturbingly funny exploration of an unlikely friendship, our desire to connect, and the limits of empathy.

 

 

Death of England by Roy Williams and Clint Dyer

978 1 350 16789 6, £10.99

After the death of his dad, Michael is powerless and angry. In a state of heartbreak, he confronts the difficult truths about his father’s legacy and the country that shaped him. At the funeral, unannounced and unprepared, Michael decides it is time to speak.
A powerful new monologue play by Roy Williams and Clint Dyer that explores family feelings and a country on the brink.

 

The High Table by Temi Wilkey

978 1 350 14718 8, £10.99

With her wedding to Leah drawing nearer, Tara’s future is thrown into jeopardy when her Nigerian parents refuse to attend. This kind of love is unheard of, they say. It’s not African. High above London, suspended between the stars, three of Tara’s ancestors are jolted from their eternal rest. Stubborn and opinionated, they keep watch as family secrets are spilled and the rift widens between Tara and her parents. Can these representatives of generations passed keep the family together?

 

 

Judgment Day by Ödön von Horváth, ad. by Christopher Shinn

978 1 350 15935 8, £10.99

This new adaptation offers a fresh take on the portrait of a society struggling to take responsibility for its actions in a search for public retribution, themes that still resonate in today’s societal climate.

 

 

American Moor by Keith Hamilton Cobb

978 1 350 16530 4, £10.99

A play that examines the experience and perspective of black men in America through the metaphor of Othello. It is a play about race in America, but it is also a play about who gets to make art, who gets to play Shakespeare, about the qualitative decline of the American theatre, about actors and acting, and about the nature of unadulterated love.

 

 

Nick Hern Books
T: 020 8749 4953
W: www.nickhernbooks.co.uk | E: info@nickhernbooks.co.uk
F: NickHernBooks | T: @NickHernBooks

Christmas Carol: A Fairy Tale by Charles Dickens, Piers Torday

Full-length Play, 4-9F 3-16M up to 10f/m, 19th Century simply staged, 978 1 848 42914 7, £9.99 (£7.99 direct from publisher)

Jacob Marley is dead. And so is Ebenezer Scrooge… In this reinvention of the timeless classic, Ebenezer has died and his sister Fan has inherited his money-lending business. At Christmas, she is haunted by three spirits who want her to change, but will she? Witty, urgent and empowering, this bold adaptation will prove a festive gift for amateur theatre companies seeking an original, female-led version with lashings of goodwill to all men – and women.
“Delightfully surprising and subversive… offers both the story, and its 19th Century writer, a welcome 21st Century transformation.” The Guardian

 

Hedda Tesman by Henrik Ibsen, Cordelia Lynn

Full-length Play, 4F 3M, Adapted for the present day can be simply staged, 978 1 848 42895 9, £9.99 (£7.99 direct from publisher)

In this vital exploration of motherhood, power and sabotage, Cordelia Lynn breathes new life into Henrik Ibsen’s classic. After thirty years of playing wife, Hedda is bitter and bored. When her estranged daughter, Thea, suddenly reappears asking for help, the present begins to echo the past and Hedda embarks on a path of destruction.
This ingenious adaptation offers an older female performer the opportunity to dive into the iconic titular role.
“Lynn reveals how Hedda’s torment is just as applicable today as it was a century or more ago.” WhatsOnStage

 

Mary Shelley’s Frankenstein by Mary Shelley, Rona Munro

Full-length Play, 3-6F 4-9M plus 1F/M (additional chorus possible), 19th Century ideally spare and non-naturalistic set, 978 1 848 42917 8, £9.99 (£7.99 direct from publisher)

An eighteen-year-old girl, Mary Shelley, dreams up a monster whose tragic story will capture the imaginations of generations to come. Rona Munro’s imaginative retelling of Shelley’s Gothic masterpiece places the writer herself amongst the action as she wrestles with her creation and with the stark realities facing revolutionary young women, then and now. This version puts a fantastic role for a young female performer at the centre of the classic, with flexible casting for the Monster and scope for a large cast.
“An inventive feminist adaptation… an exploration and celebration of female creativity.” The Stage

 

nut by debbie tucker green

Full-length Play, 3F 3M plus one voice, Contemporary, can be simply staged, 978 1 848 42335 0, £9.99 (£7.99 direct from publisher)

debbie tucker green’s play nut is a drama about a woman who wants to withdraw from the world. Elayne doesn’t want company but company won’t leave her alone. Everyone’s got an opinion but no one’s listening and things are starting to slip.
A powerful play for a company looking for great opportunities for black performers.
“Provocative, touching, darkly humorous… its understated power is remarkable.” Time Out

 

One For Sorrow by Cordelia Lynn

Full-length Play, 3F 2M, Contemporary single interior setting, 978 1 848 42761 7, £9.99 (£7.99 direct from publisher)

During an attack on London, Imogen joins a social media campaign offering refuge to victims. Before her family have had a chance to discuss it, John is at their door. He isn’t what they expected. And although they’d never admit it to themselves, he isn’t necessarily what they want.
This pressingly topical socio-political drama sends up the modern manners of the middle class, and offers an opportunity for companies wanting to stage something challenging for performers and audience alike.
“A riveting, quicksilver, subtly manipulative thriller… electrifyingly plugged into the moment… a rich, fascinating work.” The Stage

Rathmines Road by Deirdre Kinahan

Full-length Play, 3F 2M, Contemporary can be simply staged, 978 1 848 42777 8, £9.99 (£7.99 direct from publisher)

While hosting friends for drinks, Sandra comes face-to-face with someone she never wanted to see again. A play about secret trauma and public revelation, Rathmines Road is set over one evening that bristles with tension. Fraught, funny and ferocious, it testifies to the pain of carrying the memory of sexual assault throughout a lifetime. A challenging ensemble piece with a meaty role for a female performer.
“Kinahan’s rollercoaster script has an awful lot of important and necessary things to say. Thought-provoking and uncompromising.” The Arts Review

 

The Small Hours by Katherine Soper

Full-length Play, 8F/M (add’ chorus possible), Contemporary can be simply staged, 978 1 848 42896 6, £9.99 (£7.99 direct from publisher)

Written specifically for young people, The Small Hours formed part of the 2019 National Theatre Connections Festival.
It’s 1am. Eight young people are staying up through the night. Peebs and Epi are the only students left at school over half-term; former step-siblings Red and Jazz try to navigate their reunion; Jaffa tries to help Keesh finish an essay; Wolfie is getting up the courage to confess a secret to VJ. Set over four hours, where the choices are small yet feel momentous, this play offers rich opportunities for a large cast of young performers.

 

When They Go Low by Natalie Mitchell

Full-length Play, 6-10F 3-4M (larger cast possible), Contemporary can be simply staged, 978 1 848 42902 4, £9.99 (£7.99 direct from publisher)

Written specifically for young people, When They Go Low formed part of the 2018 National Theatre Connections Festival.
Reprimanded after social media goes into a frenzy over pictures of a girl at a party, Louise wages war on her school’s systemic misogyny. When she threatens popular boy Scott, things escalate horribly. Exploring everyday feminism, consent and the changing face of teenage sexuality in an online world, this topical drama offers rich opportunities for a large cast of all genders, with particularly strong roles for young women.

 

Music Theatre International (Europe)
T: 020 7580 2827
W: www.mtishows.co.uk | E: shows@mtishows.co.uk
F: mtieurope | T: mtieurope

KINKY BOOTS

Music and Lyrics by Cyndi Lauper. Book by Harvey Fierstein. Based on the Miramax motion picture of the same name, written by Geoff Deane and Tim Firth

Winner of six Tony Awards including Best Musical, Kinky Boots features a joyous, Tony-winning score by Cyndi Lauper and a hilarious, uplifting book by four-time Tony winner Harvey Fierstein.

Charlie Price has reluctantly inherited his father’s shoe factory, which is on the verge of bankruptcy. Trying to live up to his father’s legacy and save his family business, Charlie finds inspiration in the form of Lola. A fabulous entertainer in need of some sturdy stilettos, Lola turns out to be the one person who can help Charlie become the man he’s meant to be. As they work to turn the factory around, this unlikely pair finds that they have more in common than they ever dreamed possible… and discovers that when you change your mind about someone, you can change your whole world.
Kinky Boots is full of opportunities for a theatre to flex their artistic muscles with elaborate costumes, exhilarating choreography and a truly moving and powerful story. A sure-fire crowd pleaser, Kinky Boots will have your audiences dancing in the aisle and discovering why sometimes, the best way to fit in is to stand out!

 

Smith Scripts
T: 0844 997 1000
W: www.smithscripts.co.uk | E: info@smithscripts.co.uk
F: smithscripts | T: @smithscripts

THE FOX by Tim Kenny

One-act Drama, 1M, 1M/F, Contemporary, £3.50 (online)

This play has won a national award and continues to be performed. An old man goes to a beach at dusk to see the foxes. A young police officer, send out to look for him, finds that his expectation of the aged people is turned on its head.

 

 

GARDENING LEAVE by Nicolas Ridley

One-act Drama, 2M 1F, Contemporary, £3.50 (online)

Bob is on ‘gardening leave’ but he’s anxious ‘to get back in the saddle’. Work is Bob’s life. For him, it’s an imperative, a compulsion. What is life without a job? It has to be the right job, of course. That’s not to say that money isn’t important. And although there’s no urgency, sooner would be much, much better than later. Which is why his meeting with Tom in a West End club is so important. Can Tom point Bob in the right direction? Better still, does Tom have any openings himself? The problem is … Well, there are lots of problems. Mistaken identity, cross purposes, a surprising revelation and a terrible let-down, for which free theatre tickets – gold dust though they may be – isn’t really sufficient recompense.

 

INVISIBLE EDDIE by Becky Kimsey

Full-length Comedy, 6M 3F or 4M 3F, Contemporary, £5.00 (online)

Eddie is an introvert who is still living with his sister Mary in her London flat. When he loses his job, Mary and her fiancé, George, decide to have Eddie hypnotised to make him feel ‘invincible’ around strangers. Unfortunately, the Hypnotherapist (who has had a few too many) mistakenly convinces Eddie that he is ‘Invisible’ around strangers instead. Throw in a cockney super, a lustful landlady, a blustering boss, a blind Bonny and a baited barkeep at the Cock and Poppy Pub and you’ve got yourself a cracking good British comedy!

 

MR TEN DAYS by Jon W. Baker

Full-length Comedy/Drama, 3M 3F, Contemporary, £5.00 (online)

Andy is a neurotic commitment-phobe. He prides himself on not doing relationships longer than ten days. Then he meets Emma; bright, attractive, optimist, and training to be a marriage guidance counsellor. Emma fixes relationships, Andy doesn’t do relationships
Do opposites ever attract? Can the man who never dates, date? And how does the psychologist get together with someone who declares psychology to be the dark art?
All will be revealed in this charming, very, very funny romantic comedy for the stage. It’ll make you laugh… and cry.

 

ROBIN HOOD by Jonathan Edgington

Full-length Comedy/Drama, Large Mixed Cast, 12th Century England, £5.00 (online)

Robin Hood is a two-act comedy-drama with a running-time of just under two hours which successfully premiered in Winchester in 2016.
Its narrative is driven by three ancient, irascible witches and the plot centres around their desire to obtain the ingredients for a spell which will make them all young again.
Expect the unexpected and lots of laughs in this swashbuckling new version of the much-loved tale!
Twelfth Century England. Weary from The Crusades, Robin of Loxley returns to Nottingham intending to marry his childhood sweetheart and claim his family inheritance. Instead he finds a much-changed world packed with romance, mystery, intrigue and dastardly deeds in which his archery and sword fighting skills and those of his new comrades, the Merry Men, are regularly put to the test…
This comedy/drama cleverly combines the traditional elements of the legend with brand-new material and characters in an exciting, fun-filled adventure.

 

Oberon Books
T: 020 7607 3637
W: www.oberonbooks.com | E: permissions@oberonbooks.com
F: OberonBooksLondon | T: @oberonbooks

Before I Was A Bear by Eleanor Tindall

1F, 978 1 786 82925 2, £9.99

On a rainy Wednesday evening, Cally sits at her local pub waiting for her best friend. She notices someone in the corner. She recognises them. It can’t be them though, can it? It isn’t. This doesn’t happen. She won’t go over. She won’t.
A darkly comedic coming-of-age solo play, Before I Was A Bear is a modern myth about friendship, the power dynamics of sexuality and hot TV detectives.

 

Bubble Schmeisis by Nick Cassenbaum

1F, 978 1 786 82994 8, £9.99

Bubbemeises: Noun. Yiddish; a grandmother’s story, a tall story, an old wives’ tale.
Nick Cassenbaum invites you into the warmth of the Canning Town Schvitz, East London’s last authentic bath house. Amongst the steam and ritual Nick will take you on a journey to find the place he belongs.
Bubble Schmeisis is full of intimate and personal true stories about identity, home and getting schmeised (washed) by old men.

 

I Can Go Anywhere by Douglas Maxwell

2M, 978 1 786 82910 8, £9.99

Stevie is a disillusioned academic who once wrote an unfashionable book on youth movements in Britain, now struggling to cope after a painful break-up. His misery is interrupted by Jimmy who lands unexpectedly on his doorstep beaming with excitement. Jimmy is 100% Mod: oversized military parka, fitted Italian suit, dessy boots, pork pie hat. The full package.
Jimmy is seeking asylum in the UK. With just a few days before the substantive interview that’s going to decide his fate, the stakes are high. So he came up with a brilliant plan. A plan that’s going to work against all odds. It has to work. He can’t go back. And Stevie has an important part to play.

 

Fairview by Jackie Sibblies Drury

3M 5F, 978 1 786 82938 2, £9.99

It’s Grandma’s birthday and the Frasier family have gathered to celebrate. Beverly just wants everything to run smoothly, but Tyrone has missed his flight, Keisha is freaking out about college and Grandma has locked herself in the bathroom. But something isn’t right. Who is watching them?
A radical examination of the power of spectatorship and the pressure of destructive preconceptions. Jackie Sibblies Drury’s 2019 Pulitzer prize-winning Fairview.

 

Hela by Mari Izzard

1M 1F, 978 1 786 82923 8, £10.99

Erin, a young mother, has lost her son – but no one will listen. Driven and desperate, she must find him by any means necessary. When everything – including justice – is determined by an algorithm, can data truly be trusted? Can deep-seated pain ever be defused? And how far will Erin be willing to go to see justice happen?
Mari Izzard’s debut bilingual play Hela is a dark and unsettling tale of dirty family secrets and vigilante justice.

 

A Kind of People by Gurpreet Kaur Bhatti

3M 4F, 978 1 786 82928 3, £9.99

Friday night and someone’s having a party. It seems like a laugh, but not everyone’s having fun. Nicky and Anjum want their kids to get into the best schools, and Gary is feeling the pressure after applying for a promotion. What happens when not everyone will get what they want?
Gurpreet Kaur Bhatti’s new play about a group of working-class friends dreaming of a better life for their children questions the dream of class mobility, and what happens when the odds are stacked against you.

 

Land Without Dreams by Tue Biering, Sophie H. Smith (trans)

1F, 978 1 786 82906 1, £9.99

A woman walks onto the stage. She says she is from the future. She says that we have stopped dreaming. She says we can change everything. She says that she can help end all our dystopian nightmares. But we know plays don’t change the world. Right?
Land Without Dreams is a hopeful, funny and courageous new show by experimental Copenhagen-based theatre company Fix&Foxy.

 

Midnight Movie by Eve Leigh

978 1 786 82930 6, £9.99

A girl fights for her life in a lift. New Window. A protest in Trafalgar Square. New Window. A naked man in a bathtub. New Window. Janelle Monae, dancing.
The possibilities are endless. Even at 2am. That’s the thing about being Extremely Online: there’s no limit on where you can go.
Eve Leigh’s new play explores what the internet means for those who are disabled – what does an online life feel like to those whose bodies are deemed out of the ordinary by the rest of society?

 

Playstart 2: Short Plays from New Voices by Mono Box Ltd., Grace Tarr, Kiran Benawra, Vivian Xie, Maatin Patel

978 1 786 82920 7, £10.99

Four short plays by brand new writers, each of whom has been mentored by an experienced playwright and supported by the Mono Box team.

 

 

Ravens – Spassky vs. Fischer by Tom Morton-Smith

9M 3F, 978 1 786 82932 0, £9.99

Reykjavik, 1972. All eyes are on Iceland ahead of ‘the Match of the Century’: Boris Spassky vs. Bobby Fischer. For the two contenders, the stakes have never been higher – the world title, unprecedented prize money, and stratospheric fame are all on the table.
But as the Cold War begins to heat up, each side of the Atlantic spots a major opportunity to demonstrate superiority over the other. So why hasn’t America’s knight in shining armour shown up? And why won’t Russia’s grandmaster listen to orders? As the two superpowers prepare their opening gambits in a proxy battle of ideologies, with sport as the weapon of choice, both sides find themselves undermined by their pawns, who seem oddly unwilling to cooperate.

 

Snow White Devised by the company

3M 3F, 978 1 786 82893 4, £9.99

In a wild and windswept land, far, far away, snow falls on a castle nestled amongst the trees, where a cruel Queen is assured by her magic mirror that her beauty surpasses all others. Until one day – when the mirror proclaims that Snow White, the Queen’s step-daughter, is the fairest in the land. Fleeing the Queen’s rage, Snow White runs deep into the forest, where she finds refuge with a motley crew of characters that accept her as one of their own, and show her a different way to live.
This joyful re-telling of the classic Brothers Grimm fairy tale is about growing up, growing old, growing your own food, and why you shouldn’t trust a very shiny red apple.

 

Three Sisters by Inua Ellams, after Anton Chekhov

10M 10F, 978 1 786 82966 5, £9.99

Chekhov’s iconic characters are relocated to Nigeria in this bold new adaptation. Owerri, 1967, on the brink of the Biafran Civil War.
Lolo, Nne Chukwu and Udo are grieving the loss of their father. Months before, two ruthless military coups plunged the country into chaos. Fuelled by foreign intervention, the conflict encroaches on their provincial village, and the sisters long to return to their former home in Lagos.

 

Cressrelles Publishing Company Limited
T: 01684 540154
W: www.cressrelles.co.uk | E: simon@cressrelles.co.uk

If you would like to read a free-for-approval-purposes pdf, please email. Printed copies of these plays are also available via post at the usual approval rate.

My Name Is Oscar Wilde by Norman Holland
A stark, powerful play. For a flexible cast of up to nine men and four women. Duration is fifty-five minutes but can be cut for Festival performance.
My Name Is Oscar Wilde sees the famous playwright and wordsmith facing the harsh realities of incarceration in Reading Gaol. He takes refuge in memories of his earlier triumphs and his subsequent fall from grace.

Pieces of Hate by Richard Franks
For three men and three women. Running time is approximately 50 minutes. This one-act, very dark comedy won the Scarborough Theatre-In-The-Round Festival in 1978, adjudicated by Alan Ayckbourn.
Judi and Thomson are about to host a fancy-dress party to introduce themselves to their new neighbours. From this simple plotline, the play gathers momentum and drama. Unbeknownst to our hosts, who have troubles of their own, the other two couples are inter-connected, with a tense back-story. The black humour is funny without becoming sick. The characters, their individual ‘kinks’ and the constantly fluctuating relationships between them are a source of amusement.

Poppy by Leonard Rogers
Poppy is a one-act comedy for two men and two women in their twenties. Running time is approximately 45 minutes.
Young, flirty Poppy, a figment of Mike’s imagination, materialises at the most awkward moments! Mike’s wife exorcises the problem, only to benefit Rodney!

Post Mortems by Jill Hyems
A one-act play for two women in their forties.
Post Mortems is a dissection of a widow’s downward spiral following the death of her beloved husband. Eight months of grief and isolation have driven Gerda to a total breakdown and Jan is to be part of her macabre suicide plot. Performed on TV and radio. A marvellous play by the talented author of the TV series, Tenko.

Spotlight Publications
T: 01383 825737
W: www.spotlightpublications.com
E: wwpanto@gmail.com | F: spotlightpublishing

Robin Hood & the Babes in Verse by Dave Buchanan

5M 6F 4M/F, Castle, Village square and Forest

The Babes come to visit their uncle, the Sheriff of Nottingham, little suspecting that he is planning their demise. But never fear, help is at hand! – in the shape of Robin and his Merry Men, plus Lady Marian, and Nanny Dame Dannii (with two Is).
The plot combines the Babes-lost-in-the-forest story with the Robin Hood legend. Musical highlights include parody lyrics of songs by Abba and The Village People, and one from The Sound Of Music. The comedy comes thick and fast with the comedy hitmen and Robin’s motley crew of Men in Tights. Plus, a really villainous Sheriff, and an unforgettable Dame!

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