For theatre... online, non-professional, amateur
New Plays, Books & Musicals

New Plays, Books & Musicals

Our regular up-to-date selection of recently published books as well as new or re-released plays and musicals, many of which are now available for amateur performance.
Show listings are not proof that respective titles are available for amateur performance. Please make appropriate enquiries with respective licensors.


CONCORD THEATRICALS

E: licensing@concordtheatricals.co.uk
E: customerservices@concordtheatricals.co.uk
W: www.concordtheatricals.co.uk
F: ConcordShows | T: @ConcordUKShows

Samuel French

HADESTOWN by Anaïs Mitchell

Full-Length Musical / F5, M3 / Fantasy / 978 0 573 70885 5 / £10.99

This intriguing and beautiful folk opera delivers a deeply resonant and defiantly hopeful theatrical experience. Following two intertwining love stories — that of young dreamers Orpheus and Eurydice, and that of immortal King Hades and Lady Persephone — Hadestown invites audiences on a hell-raising journey to the underworld and back. Inspired by traditions of classic American folk music and vintage New Orleans jazz, Mitchell’s beguiling sung-through musical pits industry against nature, doubt against faith, and fear against love.

 

HEATHERS THE MUSICAL by Laurence O’Keefe, Kevin Murphy

Full-Length Musical / F9, M8 / 1980s, Westerberg High School, Ohio / 978 0 573 70382 9 / £10.99

Heathers The Musical is the darkly delicious story of Veronica Sawyer, a brainy, beautiful teenage misfit who hustles her way into the most powerful and ruthless clique at Westerberg High: the Heathers. But before she can get comfortable atop the high school food chain, Veronica falls in love with the dangerously sexy new kid J.D. When Heather Chandler, the Almighty, kicks her out of the group, Veronica decides to bite the bullet and kiss Heather’s aerobicised ass… but J.D. has another plan for that bullet.
Brought to you by the award-winning creative team of Kevin Murphy (Reefer Madness, “Desperate Housewives”), Laurence O’Keefe (Bat Boy, Legally Blonde) and Andy Fickman (Reefer Madness, She’s the Man). Heathers The Musical is a hilarious, heartfelt, and homicidal new show based on the greatest teen comedy of all time. With its moving love story, laugh-out-loud comedy, and unflinching look at the joys and anguish of high school, Heathers will be New York’s most popular new musical. Are you in, or are you out?

 

IN THE HEIGHTS by Lin-Manuel Miranda, Quiara Alegría Hudes

Full-Length Musical / F6, M6 / Contemporary, Present Day / DIG0000000438 / £4.00 (digital perusal score rental)

In the Heights tells the universal story of a vibrant community in New York’s Washington Heights neighbourhood – a place where the coffee from the corner bodega is light and sweet, the windows are always open and the breeze carries the rhythm of three generations of music. It’s a community on the brink of change, full of hopes, dreams and pressures, where the biggest struggles can be deciding which traditions you take with you, and which ones you leave behind.

 

ONE GOOD TURN by Una McKevitt

Full-Length Play / F4, M2 / Present Day / 978 0 573 13270 4 / £9.99

Brenda wants Frank to do his exercises, Aoife wants to go to a wedding of all things, Fiona doesn’t know what she wants and Frank is looking for the gun.
One Good Turn brings us a family on the brink who are keeping the show on the road any which way they can. It is a wry and life-affirming exploration into the ups and downs of family bonds.

 

 

SIX by Toby Marlow and Lucy Moss

Full-Length Musical / F6 / Present Day, 16th Century – Elizabethan

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
The Electrifying New Musical Phenomenon! From Tudor Queens to Pop Princesses, the SIX wives of Henry VIII take the mic to reclaim their identities out of the shadow of their infamous spouse, remixing five hundred years of historical heartbreak into an exuberant celebration of 21st-Century girl power.Nominee:

  • Five 2019 Olivier Awards, including Best New Musical
  • Winner! 2019 Whatsonstage Award for Best Off-West End Production
  • Winner! 2019 BBC Radio 2 Audience Award for Best West End Musical

Rodgers and Hammerstein

PAL JOEY by Richard Rodgers, Lorenz Hart, John O’Hara

Full-Length Musical / F4, M2 / 1940s – WWII / DIG0000000500 / £4.00 (digital perusal score rental)

The penultimate Rodgers & Hart collaboration introduced the first anti-hero to propel a musical. Joey is an opportunistic cad, but he always seems to land on his feet. He elbows his way into a job at a seedy Chicago nightclub and is soon juggling the affections of a naive chorus girl and a wealthy society dame who just happens to be married. Once Joey has charmed the socialite into setting him up in his own joint, he ditches the chorine and is riding high, playing the big-time operator. When a punk threatens to spill the whole business to the socialite’s husband, she decides that she’s bored with Joey anyway, dumping him and the club. Having had a taste of his own medicine, you’d think Joey would head back to the sweet kid who really loves him. Wrong. Some things never change, but you know what? He’s still on his feet.

 

SHOW BOAT by Jerome Kern, Oscar Hammerstein II, Edna Ferber

Full-Length Musical / F8, M9, 1 Girl / 1920s, 1910s – WWI, 1900-1910, 18th Century / DIG0000000522 / £4.00 (digital perusal score rental)

Spanning the years from 1880 to 1927, this lyrical masterpiece, centered around the Mississippi show boat Cotton Blossom, concerns the lives, loves and heartbreaks of three generations of show folk and their lifelong friends. Show Boat follows the story of the Hawkes family, including the captain’s naive daughter Magnolia, who wants to be a performer, as she marries a gambler and moves with him to Chicago. When his debts compound, he deserts her and their young daughter. Magnolia’s selfless best friend Julie, a performer on the Cotton Blossom, faces arrest on charges of miscegenation, which is illegal, and she spirals into despair. The passing of time reunites Magnolia and her now-grown daughter with Magnolia’s estranged husband, who returns offering a second chance at familial happiness.

 

 

Tams Witmark

BARNUM by Cy Coleman, Michael Stewart, Mark Bramble

Full-Length Musical / F3, M2 / 1835 – 1880. America and major capitals of the world / DIG0000000360 / £4.00 (digital perusal score rental)

P.T. Barnum, the Greatest Showman on Earth, combines razzle-dazzle with charm and brass to sell “humbug” to cheering crowds. A joyful and moving musical portrait of the nineteenth century’s greatest show-biz legend, Barnum is a colorful, dynamic spectacle with heart. Cy Coleman and Michael Stewart’s rousing score includes “There’s a Sucker Born Every Minute,” “Join the Circus,” “The Colors of My Life,” and “Come Follow The Band.”
Concord Theatricals has collaborated with Subplot Studio to create high-quality artwork that complies with your license. Promoting your show has never been easier!

 

PORGY AND BESS by George Gershwin, DuBose Heyward, Dorothy Heyward, Ira Gershwin

Full-Length Musical / F4, M4 / Charleston, South Carolina. The early 1930s

Known worldwide as a masterpiece and an “American Folk Opera,” Porgy and Bess® was George Gershwin’s final work for the musical stage. Based on DuBose and Dorothy Heyward’s play Porgy, Porgy and Bess® combines elements of jazz, classical, and American folk music. Musical numbers include “Summertime,” “A Woman Is a Sometime Thing,” “My Man’s Gone Now,” “I Got Plenty O’ Nuttin’,” “It Ain’t Necessarily So,” “Bess, You Is My Woman Now,” and “I’m On My Way.”

 

TITANIC by Peter Stone, Maury Yeston

Full-Length Musical / F14, M23 / The RMS Titanic, between 10 – 15 April 1912 / DIG0000000299 / £4.00 (digital perusal score rental)

Titanic is available for licensing in two versions:

  • Titanic (Original): Designed for a large cast, with 14 lead roles and at least 23 supporting roles. Presented on Broadway with a cast of 37 performers.
  • Titanic – Ensemble Version: Designed for a total of 20 actors, with performers doubling or tripling on roles.

Concord Theatricals has collaborated with Subplot Studio to create high-quality artwork that complies with your license. Promoting your show has never been easier!

The sinking of the Titanic in the early hours of April 15, 1912, remains the quintessential disaster of the Twentieth Century. A total of 1,517 souls – men, women and children – lost their lives (only 711 survived). The fact that the finest, largest, strongest ship in the world – called, in fact, the “unsinkable” ship – should have been lost during its maiden voyage is so incredible that, had it not actually happened, no author would have dared to contrive it.
But the catastrophe had social ramifications that went far beyond that night’s events. For the first time since the beginning of the industrial revolution early in the 19th Century, bigger, faster and stronger did not prove automatically to be better. Suddenly the very essence of “progress” had to be questioned; might the advancement of technology not always be progress?
Nor was this the only question arising from the disaster. The accommodations of the ship, divided into 1st, 2nd and 3rd Classes, mirrored almost exactly the class structure (upper, middle and lower) of the English-speaking world. But when the wide discrepancy between the number of survivors from each of the ship’s classes was revealed – all but two of the women in 1st Class were saved while 155 women and children from 2nd and 3rd (mostly 3rd) drowned – there was a new, long-overdue scrutiny of the prevailing social system and its values.
It is not an exaggeration to state that the 19th Century, with its social stricture, its extravagant codes of honor and sacrifice, and its unswerving belief that God favored the rich, ended that night.
The musical play Titanic examines the causes, the conditions and the characters involved in this ever-fascinating drama. This is the factual story of that ship – of her officers, crew and passengers, to be sure – but she will not, as has happened so many times before, serve as merely the background against which fictional, melodramatic narratives are recounted. The central character of our Titanic is the Titanic herself.
Peter Stone

 

Musicals: Youth & Teen Editions

AMÉLIE: TEEN EDITION by Craig Lucas, Daniel Messé, Nathan Tysen & Daniel Messé, Jean-Pierre Jeunet & Guillaume Laurant

Full-Length Musical / F5, M7, 1 Girl / 1970s & 1990s Paris and the mind and imagination of Amélie Poulain / 978 0 573 70865 7 / £10.99

Amélie is an extraordinary young woman who lives quietly in the world but loudly in her mind. She covertly improvises small but surprising acts of kindness that bring joy and mayhem. But when a chance at love comes her way, Amélie realizes that to find happiness she’ll have to risk everything and say what’s in her heart. Be inspired by this imaginative dreamer who finds her voice, discovers the power of connection, and sees possibility around every corner.


 

Nick Hern Books

T: 020 8749 4953
W: www.nickhernbooks.co.uk | E: info@nickhernbooks.co.uk
F: NickHernBooks | T: @NickHernBooks

Alexander Technique for Actors: A Practical Course by Penny O’Connor

Theatre book / 978 1 848 42758 7 / £14.99 (£11.99 direct from publisher)

Written by an experienced teacher of the Alexander Technique, this comprehensive, supportive and highly practical book takes you step by step through a series of eleven guided lessons, each exploring different elements and principles of the technique. With dozens of exercises and assignments to help you immediately put what you’ve learned into practice, and featuring illustrations throughout, this is the ideal introduction to everything the Alexander Technique has to offer – and its potential to benefit not just your work and career, but your entire life.
‘Penny O’Connor’s approach to the Alexander Technique is mindful and meaningful. She brings great skill, experience, wit and humanity to her work. I have learnt a great deal from her.’
Jeannette Nelson, Head of Voice, National Theatre.

 

Getting, Keeping & Working with Your Acting Agent: The Compact Guide by JBR

Theatre book / 978 1 848 42941 3 / £8.99 (£7.19 direct from publisher)

Perfect for any talented and committed amateur actor looking to make the leap into working professionally, this empowering, informative guide explains everything actors need to know about agents – how to find one, what they do, and how to work with them effectively to help you succeed if you want to make acting your career. Also included are invaluable tips on how to write a great CV; obtain attention-grabbing headshots, showreels and voicereels; prepare for and excel at auditions; embrace social media; protect your mental health; and much more.

 

 

Hamilton and Me: An Actor’s Journal by Giles Terera. Foreword by Lin-Manuel Miranda

Theatre Book / 978 1 848 42999 4 / £16.99 (£13.59 direct from publisher)

A unique, personal account of researching, rehearsing for and performing in the London production of Lin-Manuel Miranda’s smash-hit musical Hamilton – by Giles Terera, the actor who won an Olivier Award for his performance as the West End’s Aaron Burr. It offfers an honest, intimate and thrilling look at everything involved in opening a once-in-a-generation production – the triumphs, breakthroughs and doubts, the camaraderie of the rehearsal room and the moments of quiet backstage contemplation – as well as a fascinating, in-depth exploration of now-iconic songs and moments from the musical, as seen from the inside.
‘Masterful and excellently written… offers audiences and readers the chance to not only be in the “room where it happens” but also to smell the sweat, feel the pulsing hearts and hear the resonance… deserves a permanent place on aspiring musical theatre performers’ bookshelves’
The Reviews Hub

 

How Plays Work (revised and updated edition) by David Edgar

Theatre book / 978 1 839 04031 3 / £14.99 (£11.99 direct from publisher)

In this fascinating masterclass for playwrights and playmakers, distinguished playwright David Edgar examines the mechanisms and techniques which dramatists throughout the ages have employed to structure their plays and to express their meaning. This new edition brings the book right up to date with analyses of many recent plays, as well as explorations of emerging genres and new innovations in playwriting practice.
‘An essential accompaniment for anyone fascinated by the craft of dramatic storytelling’
John Yorke

 

 

Learning Your Lines: The Compact Guide by Mark Channon

Theatre book / 978 1 848 42971 0 / £8.99 (£7.19 direct from publisher)

This accessible, systematic guide will teach you how to memorise your lines quickly and effectively, and let go of the fear of forgetting them – helping you build confidence and focus, and reducing anxiety and stress around auditions, rehearsal and performance. Discover dozens of tips, tricks and techniques, along with exercises and examples to illustrate how they work in practice.

 

 

What Country, Friends, Is This?: Directing Shakespeare with Young Performers by Max Hafler

Theatre Book / 978 1 848 42803 4 / £14.99 (£11.99 direct from publisher)

A highly practical, comprehensive guide to exploring Shakespeare with young people, or indeed performers of all ages – ideal for directors, youth-theatre leaders, workshop facilitators and teachers. Beginning with a series of workshops that introduce the skills and principles of voice and acting, this book sets out, step by step, how to use devising, develop short scenes, explore soliloquies, and unlock the themes, characters, stories and language of the plays. There is also useful advice on preparing for a production, editing and transposing the text, rehearsing scenes, and fostering an ensemble.
‘A must-own… full of exercises and advice to explore’
Teaching Drama on Max Hafler’s book Teaching Voice: Workshops for Young Performers


 

Music Theatre International (Europe)

T: 020 7580 2827
W: www.mtishows.co.uk | E: shows@mtishows.co.uk
F: mtieurope | T: mtieurope

Hans Christian Andersen Music and Lyrics by Frank Loesser. Book by John Fearnley, Beverley Cross and Tommy Steele

Countless generations of children have been raised on the fairytales of Hans Christian Andersen. From “The Ugly Duckling” to “The Little Mermaid.” Now with music by legendary composer Frank Loesser, Hans Christian Andersen is a musical storybook that brings the timeless tales (and the man who created them) to life onstage.
A struggling cobbler in Denmark, Hans Christian Andersen is better at making stories than shoes. As he discovers his potential as a storyteller and writer, he ultimately gets the help he needs from the people who love him to make a future for himself.
A family-friendly show with generous ensemble roles for both adults and children, Hans Christian Andersen is a timeless treasure. It is based on the 1952 film starring Danny Kaye and features classic songs such as “I’m Hans Christian Andersen,” “Thumbelina,” “Anywhere I Wander,” and more!

 

A KILLER PARTY: A Murder Mystery Musical Music by Jason Howland. Lyrics by Nathan Tysen. Book by Kait Kerrigan and Rachel Axler

A Killer Party: A Murder Mystery Musical is an online, performance-ready show based on the successful streaming musical. This hilarious and irreverent send-up of the classic Murder Mystery features an all-star creative team that includes music by Jason Howland (Little Women), lyrics by Nathan Tysen (The Burnt Part Boys), and a book by the illustrious Kait Kerrigan and Rachel Axler.
MTI’s licensable version of this online show is a 90-minute, single piece designed to be pre-recorded and edited together for a streaming production shown on the showtix4u.com platform.
When Varthur McArthur, the artistic director of a failing theater in Duluth, invites his troupe of disgruntled actors and collaborators to the first read of an “immersive murder mystery dinner party,” no one knew that he would be the victim. Or did they? Enter the eager, determined, and untested Detective Case. After sequestering the guests into separate rooms (because, you know, social-distancing), she gets down to finding out whodunnit, uncovering secret affairs, life-long grudges, backstage drama, and a lot of musical theater song and dance. Sifting through lies and red herrings and a truly baffling murder mystery script left by the deceased, Case vows to find the truth and secure her future as a great detective.

 

A-Wop Bop A-Loo Bop: A jukebox celebration of the early days of Rock & Roll! Book by Mark Brymer and John Jacobson

A-Wop Bop A-Loo Bop takes us back to the late 1950’s as Rock & Roll is taking the airwaves by storm. Roberta “Ruby” Lester and her friends are spunky teenagers with dreams of making it big in the music business. But sometimes dreams don’t go as planned. When the local radio station announces that “Rock‘n’Roll has got to go”, the kids take a stand for the music they love.
A-Wop Bop A-Loo Bop offers plenty of roles, along with a flexible ensemble you can tailor to your casting needs. Featuring hit songs like ‘Rock Around The Clock’, ‘Jailhouse Rock’, ‘Tutti Frutti’, ‘Up On the Roof’, ‘The Loco-Motion’, ‘I’m Sorry’ and ‘Land of 1000 Dances’, this new jukebox musical will get a whole new generation of rockin’ around the clock!


 

Surface Press / BANDCAMP

W: rosebiggin-keircooper.bandcamp.com
E: surfacepress@gmail.com

WILD TIME: a radical novelisation of Shakespeare’s A Midsummer Night’s Dream by William Shakespeare, Rose Biggin, Keir Cooper

Novelisation

Paperback, signed paperback, e-book: rosebiggin-keircooper.bandcamp.com/releases
Ebook (Amazon): www.amazon.co.uk/Wild-Time-Rose-Biggin-ebook/dp/B08GY1NL4L

Both funny and sexy on an astronomical scale. The Perfect Summer Read!
Rose Biggin and Keir Cooper’s Wild Time “breaks as many rules as it can”, sparking rave reviews, a must-read for those looking for an hilarious new twist in the tale that packs a punch.
As the theatre industry opens up this season we are seeing many productions of A Midsummer Night’s Dream (one of the world’s most beloved plays), as theatres around the UK welcome back their audiences.
Two award-winning theatremakers have made a “theatrical novel” Wild Time, a witty riff that rewrites the action of Dream, and begins a conversation about the sexual politics of this famous and frequently performed piece, in a wholly unique way.
Their theatrical bookclub at Camden People’s Theatre made the Guardian’s hotlist and Lyn Gardner’s Pick of the week.
Authors Rose Biggin and Keir Cooper offer us a mischievous ride into myth and magic, taking liberties with Greek gods and literary idols as if nothing is sacred.
A witty reinvention of Shakespeare for 21st Century politics and sex-positivity. An ideal world to get lost in this Summer.
The Duke of Athens and the Amazon Queen are getting married in the morning. It’s going to be a big one, and everyone’s invited. The King and Queen of the Fairies arrive into ancient Athens, ready to be guests of honour at the party of the age.
There’s a gifted new Changeling in town — a uniquely talented human who’s attracting some attention. Titania has plans, Oberon’s wound up about it, there’s a long night ahead and naturally it all comes down to who does what. The planets have their own ideas, and elsewhere, deep within the forest, we see a leatherworker and part-time male stripper rehearsing a play that’s ahead of its time…
This is A Midsummer Night’s Dream as you’ve never known it before. A punk revision of Shakespeare’s narratives of pleasure and power, WILD TIME is a new world composed of erotic and theatrical acrobatics, taking liberties with Greek gods and literary idols like nothing is sacred. It’s funny, it’s sexy, and you’ve got a front row seat.

“WILD TIME is a genuinely intoxicating night in the woods. Generous and witty, sexy and extremely smart, it torments Shakespeare with such lascivious glee and trips nimbly through the theatrical canon… To see the universe expanded out in prose, but also subverted and punked and stripped down and re-focussed is a constant joy. I’ve never read anything like it.”
Stewart Pringle, Dramaturg, National Theatre.

“A lusty reimagining of A Midsummer Night’s Dream, WILD TIME spins you at arm’s length in the middle of its heated embrace. Transgression is at its heart: this new version does its best to rip off the shackles of its originator, but pays homage to it too by breaking as many rules as it can – just as Puck and his cohorts are wont to do. It’s like being in a really fun, messy party where I want to be friends – and maybe more – with them all… erotic and direct, joyful and funny, WILD TIME entices as much as it shocks. There are dangerous pleasures to be had here… if you’re bold enough.”
Honour Bayes, Writer & Critic

“Funny and mischievous, WILD TIME is a delightful reinvention… a treat for lovers of theatre and the fantastical”
EJ Swift

“Boldly experimental and daring, not to mention fabulously entertaining… One of the most remarkable aspects of this book is the way it honours its source material: the bawdiness, the humour, the word play, the theatrical chaos – they’re all here, all mined knowingly and inventively and to delightful effect. The authors’ willingness to be bold and innovative in terms of language and form adds extra verve, and their understanding of and appreciation for *theatre* in every sense of the word results in a work that almost demands to be adapted for the stage. The poetry, humour and sheer joy… a book that will raise a sorely needed smile as these dark days encroach.”
Nina Allan

Rose Biggin & Keir Cooper are two experimental theatre artists who work with radical adaptation, literature and histories: between them, productions include a Don Quijote remix (**** Guardian, Time Out Critics Choice), queer flamenco-theatre on the Spanish Revolution, and a performance of poledance and electric guitar, feat. live art veteran Penny Arcade.

WILD TIME is their debut novel. Rose’s short fiction has been published by Jurassic London, Abaddon Books & Egaeus Press.
Their second theatrical novel has been funded by Arts Council England and is currently in development.


 

Neville Teller

T: 01625 879508
W: www.nevilleteller.co.uk | E: teller.neville@gmail.com

MORE AUDIO DRAMA by Neville Teller

£11.99 paperback / £4.99 ebook (Amazon)

Neville Teller’s generous second helping of plays for audio. Charging no performance rights or royalties, More Audio Drama author Neville Teller gifts ten beautifully crafted literary classic adaptations for radio and audio to podcast producers looking for prepared audio scripts.
Following the success of the author’s unique first collection of ten radio plays published in 2019, veteran audio dramatist Neville Teller returns with his second helping of plays – More Audio Drama – to delight lovers of radio drama as well as producers, actors and podcasters everywhere.
In these 10 plays inspired by literary classics, Neville’s expert and finely tuned writing skills are displayed to full effect. Whether you are a podcast producer seeking fully realised audio drama scripts, or one of the worldwide listening audience who love radio drama with its power to create images in the mind’s eye, More Audio Drama is a book to treasure and enjoy.
Neville is a veteran radio dramatist, with more than 50 BBC radio plays under his belt and scores more produced and broadcast across America by the San Francisco-based Shoestring Radio Theatre.
Back in 2019 he published his first collection of ten radio plays, Audio Drama. They have been so welcomed that he decided to make another ten available. Here they are – 10 more of Neville’s plays for radio and podcast, all of which have been produced and broadcast. As in his first book, these scripts are offered to podcast producers with no strings attached. The books on which they are based are all literary classics in the public domain. No performance rights are required.
Whether you are a podcast producer seeking fully realised audio drama scripts, or one of the worldwide listening audience who love radio drama with its power to create images in the mind’s eye, More Audio Drama is a book to treasure and enjoy.
Neville says: “These easy-to-read radio scripts provide lovers of radio drama with the chance to create in their own minds the sort of radio drama that they enjoy. As for the worldwide community of podcast producers, here are 10 audio-ready scripts, offered with no strings attached.
“No royalties, no performance rights.”
Neville Teller is a veteran radio dramatist, with more than 50 BBC radio plays under his belt and scores more produced and broadcast across America by the San Francisco-based Shoestring Radio Theatre. Back in 2019 he published his first collection of ten radio plays, Audio Drama. They have been so welcomed that he decided to make another ten available. Here they are – 10 more of Neville’s plays for radio and podcast, all of which have been produced and broadcast. As in his first book, these scripts are offered to podcast producers with no strings attached. The books on which they are based are all literary classics in the public domain. No performance rights are required. Whether you are a podcast producer seeking fully realised audio drama scripts, or one of the worldwide listening audience who love radio drama with its power to create images in the mind’s eye, More Audio Drama is a book to treasure and enjoy.


 

JOHN WATERHOUSE

T: 01625 879508
W: jcwaterhouse.co.uk | E: john@jcwaterhouse.co.uk

What goes on in the Pantheon by John Waterhouse

Full-Length Comedy / F6, M6 (or 3m, 3f with doubling)

Free preview script via Stage Scripts at shop.stagescripts.com
The Greek Gods have enjoyed centuries of relative stability under the rule of Zeus, notwithstanding a few affairs and shenanigans along the way. All seems well apart from the fact that Artemis, Goddess of the Moon and the Hunt (as well as chastity) has not been seen for a while.
Karen, a holiday-maker climbing Mount Olympus, enters a portal accidentally left open by the messenger God Hermes on a trip down to the underworld of Hades. Karen bears a strong resemblance to Artemis, albeit with much shorter hair, and the rest of Gods assume she has simply changed her appearance a little (which Gods can do).
Having quickly learnt there are dire consequences for mortals who enter the Pantheon, Karen decides to pose as the missing Goddess. This suits Hades perfectly, who has Artemis a prisoner in his underworld kingdom, as he plots to challenge the power of Zeus on Olympus.


 

STAGE GHOSTS AND HAUNTED THEATRES by Nick Bromley

Available at lnpbooks.co.uk/product/stage-ghosts-and-haunted-theatres and for Sardines readers at a special price of £8 + £2 p&p by using code: GhostClub8

Despite the mind fog of these Covid times, can you, like me, just about remember the 16 March 2020? That’s when the first lockdown started and shows, even those that had survived multiple cast changes, came to a grinding halt.

I’m a freelance Company Stage Manager and like the vast majority of my fellow workers in the business had to accept I had even more time on my hands than usual.

The belief things would improve in a couple of months turned from hope to despair at times but I was cheered by a consistent story in the theatre’s trade papers and websites.

It seemed that though actors and audiences had vanished, there was still one thing performing nightly as long as managements had paid their electricity bills. It was that age old symbol of stage superstition, the Ghost Light. Every theatre now seemed to have one defiantly alight, keeping the dark shadows of dread and emptiness at bay.

Their stories made me want to emulate them. I wanted to do something positive to help lift my spirits and an idea began to form. As I couldn’t partake in shows or watch live performances, what about dead ones? It so happened that I had been collecting ghost stories of the theatre for most of my career and I saw this as an ideal opportunity to tell some of them. There was no lack of variety. After all, if I added up all the casts of Les Mis, Phantom, Mamma Mia! and The Mousetrap, they still couldn’t top my Chorus Line of ghosts.

I started going through my collection and quickly realised it would be unfair to only concentrate on past performing phantoms. I needed to broaden my outlook more widely. And so I added stories from backstage and also from the auditoriums. After all, spectral spectators abound throughout the land.

My list of sightings and experiences grew and grew and to accommodate a selection of the best I decided to divide my book in two. Starting in the West End, it visits many playhouses where multiple hauntings have been reported including the Adelphi, the Haymarket and Wyndham’s.

An interval is next where individual stories are related, and afterwards the book goes on tour around the country, before ending of course with a finale set in the most famous haunted theatre of them all, the Theatre Royal Drury Lane.
The end result is entitled Stage Ghosts and Haunted Theatres. It’s an illustrated paperback with a foreword by Richard O’Brien of The Rocky Horror Picture Show fame. It covers over fifty theatres and includes a host of terrors and apparitions that have been seen, felt, heard and even smelt. Those lonely lights onstage may be beginning to be turned off now as shows are cautiously re opening, but that does not mean the ghosts themselves have ever left the buildings…

YOUR NEWS – Get Those Licenses In!

YOUR NEWS – Get Those Licenses In!

By Paul Johnson


As we previously announced, MTI has offered this simple-yet-ingenius worldwide event to celebrate the return of live theatre.
Now available for groups to license, All Together Now! will allow organisations to produce and perform locally an exclusive musical revue featuring songs from MTI’s shows from Fri, 12 – Mon, 15 Nov 2021.
The initiative is entirely free-of-charge to license with no royalty or rental fees whatsoever. Participating organisations may license MTI’s All Together Now! as a fundraiser for their theatre and perform it live, live-streamed, or a combination of both over the four-day period.
Licensees will also receive a number of MTI’s theatrical resources to help with rehearsals, marketing and performances – also completely free.
“The excitement for All Together Now! among our customers is growing by the day,” said Drew Cohen President and CEO of MTI Worldwide. “Our theatre industry colleagues have also been incredibly supportive and we are thrilled to have a growing roster of partners (incl. Sardines) contributing from so many disciplines within the theatre community. This is truly a collaborative effort, and we are all extremely excited that any and every type of theatre from schools to the pros has the opportunity to produce MTI’s All Together Now! in their communities.”
John Prignano, MTI’s C.O.O. and Director of Education & Development, remarked that: “We’ve streamlined our licensing process for this special event and there are no restrictions or limits on how many theatres in a particular geographical area can license the revue. Instead, we hope that as many theatres as possible produce the revue on their own, or come together with other organisations in their communities to mount a joint production. We also wanted to give theatres as much creative input as possible.
“The revue can be presented as a concert-like performance or groups can fully stage, choreograph and costume each song as it is presented in the full version of the show. Theatres are encouraged to feature as diverse a cast as possible, in order to reflect the composition of the entire community.
“All Together Now! is about bringing people back to the theatre, whether as audience members or cast, crew and musicians. Productions will benefit from a variety of races, genders, abilities, body types, and sizes, so we encourage groups to spread diversity as best they can across all the roles in the production.”
MTI’s growing list of partners in the endeavor include: the American Association of Community Theatre (AACT), the American Alliance for Theatre and Education (AATE), Broadway Media, BroadwayWorld, Disney Theatrical Group, Drama & Theatre, Educational Theatre Assoc. (EdTA), Funk Studios, Hal Leonard, iHeartRadio Broadway, Music Teacher, the National Alliance for Musical Theatre (NAMT), Playbill, Sardines, ShowShare, Subplot Studio, TYA/ USA, WhatsOnStage.

Go to: http://www.alltogethernowMTI.co.uk for more info and to get started licensing.

The full list of songs included in the revue:

  • Astonishing (Little Women)
  • Back to Before (Ragtime)
  • Be Our Guest (Disney’s Beauty and the Beast)
  • Beautiful City (Godspell)
  • Children Will Listen (Into the Woods)
  • Consider Yourself (Lionel Bart’s Oliver!)
  • Empty Chairs at Empty Tables (Les Misérables)
  • Gimme, Gimme (Thoroughly Modern Millie)
  • Good Riddance (Time of Your Life) (Green Day’s American Idiot)
  • I Dreamed a Dream (Les Misérables)
  • Let It Go (Disney’s Frozen)
  • Life Is So Peculiar (Five Guys Named Moe)
  • Matchmaker (Fiddler on the Roof)
  • Meadowlark (The Baker’s Wife)
  • Middle of a Moment (Roald Dahl’s James and the Giant Peach)
  • Pure Imagination (Charlie and the Chocolate Factory)
  • Seasons of Love (Rent)
  • Seize the Day (Disney’s Newsies)
  • She Used To Be Mine (Waitress)
  • Sit Down, You’re Rockin’ the Boat (Guys and Dolls)
  • Somewhere That’s Green (Little Shop of Horrors)
  • Spread the Love Around (Sister Act)
  • Stop the World (Come From Away)
  • Supercalifragilisticexpialidocious (Disney & Cameron Mackintosh’s Mary Poppins)
  • Take a Chance on Me (Mamma Mia!)
  • The Human Heart (Once on This Island)
  • The New World (Songs for a New World)
  • This Is the Moment (Jekyll & Hyde)
  • Tomorrow (Annie)
  • We’re All in This Together (Disney’s High School Musical)
  • When I Grow Up (Roald Dahl’s Matilda the Musical)
  • Why We Tell the Story (Once on This Island)
  • Wouldn’t It Be Loverly? (My Fair Lady)
  • Writing Down the Story of My Life (Junie B. Jones, The Musical)
  • You Can’t Stop the Beat (Hairspray)
  • You Could Drive a Person Crazy (Company)
New Plays,  Books & Musicals

New Plays, Books & Musicals

Our regular up-to-date selection of recently published books as well as new or re-released plays and musicals, many of which are now available for amateur performance. As a result of the pandemicsome licensors are now offering special online-performance arrangements, so please get in touch with the appropriate company to find out more. Show listings are not proof that respective titles are available for amateur performance. Please make appropriate enquiries with respective licensors.


CONCORD THEATRICALS

E: licensing@concordtheatricals.co.uk
E: customerservices@concordtheatricals.co.uk
W: www.concordtheatricals.co.uk
F: ConcordShows | T: @ConcordUKShows

A GIRL IN A CAR WITH A MAN by Robert Alan Evans

Full-Length Play, Drama / F2, M3 / Contemporary / 978 0 573 13217 9 / £9.99

As Stella leaves her job at the shopping channel, Alex prepares for a night out, and Paula can’t stop thinking of the girl who’s gone missing, her face all over the news. Slowly the missing girl weaves her way through all their lives in the course of a very wet and wild night.

 

 

THE GRINNING MAN by Carl Grose, Tom Morris, Tim Phillips, Marc Teitler

Full-Length Musical, Dark Comedy / F5, M7 / Fantasy / 978 0 573 13220 9 / £9.99

A strange new act has arrived at Trafalgar Fair’s freakshow. Who is Grinpayne and how did he get his hideous smile?
With the help of an old puppeteer, his pet wolf and a blind girl, Grinpayne’s tale is told. When word spreads across the capital, everything changes. Desperate to know the terrible secrets of his mysterious past, Grinpayne leaves his true love behind and embarks on a journey into an even crueller world – the aristocracy.
The Grinning Man is a fairy-tale love story streaked with pitch-black humour, lashings of Gothic horror and swashbuckling adventure. It opened at Bristol Old Vic in 2016 to great acclaim and transferred to the West End’s Trafalgar Studios in 2017 where it achieved cult status and rave reviews.
The musical premiered at Bristol Old Vic in 2016, with a production directed by Tom Morris. Following the success of the Bristol run, the show transferred to Trafalgar Studios in the West End from 5 December 2017.

ONE DAY WHEN WE WERE YOUNG by Nick Payne

Full-Length Play, Drama / F1, M1 / Contemporary / 978 0 573 11662 9 / £9.99

Leonard and Violet, young, restless and in love, spend their first night together knowing it may also be their last. It’s 1942 and, in a hotel room in Bath, they dream of their future while preparing for Leonard’s departure to the war. But the bombs begin.

 

 

REASONS YOU SHOULD(N’T) LOVE ME by Amy Trigg

Monologues, Comedy / F1 / Contemporary, Present Day / 978 0 573 13260 5 / £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
For a long time I didn’t know how it’d work.
Or what I’d be able to feel.
People would ask me if I could have sex and I’d feign shock and act wildly offended whilst secretly wanting to grab them by the shoulders and be like “I don’t know, Janet!”
Juno was born with spina bifida and is now clumsily navigating her twenties amidst street healers, love, loneliness – and the feeling of being an unfinished project.
Winner of The Women’s Prize for Playwriting 2020, Amy Trigg’s remarkable debut play Reasons You Should(n’t) Love Me is a hilarious, heart-warming tale about how shit our wonderful lives can be.

SUE TOWNSEND’S THE SECRET DIARY OF ADRIAN MOLE AGED 13¾ THE MUSICAL by Sue Townsend, Jake Brunger, Pippa Cleary

Full-Length Musical, Comedy / F3, M3, Girl(s)1, Boy(s)3 / 1980s / 978 0 573 11665 0 / £9.99

Life’s pretty hard when you’re a 13¾-year-old misunderstood intellectual living in a cul-de-sac in 1981. With dysfunctional parents, ungrateful elders and a growing debt to school bully Barry Kent, Adrian Mole’s life simply couldn’t get any worse. So when luminous new girl Pandora joins Adrian’s class, things look set to change for our hapless hero. She immediately captures his heart, only for his best friend Nigel to steal hers…
Based on the classic bestselling novel by Sue Townsend, this critically acclaimed West End musical brings Britain’s best-loved spotty teenager’s story to life for a new generation of theatregoers.
Licensing fees and rental materials quoted upon application. Please submit a license request to determine availability.
“…warm and joyful energy.” – Evening Standard
“…the musical precisely captures the growing pains of a self-aware Leicester boy with literary leanings.” – The Guardian
“Delightful” – The New York Times
“endearing and thoroughly enjoyable…” – Independent
“…a continual mood of unforced tongue-in-cheek freshness.” – The Telegraph

THE TWO WORLDS OF CHARLIE F by Owen Sheers

Full-Length Play, Drama / Large cast (smaller possible) / Contemporary / 978 0 571 31558 1 / £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
The Two Worlds of Charlie F. moves through the stages of service, from the war in Afghanistan, to dream-like states of morphine-induced hallucinations, to the physio rooms of Headley Court. All through the view of soldier Charlie Fowler’s service, injury and recovery. The play explores themes of physical and psychological injury and its effects on soldiers as they fight for survival.
Drawn from the personal experience of the wounded, injured and sick service personnel involved, The Two Worlds of Charlie F. premiered at the Theatre Royal Haymarket, London, in January 2012 and toured nationally. It was revived for an international tour in 2014.

VESPERTILIO by Barry McStay

Full-Length Play, Drama / M2 / Contemporary / 978 0 573 13259 9 / £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
“So there’s a theory that we all have a finite number of heartbeats. We all have a billion heartbeats to live. Humans, cats, dogs, rats – all our hearts beat at different speeds but we all have the same amount. A clock with a billion ticks.”
Inspired by the incredible true story of the last greater mouse-eared bat living in Britain, Vespertilio explores the tender romance between introverted bat-enthusiast Alan and Josh, the charming young runaway he meets in an abandoned railway tunnel. As their relationship develops, these two damaged men might fix one another. If only a little. Vespertilio is a story of love, loneliness and bats, an exploration of the difference between merely surviving and truly living.

WARHEADS by Tarek Skylar, Ross Berkeley Simpson

Full-Length Play, Drama / F2, M4 / Contemporary / 978 0 573 13258 2 / £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
Upon return from his first tour of Afghanistan, 19-year-old Miles isn’t quite himself. Noises don’t sound the same. People don’t look the same. Pizza doesn’t taste the same.
The harder he tries to act normal, the harder it gets to be normal. And all his loved ones’ attempts to help him just keep making things worse.
The play oscillates between multiple timelines. We get to see glimpses of the child that was Miles Weppler before he signed up for the army, the man he’s become post war, and everything that happened in-between. We get an intimate view into what motivates a young man towards the military, and what motivates him to stay in the military, at any cost.
Through the eyes of his therapist, he’s just a lost boy. Through the eyes of his girlfriend, he’s a stubborn and sometimes scary man. Through the eyes of his best friend, he’s paranoid. And through his not-so-best friend’s eyes, Weppler’s just a dick.
Warheads is a punchy, urban drama based on a true story.

 

Music Theatre International (Europe)

T: 020 7580 2827
W: www.mtishows.co.uk | E: shows@mtishows.co.uk
F: mtieurope | T: mtieurope

The Hunchback of Notre Dame – Book: Peter Parnell. Music: Alan Menken. Lyrics: Stephen Schwartz

Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame showcases the film’s Academy Award-nominated score, as well as new songs by Menken and Schwartz. Peter Parnell’s new book embraces story theatre and features verbatim passages from Hugo’s gothic novel.
The musical begins as the bells of Notre Dame sound through the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer who longs to be ‘Out There,’ observes all of Paris reveling in the Feast of Fools. Held captive by his devious caretaker, the archdeacon Dom Claude Frollo, he escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though – the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies – and it’s up to Quasimodo to save them all. A sweeping score and powerful story make The Hunchback of Notre Dame an instant classic. Audiences will be swept away by the magic of this truly unforgettable musical.

Disney’s THE LITTLE MERMAID – Book: Doug Wright. Music: Alan Menken. Lyrics: Howard Ashman & Glenn Slater

Based on one of Hans Christian Andersen’s most beloved stories and the classic animated film, Disney’s The Little Mermaid is a hauntingly beautiful love story for the ages. With music by eight-time Academy Award winner Alan Menken, lyrics by Howard Ashman and Glenn Slater, and a compelling book by Doug Wright, this fishy fable will capture your heart with its irresistible songs including ‘Under the Sea,’ ‘Kiss the Girl,’ and ‘Part of Your World.’
Ariel, King Triton’s youngest daughter, wishes to pursue the human Prince Eric in the world above and bargains with the evil sea witch, Ursula, to trade her tail for legs. But the bargain is not what it seems and Ariel needs the help of her colorful friends Flounder the fish, Scuttle the seagull, and Sebastian the crab to restore order under the sea.
Disney’s The Little Mermaid offers a fantastic creative opportunity for rich costumes and sets, and the chance to perform some of the best-known songs from the past thirty years.

Roald Dahl’s MATILDA THE MUSICAL JR. – Book: Dennis Kelly. Music & Lyrics: Tim Minchin.

Rebellion is nigh in Matilda JR., a gleefully witty ode to the anarchy of childhood and the power of imagination! This story of a girl who dreams of a better life and the children she inspires will have audiences rooting for the “revolting children” who are out to teach the grown-ups a lesson.
Matilda has astonishing wit, intelligence… and special powers! She’s unloved by her cruel parents but impresses her schoolteacher, the highly loveable Miss Honey. Matilda’s school life isn’t completely smooth sailing, however – the school’s mean headmistress, Miss Trunchbull, hates children and just loves thinking up new punishments for those who don’t abide by her rules. But Matilda has courage and cleverness in equal amounts, and could be the school pupils’ saving grace!
Packed with high-energy dance numbers and catchy songs, Matilda JR. is a joyous girl power romp. Children and adults alike will be thrilled and delighted by the story of the special little girl with an extraordinary imagination.

 

 

Nick Hern Books

T: 020 8749 4953
W: www.nickhernbooks.co.uk | E: info@nickhernbooks.co.uk
F: NickHernBooks | T: @NickHernBooks

Hamilton and Me AN ACTOR’S JOURNAL by Giles Terera

Theatre book / 978 1 848 42999 4 / Special Offer – see cover story

‘One of the most joyous and clear-eyed approaches to playing a character that I have ever read… I am so grateful Giles took notes on his process and turned them into this book. I was already in awe of his performance; now I’m in awe of his humanity and attention to detail and willingness to share the hard work and magic that goes into it.’ Lin-Manuel Miranda, from his Foreword.

‘One of the most joyous and clear-eyed approaches to playing a character that I have ever read… I am so grateful Giles took notes on his process and turned them into this book. I was already in awe of his performance; now I’m in awe of his humanity and attention to detail and willingness to share the hard work and magic that goes into it.’
Lin-Manuel Miranda, from his Foreword
Our latest cover star’s book is published on the same day as this new, back-to-print edition of Sardines. Make sure you read our interview with Giles Terera on page 14.
When Lin-Manuel Miranda’s groundbreaking musical ‘Hamilton’ opened in London’s West End in December 2017, it was as huge a hit as it had been in its original production off- and on Broadway. Lauded by critics and audiences alike, the show would go on to win a record-equalling seven Olivier Awards – including Best Actor in a Musical for Giles Terera, for his portrayal of Aaron Burr.
For Terera, though, his journey as Burr had begun more than a year earlier, with his first audition in New York, and continuing through extensive research and preparation, intense rehearsals, previews and finally opening night itself. Throughout this time he kept a journal, recording his experiences of the production and his process of creating his award-winning performance. This book, ‘Hamilton and Me’, is that journal.
It offers an honest, intimate and thrilling look at everything involved in opening a once-in-a-generation production – the triumphs, breakthroughs and doubts, the camaraderie of the rehearsal room and the moments of quiet backstage contemplation – as well as a fascinating, in-depth exploration of now-iconic songs and moments from the musical, as seen from the inside. It is also deeply personal, as Terera reflects on experiences from his own life that he drew on to help shape his acclaimed portrayal.
Illustrated with dozens of colour photographs, many of which are shared here for the first time, and featuring an exclusive Foreword by Lin-Manuel Miranda, this book is an essential read for all fans of Hamilton – offering fresh, first-hand insights into the music and characters they love and know so well – as well as for aspiring and current performers, students, and anyone who wants to discover what it really felt like to be in the room where it happened.

15 Heroines by Various authors

Monologues / short plays / f15 max. / Various settings, can be simply staged / 978 1 848 42986 4 / £10.39 direct from the publisher

Fifteen inspirational women – queens, sorcerers, pioneers, poets and politicians – are given new voice in this award-winning series of monologues by exciting female and non-binary playwrights, inspired by Ovid’s The Heroines. These monologues can be performed as three complete productions, individually, or in any combination.
“Compelling… sometimes funny, often moving, this is a phenomenal collection of monologues.” BritishTheatre.com

 

Chaos by Laura Lomas

Full-length play / Flexible – any size, any gender / Various settings, can be simply staged / 978 1 848 42987 1 / £7.99 direct from the publisher

A series of characters search for meaning in a complicated and unstable world in this symphony of interconnected scenes. Written specifically for young people as part of the National Theatre Connections Festival, it offers opportunities for a large, flexible cast, and can incorporate chorus work, movement and music.
“Potent, beautifully crafted, with rich theatrical texture.”
The Stage on Laura Lomas’ ‘Bird’

 

Little Wars by Steven Carl McCasland

Full-length play / F7 / Country home in the French Alps, 1940 / 978 1 839 04003 0 / £7.99 direct from the publisher

An enthralling, entertaining, and moving portrait of seven exceptional women. A dinner party during the Second World War unites a group of celebrated writers – including Agatha Christie, Dorothy Parker and Gertrude Stein – with a mysterious guest. With booze flowing, barbs flying, and the threat of global conflict looming, the guests are close to boiling point – and someone has a secret.
“The script is smart and witty… admirably bold and asks big questions.” The Stage

 

Stuff by Tom Wells

Full-length play / F5, M4 / Various settings, can be simply staged / 978 1 848 42988 8 / £7.99 direct from the publisher

A funny, touching play about friendship and loss – and the way people try to do the right thing for their mates when there isn’t really a right thing to do. Written specifically for young people as part of the National Theatre Connections Festival, it offers rich opportunities for an ensemble cast of teenagers.

“Perceptive about the characters’ concerns and insecurities… Tom Wells clearly understands teenagers, so we really do believe what we are seeing”
British Theatre Guide on Tom Wells’ ‘Broken Biscuits’

 

 

Bloomsbury – Methuen Drama

T: 01256 302699
W: www.bloomsbury.com | E: direct@macmillan.co.uk
F: BloomsburyPublishing | T: @bloomsburybooks

Hamlet: The State of Play – Edited by Sonia Massai & Lucy Munro

Theatre Book / 978 1 350 11772 3 / £67.50 (Online, Hardback)

This collection brings together emerging and established scholars to explore fresh approaches to Shakespeare’s best-known play. Hamlet has often served as a testing ground for innovative readings and new approaches. Its unique textual history – surviving as it does in three substantially different early versions – means that it offers an especially complex and intriguing case-study for histories of early modern publishing and the relationship between page and stage. Similarly, its long history of stage and screen revival, creative appropriation and critical commentary offer rich materials for various forms of scholarship.
The essays in Hamlet: The State of Play explore the play from a variety of different angles, drawing on contemporary approaches to gender, sexuality, race, the history of emotions, memory, visual and material cultures, performativity, theories and histories of place, and textual studies. They offer fresh approaches to literary and cultural analysis, offer accessible introductions to some current ways of exploring the relationship between the three early texts, and present analysis of some important recent responses to Hamlet on screen and stage, together with a set of approaches to the study of adaptation.

Shakespeare in the Theatre: Peter Hall – Stuart Hampton-Reeves

Theatre Book / 978 1 472 58708 4 / £17.99 (Online, Paperback)

Peter Hall is one of the most significant and influential directors of Shakespeare’s work of modern times. Through both his own work and the management of two national theatre companies, the National Theatre and the RSC, Hall has promoted Shakespeare as a writer who can comment incisively on the modern world.
His best productions exemplified this approach: Coriolanus (1959), The Wars of the Roses (1963) and Hamlet (1965) established his reputation as a director able to bring Shakespeare to the heart of contemporary politics. However, Hall’s career has been very varied, and sometimes his critical failures are as interesting as his successes. The book explores Hall’s work as a deliberate articulation of Shakespeare and national culture in the post-war years. The main focus is on his Shakespeare work, but critical attention is also given to non-Shakespearean productions, notably his 1955 Waiting for Godot (and his relationship with Samuel Beckett in general) and his 2000 Tantalus (and his work with John Barton), placing Hall’s work in its cultural and creative context.
Setting Hall’s work against the post-war development of national culture, the book explores how his work with other writers and artists (including Beckett, Pinter and Barton) informed his approach to directing as well as his rehearsal methods and his approach to Shakespeare’s text.

Staging Britain’s Past Pre-Roman Britain in Early Modern Drama – Kim Gilchrist

Theatre Book / 978 1 350 16334 8 / £67.50 (Online, Hardback)

Staging Britain’s Past is the first study of the early modern performance of Britain’s pre-Roman history. The mythic history of the founding of Britain by the Trojan exile Brute and the subsequent reign of his descendants was performed through texts such as Norton and Sackville’s Gorboduc, Shakespeare’s King Lear and Cymbeline, as well as civic pageants, court masques and royal entries such as Elizabeth I’s 1578 entry to Norwich. Gilchrist argues for the power of performed history to shape early modern conceptions of the past, ancestry, and national destiny, and demonstrates how the erosion of the Brutan histories marks a transformation in English self-understanding and identity.
When published in 1608, Shakespeare’s King Lear claimed to be a “True Chronicle History”. Lear was said to have ruled Britain centuries before the Romans, a descendant of the mighty Trojan Brute who had conquered Britain and slaughtered its barbaric giants. But this was fake history. Shakespeare’s contemporaries were discovering that Brute and his descendants, once widely believed as proof of glorious ancient origins, were a mischievous medieval invention.
Offering a comprehensive account of the extraordinary theatrical tradition that emerged from these Brutan histories and the reasons for that tradition’s disappearance, this study gathers all known evidence of the plays, pageants and masques portraying Britain’s ancient rulers. Staging Britain’s Past reveals how the loss of England’s Trojan origins is reflected in plays and performances from Gorboduc’s powerful invocation of history to Cymbeline’s elegiac erosion of all notions of historical truth.

ANGELA – Mark Ravenhill

Full-Length Play / 978 1 350 25559 3 / £9.89 (Paperback, Online)

Mark Ravenhill’s autobiographical radio play explores the way culture, high and low, impacted both his mother’s and his family’s lives.
Starting an adult ballet class as the only male in the group sparks a memory of life through the eyes of Ravenhill, the playwright. As time intertwines through alternating perspectives we see his family at different stages of their life. From childhood dreams of being a dancer and performer through to the creativity that brings his parents together for the first time and into their old age, this is a deeply personal and resonate drama about the intersects of life and culture.
Commissioned by Sound Stage, a new immersive audio theatre, designed by theatre-makers and leading technologists, giving audiences a unique and engrossing online theatre experience of new plays from the best in British theatre.

CRUISE – Jack Holden

Full-Length Play / 978 1 350 27069 5 / £9.89 (Paperback, Online)

Set in London’s Soho in the 1980s, Cruise tells the story of what should have been Michael Spencer’s last night on Earth. Diagnosed with HIV in 1984, he’s told by doctors that he has just four years to live, so as the clock runs down, Michael decides to go out in style. As he parties and bids final farewells to his friends, the clock strikes zero and Michael… survives. With the gift of life, how can he go on living?
Jack Holden’s debut play Cruise is a kaleidoscopic new monologue celebrating queer culture and paying tribute to a generation of gay men lost to the AIDS crisis. This edition was published to coincide with its West End production in May 2021.

 

Hymn – Lolita Chakrabarti

Full-Length Play / 978 1 350 24305 7 / £9.89 (Paperback, Online)

Two men meet at a funeral. Gil knew the deceased. Benny did not. Before long their families are close. Soon they’ll be singing the same tune.
Benny is a loner anchored by his wife and children. Gil longs to fulfill his potential. They develop a deep bond but as cracks appear in their fragile lives they start to realise that true courage comes in different forms.
Featuring music from Gil and Benny’s lives, Lolita Chakrabarti’s searching, soulful new play asks what it takes to be a good father, brother or son.
This edition was published to coincide with the world premiere at London’s Almeida Theatre in February 2021.

 

Mugabe, My Dad and Me – Tonderai Munyevu

Full-Length Play / 978 1 350 18607 1 / £9.89 (Paperback, Online)

April, 1980. The British colony of Rhodesia becomes the independent nation of Zimbabwe. A born-free, Tonderai Munyevu is part of the hopeful next generation from a country with a new leader, Robert Mugabe.
Mugabe, My Dad and Me charts the rise and fall of one of the most controversial politicians of the 20th Century through the lens of Tonderai’s family story and his relationship with his father. Interspersing storytelling with Mugabe’s unapologetic speeches, this high-voltage one man show is a blistering exploration of identity and what it means to return ‘home’.

 

ONCE UPON A BRIDGE – Sonya Kelly

Full-Length Play / 978 1 350 26709 1 / £9.89 (Paperback, Online)

Early one morning on Putney Bridge, three strangers’ lives collided for one fleeting second.
Inspired by real events, Once Upon a Bridge weaves a tale about human triumph and frailty, about the power of destiny and chance, and why sometimes we choose to hate and other times we choose to dance.
Commissioned by Ireland’s Druid Theatre and live-streamed from Mick Lally theatre in Galway, Sonya Kelly’s latest play received a string of excellent reviews for its bold intimacy and engaging story telling.

 

Orpheus in the Record Shop …and… The Beatboxer – Testament

Full-Length Play / 978 1 350 26766 4 / £9.89 (Paperback, Online)

Two new plays from acclaimed rapper and playwright Testament (Black Men Walking).

Orpheus in the Record Shop
Orpheus is alone, playing tunes in his record shop. After a visitor leaves him an unexpected gift strange things start to happen and music, myth and reality collide. Together with Orpheus we go in search of something ancient, contemporary and hopeful.

The Beatboxer
A beatboxer goes into a call centre to run a training day. But the bosses have ulterior motives for him being there.
Testament takes inspiration from the classical Greek myth of Orpheus, in a show that fuses spoken word and beatboxing with the musicians of the Orchestra of Opera North. Published alongside his radio play The Beatboxer which was shortlisted for The Imison Award, BBC Audio Drama Awards, these two plays are inspiring pieces of contemporary theatre. Orpheus in the Record Shop was broadcast as part of the #BBCLightsUp season on BBC television in 2021.

Sadie – David Ireland

Full-Length Play / 978 1 350 25657 6 / £9.89 (Paperback, Online)

Sadie has a one-night stand with the new office temp, Joao, but it develops into something much more serious when Joao reveals he’s in love with her. Sadie is flattered but she has a long history of terrible relationships. She wonders if it’s even possible for her to be happy in love? To answer that question, she calls upon her long dead uncle Red and her abusive ex-husband Clark, as well as her new therapist Mairead. Together they help her face some horrifying truths she’s kept hidden for too long.
Lyric Theatre Belfast, in association with Stephen Rea’s Field Day Theatre Company, bring this powerful new play to the stage, to be broadcast on BBC Four as part of BBC Arts ‘Lights up’ for the new Culture in Quarantine Season – a celebration of British theatre, bringing newly-recorded staged productions from UK theatres to audiences across television, radio, iPlayer and BBC Sounds.
Directed by Conleth Hill (Lord Varys, Game of Thrones) it stars award-winning actress Abigail McGibbon.

TARANTULA – Philip Ridley

Full-Length Play / 978 1 350 27445 7 / £9.89 (Paperback, Online)

It’s a sunny, spring day in East London.
On a street corner, two teenagers kiss.
One of them is Toni. This is her first kiss.
It makes her very happy.

But someone is watching.
Someone who doesn’t care about her happiness at all.
And they’re about to change Toni’s life… forever.

Philip Ridley’s thrilling new play is a startling exploration of identity, memory, love, and the lengths it takes someone to free themselves from the web of their past.

 

 

The Crowood Press

01672 520320
W: crowood.com | E: enquiries@crowood.com
F: TheCrowoodPress | T: @crowoodpress

Shakespearean Wig Styling A Practical Guide to Wig Making for the 1500s-1600s – Brenda Leedham and Lizzee Leedham

Theatre book / 978 1 785 00882 5 / £16.99

The poetry and plays of William Shakespeare continue to provide inspiration for designers in all aspect of media. Shakespearean Wig Styling offers detailed historical guidance on the styles and fashions of the day, and guides yo through twelve different wig designs covering a wide range of archetypal Shakespearian characters. Each example offers different techniques to meet the needs of the design, from material, knotting and curling to the final styling choices. Covering both the Tudor and Stuart periods, there are clear instructions within each example for making wigs from start to finish and adapting from the universal full-lace foundation to create alternative foundations, including added support for complicated styles such as the fontange.

In addition, the book covers:

  • what to expect when working in the theatre or as a freelance wig-maker;
  • fitting your client, measuring and taking a shell;
  • methods for preparing the hair under a wig;
  • knotting facial hair, hairpieces, hairlines, napes and partings;
  • methods for breaking or dirtying down;
  • creating bald caps and receding hairline effects.

This comprehensive book is an ideal companion for the newly qualified wig-maker and all professionals looking for a detailed reference guide to hairstyles from the Shakespearean era.

 

 

Theatrical Rights Worldwide

T: 020 7101 9596
W: www.theatricalrights.co.uk
E: london@theatricalrights.com
F: TRWMusicalsUK | T: @trwmusicalsuk

Million Dollar Quartet – Colin Escott, Floyd Mutrux

Full Length Musical / F1, M7 / 1950s / Memphis, Tennessee, USA / Rock and Roll

Inspired by ELVIS PRESLEY, JOHNNY CASH, JERRY LEE LEWIS and CARL PERKINS
The Tony® Award-nominated musical is set on December 4, 1956, when an extraordinary twist of fate brought Johnny Cash, Jerry Lee Lewis, Carl Perkins and Elvis Presley together at Sun Records in Memphis for what would be one of the greatest jam sessions ever.
MILLION DOLLAR QUARTET brings that legendary December night to life with an irresistible tale of broken promises, secrets, betrayal and celebrations that is both poignant and funny. Relive the era with the smash-hit sensation featuring an incredible score of rock ‘n’ roll, gospel, R&B and country hits, performed live onstage by world-class actors and musicians.
Showcased numbers include ‘Blue Suede Shoes,’ ‘Fever,’ ‘Walk the Line,’ ‘Sixteen Tons,’ ‘Who Do You Love?,’ ‘Great Balls of Fire,’ ‘Folsom Prison Blues,’ ‘Whole Lotta Shakin’ Goin’ On,’ ‘Hound Dog,’ and more.

Priscilla Queen of the Desert – The Musical – Stephan Elliott, Allan Scott

Full Length Musical / F7, M9, Boy(s)1 / 1990s / Australia / Pop Rock, Comedy

Based on the popular 1994 film of the same name, Priscilla Queen of the Desert follows two drag queens and a transsexual who buy a run-down old bus (they call it Priscilla) and set out on a road trip across the Australian Outback when one of them, Tick, is invited by his ex-wife to perform his drag show at her far-away resort. However, Tick is hesitant to tell his friends, Bernadette (a former performing icon whose best days are behind her) and Adam (a rambunctious young troublemaker), his own personal reasons for taking the trip.
During their journey, the trio encounters an array of Australian citizens.

 

All Shook Up – Inspired by and featuring the songs of Elvis Presley. Book: Joe DiPietro

Full Length Musical / F5, M4, Flexible ensemble / 1955 / Various settings / Rock ‘n’ Roll

It’s 1955, and into a square little town in a square little state rides a guitar-playing young man who changes everything and everyone he meets.
Loosely based on Shakespeare’s Twelfth Night, this hip-swiveling, lip-curling musical fantasy will have you jumpin’ out of your blue suede shoes with such classics as ‘Heartbreak Hotel,’ ‘Hound Dog,’ ‘Jailhouse Rock,’ and ‘Don’t Be Cruel.’

 

MONTY PYTHON’S SPAMALOT A Socially Distant Concert-ish Version – Book, Lyrics & Music by Eric Idle. Music by John Du Prez

Full Length Musical Comedy / F1, M6, Many casting opportunities for female roles in the ensemble. / Middle ages / King Arthur and his Knights of the Round Table / Various (Monty Python)

To address social distance restrictions during the pandemic of 2020, this “concert-ish” version of Spamalot is intended to be played to a socially separated audience by a cast of socially separated actors, appropriately placed.
To avoid closely placed musicians and stage crew, TRW recommends the use the recorded full orchestration, StageTracks, and the scenic projections that were designed in collaboration with the original 2005 Broadway production.

YOUR NEWS – All Together Now!

YOUR NEWS – All Together Now!

Music Theatre International (MTI) – A Global Event Celebrating Local Theatre


By PAUL JOHNSON

Theatrical licensor Music Theatre International (MTI) has announced updates to All Together Now!: A Global Event Celebrating Local Theatre.
The event means that schools and theatres around the world will be empowered to produce and perform locally an exclusive musical revue featuring songs from MTI’s beloved shows from 12-15 November 2021.

MTI’s All Together Now! will be entirely free-of-charge to license with no royalty or rental fees.

Participating organisations may license MTI’s All Together Now! as a fundraiser for their theatre and perform it live, streamed, or a combination of both over a long four-day period in November 2021.
A long list of renowned MTI authors, their estates and rightsholders are contributing songs from their iconic musicals to the revue including:

  • Stephen Schwartz
  • Lynn Ahrens & Stephen Flaherty
  • Cameron Mackintosh
  • Alain Boublil, Claude-Michel Schönberg & Herbert Kretzmer
  • Disney Theatrical Group
  • Frank Loesser
  • Alan Jay Lerner & Frederick Loewe
  • Tim Minchin
  • Jonathan Larson
  • Marc Shaiman & Scott Wittman
  • Leslie Bricusse & Anthony Newley
  • Frank Wildhorn
  • Charles Strouse & Martin Charnin
  • Marcy Heisler & Zina Goldrich
  • …plus many more to be announced.

“None of this would be possible without the support of the authors we represent,” stated MTI’s President and CEO, Drew Cohen. “We are fortunate that so many of these composers, lyricists and rightsholders are embracing the idea of All Together Now!. I know that theatres around the world are eager to see the full list of songs featured in this new revue and we are working hard behind the scenes to create a memorable and inspiring show. We will be making more announcements in the very near future, but we encourage everyone to visit the event website as authors and their songs are added.”

The brand-new musical revue is being put together by a renowned creative team that includes librettist Timothy Allen McDonald (James and the Giant Peach, Between the Lines, Breathe!); director, choreographer and Associate Artistic Director of the York Theatre, Gerry McIntyre (Berkshire Theatre Group’s Godspell, The York’s Hallelujah, Baby!); director and choreographer, Racky Plews (American Idiot, Thoroughly Modern Millie); director Jeff Calhoun (9 to 5, Disney’s Newsies on Broadway); and MTI’s COO and Director of Education & Development, John Prignano.

“One of our goals in creating this revue is to not only showcase some of the most beloved songs in the musical theatre catalogue, but to also allow local theatres to make this show their own,” said the members of the creative team. “We’re dividing the revue into sections where we hope to have a couple of different approved song options. We are also creating different moments in the script where organisations can feature remarks from their leadership, local luminaries and public officials. The idea is for every group to put their own stamp on All Together Now! so it resonates with their audiences.”

“I’ve been blown away by the response from theatres so far,” said John Prignano. “Many theatrical organisations across the globe have already expressed their enthusiasm for the event and committed to performing the revue in their communities. Unlike some of our shows that may have geographical licensing restrictions, we hope that if there are multiple theatres in a certain area that they get together, pool their resources and potentially perform the revue as a fundraiser for all the groups involved. That’s one of the reasons the show is only available for performance from 12 – 15 November; we want everyone to experience the magic of musical theatre together as a community.”

“We really want to help everyone who makes theatre and everyone who loves theatre to celebrate theatre’s return together,” said Seán Gray, Managing Director, MTI Europe. “We want to remind the world of the communal happiness we generate through sharing the fruits of our passion on a stage and in an auditorium. We hope that this will be a wonderful way for us all to sing to the world as we have never sung before: we are back!”

In the UK, a passion for a return to live theatre is running high. Pamela Mackie of Dunblane’s Rubber Chicken Theatre in Scotland said: “We’ve kept really busy theatrically over lockdown – virtual shows, online rehearsals, remotely filmed showpieces etc. etc. etc. but there is nothing in the world that compares with coming together, live on stage to rehearse and perform musical theatre. To have the chance to celebrate the return of musical theatre not only with each other and our audience locally, but with our theatre family across Scotland, the UK and the world is just incredible.

“To give our performers young and old the chance to be a part of such amazing songs and musicals, and to know that so many people driven by the same passion for theatre are performing the same songs at the same time, will be a special moment. We can’t wait.”

Gary Redpath of the Belfast Operatic Society and AIMS Northern Region Chairman in Northern Ireland also can’t wait to get in on the act.

“Committees all across the province are taking brave decisions in order to get non-professional performers back to doing what they love. Through lockdown, music has been proven to provide a welcome release for participants’ mental health.

“Incentives like MTI’s All Together Now! will help to restore confidence in the performing arts and events industry for audiences in a post-Covid world, helping to kickstart the industry. As performance rights are being provided free of charge, committees are able to participate at a reduced risk to themselves, allowing more societies to get involved in what will be a landmark weekend for the performing arts.”

Further details on licensing and how groups can participate in this worldwide event will be announced in the coming weeks.

In the meantime, please visit www.alltogethernowmti.co.uk for a list of FAQs, an email sign-up and more. www.mtishows.co.uk

NEW PLAYS, BOOKS AND MUSICALS

NEW PLAYS, BOOKS AND MUSICALS

Samuel French Ltd (A Concord Theatricals Company)

T: 020 7054 7285 (Amateur Groups)
T: 020 7054 7285 (Schools and Youth Groups)
T: 020 7054 7289 (Universities and Drama Schools)
W: www.samuelfrench.co.uk | F: samuelfrenchuk | T: @SamuelFrenchLtd

 

Better Off Dead by Alan Ayckbourn

Full-length Comedy

Larger than life and highly irascible author, Algy Waterbridge is hard at work on his 33rd crime novel featuring blunt Yorkshire cop DCI Tommy Middlebrass. But it’s been a while since Tommy was on the TV, Algy’s wife is getting frighteningly forgetful and his adoring PA sometimes oversteps the mark. With constant interruptions, it’s almost the last straw when old acquaintance Gus Crewe turns up to interview him for the press, with alarming consequences.
But as Algy’s fictional characters take over and real people introduce themselves into the dramatic climax of his novel, the lines become blurred and it might just be that fiction, misunderstandings and mistaken identity are closer to the truth than they seem.
A comedy of confusion about a grumpy old man who might not be so grumpy after all.

 

A Brief History of Women by Alan Ayckbourn

Full-length Comedy, 3M 3F, 978 0 571 34828 2, £18.99 (Alan Ayckbourn: Plays 6)

Contained in Alan Ayckbourn: Plays 6
A comedy in four parts about an unremarkable man and the remarkable women who loved him, left him, or lost him over sixty years; and of the equally remarkable old manor house that saw and heard it all happen.
A Brief History of Woman charts the life of Anthony Spates: from his first job as an adolescent footman at a country manor house through to his retirement as manager of the hotel the manor house became. Over the course of six decades, the play follows him and the remarkable women he has loved, left and lost over the years.
A Brief History of Woman premiered in September 2017 at the Stephen Joseph Theatre, Scarborough.

 

Consuming Passions by Alan Ayckbourn

Full-length Comedy

Consuming Passions is a thriller in which a woman believes she overhears a murder being planned. But has she really and, if so, can she prevent it?

 

A Daughter’s a Daughter by Agatha Christie

Full-length Play/Melodrama, 4M 5F, 1930s, PMS0000000209, £14.99 (pre-publication manuscript)

The love between a mother and daughter turns to jealousy and bitterness in this intense and personal drama.
Ann Prentice falls in love with Richard Caulfield and hopes for a new life and happiness. Only her daughter, Sarah, takes an instant jealous dislike to him. Resentment slowly corrodes their relationship as each seeks comfort in the formidable and knowing Dame Laura Whitstable who remarks, “the trouble with sacrifice is that once its made its not over and done with.”

 

Everybody’s Talking About Jamie by Dan Gillespie Sells, Tom MacRae, Jonathan Butterell

Full-length Musical, 10M 8F, Contemporary, 978 0 573 70689 9, £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
Jamie New is sixteen and lives on a council estate in Sheffield. Jamie doesn’t quite fit in. Jamie is terrified about the future. Jamie is going to be a sensation.
Supported by his brilliant, loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies, and steps out of the darkness into the spotlight.
Sixteen: the edge of possibility. Time to make your dreams come true.
Please note: the acting edition currently sold is intended for perusal only and may not be used in performance.

 

Fabric by Abi Zakarian

Monologue, 1F, Contemporary, 978 0 573 13211 7, £9.99

Leah has lost her friends, family, career, and dignity. Forced to move for a third time following a harrowing court case, she relives painful events in her past as she sorts through all the stuff that has accumulated in her spare room: clothes she doesn’t wear, books she doesn’t read, things she doesn’t need anymore. Leah desperately tries to unpick just where it all went wrong and who or what is really to blame.
Fabric deals with the aftermath of a rape that isn’t believed and confronts the traditional roles still expected of women; questioning how much has changed since the sexual revolution of the 1960s.

 

Farinelli and the King by Claire van Kampen

Full-length Drama, 6M 1F, 16th Century / Elizabethan, 978 0 573 70790 2, £10.99

Depressed and plagued by insomnia, King Philippe V of Spain lies awake in his chamber. The queen, desperate to find a cure, hears of Farinelli – a castrato with a voice so divine it has the power to captivate all who hear it. Even Philippe is astonished when Farinelli sings, and he begs him to stay. But will Farinelli, one of the greatest celebrities of his time, choose a life of solitude over fame and fortune in the opera houses of Europe? And will his extraordinary talent prove to be a curse rather than a blessing?

 

Fiddlers Three by Agatha Christie

Full-length Play, Melodrama, 8M 3F, 1970s, License only

Trying to get their hands on more than a little inheritance, a group of young people hide the body of a dead tycoon. But what starts as a lark quickly becomes all too serious when they discover that the body is in fact a murder victim.
A comedy about business and finance, with a strong undercurrent of criminal activity, the play combines humour, intricate plotting and a confounding murder.

 

Hangmen by Martin McDonagh

Full-length Play, Melodrama, 12M 2F 2M/F, 1960s, 978 0 571 32887 1, £9.99

In his small pub in Oldham, Harry is something of a local celebrity. But what’s the second-best hangman in England to do on the day they’ve abolished hanging? Amongst the cub reporters and sycophantic pub regulars, dying to hear Harry’s reaction to the news, a peculiar stranger lurks, with a very different motive for his visit.
Don’t worry. I may have my quirks but I’m not an animal. Or am I? One for the courts to discuss.

 

If There Is I Haven’t Found It Yet by Nick Payne

Full Length Drama, 2M 2F, Contemporary, 978 0 571 25597 9, £9.99

Surviving school as a fat kid is tough enough. When your mum’s a teacher, it’s hell. What’s more, Anna’s dad is obsessed with saving the world and her maverick uncle Terry is dossing on the couch. When Anna hits back at the bullies, she suspended from school and stuck at home with hapless Terry trying to save her. But Terry needs saving himself and, as the bond between the two deepens, Anna is swept up in a friendship she can’t live without. If There Is I Haven’t Found It Yet by Nick Payne is premiered at the Bush Theatre, London, in October 2009.
Once you have applied for your licence, email your licensing representative so that they can send you the most up-to-date version of this script necessary for production. No other version of the script is approved for production.

 

Incognito by Nick Payne

Full-length Drama, 2M 2F, 1960s, Enquire for details

Four actors play a combined twenty-one characters within Incognito’s three interwoven stories. A pathologist steals the brain of Albert Einstein; a neuropsychologist embarks on her first romance with another woman; a seizure patient forgets everything but how much he loves his girlfriend. Incognito braids these mysterious stories into one breathtaking whole that asks whether memory and identity are nothing but illusions.
The brain builds a narrative to steady us from moment to moment, but it is absolutely an illusion. There is no me, there is no you, and there is certainly no self.
Princeton, New Jersey. 1955. Thomas Stoltz Harvey performs the autopsy on Albert Einstein – and then steals his brain.
Bath, England. 1953. Henry undergoes pioneering brain surgery. The surgery changes Henry’s life, and the history of neuroscience.
London, England. The Present. Martha is a clinical neuropsychologist. When her marriage breaks down she starts to make radically different choices.
Three interwoven stories exploring the nature of identity and how we are defined by what we remember, Incognito is an exhilarating exploration of what it means to be human.

 

Mikey and Addie by Robert Alan Evans

Short-length Play, 1M 1F, Contemporary, 978 0 573 12015 2, £9.99

He walks about with his head in the stars, believing that his dad is up there somewhere, in space, working for NASA. However, when Addie shatters his dreams she starts to realise that with the truth comes responsibility and that, like it or not, she is going to have to do everything she can to help this boy. Even if it means breaking all the rules she holds dear.

 

Mystery of Dumsey Meadow by David Perkins, Caroline Dooley

Full-length Musical, 8M 8F 1M/F, 1930s, 978 0 573 11525 7, £9.99

When the pupils of St Winifred’s and St Albert’s arrive for a camping trip at the beautiful Dumsey Meadow, deep in the heart of the English countryside, they find themselves in a spot of bother – there has been a double booking and only one school may camp there.
Whilst trying to decide which of them should stay, they become aware of some mysterious things happening around them: What is the peculiar smell in the air? Why is the Farmer always singing? Why do the cows and sheep appear to be laughing? Why did the Dumsey apple harvest fail for the first time in 300 years? And who is the hooded woman with the horrible cackle? With sleuth-like commitment the children attempt to find answers to these puzzling questions.
Set in the 1930s with a cast of colourful characters, this is a musical play for mystery lovers everywhere with a flexible performing age range of eight to adult.

 

No Knowing by Alan Ayckbourn

Full-length Comedy, Enquire for details

A supremely funny comedy written in 2016, we see Elspeth and Arthur celebrate their fortieth wedding anniversary. We go back to the previous Christmas and wince as their grown-up children reveal murky and (often) hilarious truths about both parents.

 

One Day When We Were Young by Nick Payne

Full-length Drama, 1M 1F, WWII & 2002, 978 0 571 28395 8, £9.99

I am scared, that once this war is over, and I am sent home, that you won’t be here. That you will have left.
Leonard and Violet, young, restless and in love, spend their first night together knowing it may also be their last. It’s 1942 and, in a hotel room in Bath, they dream of their future while preparing for Leonard’s departure to the war. But the bombs begin to fall and their world will never be the same again. In the year 2002, the couple look back at what might have been.
Examining the impact of the Second World War on two ordinary lives and a love that spans more than sixty years, Nick Payne’s One Day When We Were Young premiered at the Crucible Studio, Sheffield, in October 2011 in a Paines Plough production.
Once you have applied for your licence, email your licensing representative so that they can send you the most up-to-date version of this script necessary for production. No other version of the script is approved for production.

 

Personal Call by Agatha Christie

Radio Play, Melodrama, 9M 5F, 1950s, Enquire for details

James Brent receives a chilling telephone call seemingly from beyond the grave. His dead wife, Fay, is waiting for him at the very place she met her grisly end. At his new wife’s insistence, they go to meet her as requested and in the process discover a terrifying and disturbing truth.
Part of the live radio triple bill Murder in the Studio which also includes Butter in a Lordly Dish and Yellow Iris.

 

A Poirot Double Bill by Agatha Christie

A double-bill of short Poirot plays, 7M 2F, 1930s, PMS0000000216, £14.99 (pre-publication manuscript)

In The Wasp’s Nest, Hercule Poirots come between a bitter triangle of lovers to prevent a sinister murder before it takes place. In Yellow Iris, A distressed phone call from a mystery woman brings Hercule Poirot to the hotel Jardin des Cygnes, where a man commemorates the four-year anniversary of his wife’s sudden death – a death under very suspicious circumstances that Poirot himself witnessed. Gathered is everyone present on that fateful night and now Poirot must find a killer in the midst, before they strike again.

 

Rule of Thumb by Agatha Christie

A triple-bill of short contrasting plays, 5M 4F, 1930s, PMS0000000217, £14.99 (pre-publication manuscript)

This triple bill of one-act murder mysteries combines: The Wasp’s Nest which sees Hercule Poirot come between a bitter triangle of lovers to prevent a sinister murder before it takes place; The Rats, a dark and chilling tale in which a pair of adulterous lovers find themselves lured to a flat, trapped like rats and framed for murder; and finally, The Patient, a tense thriller in which a woman has been hospitalised after seemingly falling from her balcony.

 

The Same Deep Water As Me by Nick Payne

Full-length Drama, 5M 6F, Contemporary, 978 0 571 31100 2, £9.99

Had an accident at work? Tripped on a paving slab? Cut yourself shaving? You could be entitled to compensation. Andrew and Barry at Scorpion Claims, Luton’s finest personal injury lawyers, are the men for you. When Kevin, Andrew’s high school nemesis, appears in his office the opportunity for a quick win arises. But just how fast does a lie have to spin before it gets out of control?
Once you have applied for your licence, email your licensing representative so that they can send you the most up-to-date version of this script necessary for production. No other version of the script is approved for production.

 

The Secret of Chimneys by Agatha Christie

Full-length Play, Melodrama, 10M 4F, 1920s, Enquire for details

The Council Chambers at Chimneys, the Brent family estate, holds a dark and intriguing secret and someone will stop at nothing to prevent the monarchy being restored in faraway Herzoslovakia.
A young drifter finds more than he bargained for when he agrees to deliver a parcel to an English country estate. Little did Anthony Cade suspect that a simple errand on behalf of a friend would make him the centrepiece of a murderous international conspiracy. A sinister plot rife with diamonds, oil conessions, exiled royalty, an elusive master criminal and the combined forces of Scotland Yard and the French Surete.

 

Starlings by Nick Payne

Full-length Play, 3M 2F, Enquire for details

Melissa wants to get on with her life but never knows when her father is going to turn up next. Over thirty years she struggles to overcome her past while her family, torn apart by alcohol, try to repair the damage. Nick Payne’s new play about history and hope is a poignant, unflinching reflection on the ties that bind us.
Once you have applied for your licence, email your licensing representative so that they can send you the most up-to-date version of this script necessary for production. No other version of the script is approved for production.

 

The Wasp’s Nest by Agatha Christie

Short-length Play, Melodrama, 3M 1F, 1930s, PMS0000000235, £12.99 (pre-publication manuscript)

This classic Christie short story sees Hercule Poirot come between a bitter triangle of lovers to prevent a sinister murder before it takes place.
Available to buy as an individual title or as part of the collections Rule of Thumb and A Poirot Double Bill.

 

Nick Hern Books

T: 020 8749 4953
W: www.nickhernbooks.co.uk | E: info@nickhernbooks.co.uk
F: NickHernBooks | T: @NickHernBooks

 

Box Clever by Monsay Whitney

Full-length play, 1F 1F/M (larger cast possible), Can be simply staged, 978 1 848 42694 8, £9.99 (£7.99 direct from publisher)

Offering a challenging role for a lead female performer, plus a diverse chorus of characters for one multi-roling performer or a larger cast, Box Clever is a moving, truthful and darkly comic play. Marnie is stuck in a women’s refuge, trying to escape toxic relationship patterns, just wanting to do the best for herself and her daughter. But how do you get out of a rut when everyone you know is a liability? ‘A superb piece of writing, bubbling with bitterness yet bursting with heart, simultaneously funny and infuriating’ The Stage

 

Drawing Crosses on a Dusty Windowpane by Dylan Coburn Gray

Full-length play, 1F, Can be simply staged, 978 1 788 50212 2, £3.99 – epub (£3.19 direct from publisher)

A play for a solo female performer about losing someone close to you, about the human need to remember and connect. From the Verity Bargate Award-winning playwright Dylan Coburn Gray. ‘Entrancing… sumptuous and sinuous writing’ Irish Times on Citysong

 

The House Keeper by Morna Regan

Full-length play, 2F 1M, Can be simply staged, 978 1 848 42272 8, £9.99 (£7.99 direct from publisher)

A woman stripped of everything she has ever worked for takes a stand, only to find she has disturbed a hornet’s nest of unimagined proportions. The House Keeper is a darkly humorous psychological thriller exploring the nature of possession, inheritance and corruption for three performers. ‘Potent… Regan’s humour is ink-black and bladed’ Exeunt Magazine

 

The Jungle Book by Rudyard Kipling, adapted by Jessica Swale, music by Joe Stilgoe

Full-length play, 6F 3M, 9+F/M (flexible; smaller/larger cast possible), Can be simply staged, 978 1 848 42925 3, £9.99 (£7.99 direct from publisher)

Rudyard Kipling’s beloved tale of family, belonging and identity has been reimagined in this acclaimed version by Olivier Award-winning playwright Jessica Swale. This musical adaptation with original songs by Joe Stilgoe is packed with memorable characters, catchy tunes and brilliant storytelling, offering rich opportunities for all school, college, youth-theatre and amateur groups looking for a fresh, ambitious and inventive retelling of a much-loved classic. ‘Swale has given us a Jungle Book for the present day, one ready to enchant and educate in equal measure’ WhatsOnStage

 

Mud by Robert Holman

Full-length play, 1F 4M, Can be simply staged, 978 1 788 50232 0, £4.99 – epub (£4.00 direct from publisher)

A surreal and touching play for a small cast about a group of lonely people converge on the North Yorkshire moors. George, recently retired and grieving for his wife, has come on holiday to fish. Harold, son of the local squire, has come to shoot. Alan and Pauline have come to escape prying eyes. Hopes, dreams and fears play out in a Beckettian landscape as RAF fighter planes tear across the sky. ‘Holman’s instinct for truth, and an unaffected ability to spot what’s poignant in it, is what one remembers’ The Times

 

The Natural Cause by Robert Holman

Full-length play, 2F 4-7M plus additional voices, Can be simply staged, 978 1 788 50231 3, £4.99 – epub (£4.00 direct from publisher)

A dark and disturbing portrait of mental illness, and its effects on a young family. Barry and Mary are expecting a child. Barry is a bus conductor, but he’d like to drive the bus one day instead. His mother keeps telling Mary that Barry’s not right, and that she should leave him. But Mary chooses to stick with Barry, for better or in fact for worse.

 

Other Worlds by by Robert Holman

Full-length play, 4-5F 5-8M, Can be simply staged, 978 1 788 50231 3, £4.99 – epub (£4.00 direct from publisher)

A gorilla is taken for a French spy by an Eighteenth Century fishing community on the isolated North Yorkshire coast. Robert Holman’s play explores the suspicions, antipathies and fears of the unknown that divide communities, and the bonds that can transcend those divisions.

 

The Overgrown Path by Robert Holman

Full-length play, 3F 3M, plus several children, Can be simply staged, 978 1 788 50235 1, £4.99 – epub (£4.00 direct from publisher)

Nicholas Marks, an aspiring academic from Yorkshire, arrives on the Greek island of Tinos to interview reclusive scientist Daniel Howarth about his work on the atomic bomb. But as he tries to tease apart fact and fantasy, science and mythology, chance and destiny, Nicholas discovers a surprising truth about himself. The Overgrown Path is about history, and the stories we tell each other to make sense of ourselves.

 

Three Sisters by Anton Chekhov, adapted by Cordelia Lynn

Full-length play, 5F 9M plus extras, Can be simply staged, 978 1 848 42860 7, £9.99 (£7.99 direct from publisher)

A fresh and intelligent adaptation that makes Chekhov’s characters feel like contemporary young women. In a room in a house in a provincial town, three sisters wait for their lives to begin. Olga, the eldest. Masha, the middle child. Irina, the youngest. The clock strikes. A candle is lit. The clock stops. Something catches fire. The clock strikes. They wake up.

 

Today by Robert Holman

Full-length play, 5-6F 7-9M, Can be simply staged, 978 1 788 50234 4, £4.99 – epub (£4.00 direct from publisher)

From the lawns of King’s College, Cambridge, where two shy young men from opposing backgrounds confront the reality of their attraction to each other, to the battlefields of the Spanish Civil War, where courage, idealism and solidarity are tested in the furnace of conflict, Today is a panoramic study of life, desire and the search for a fundamental self in the midst of a shifting, uncertain world. Written for a large ensemble cast.

 

Music Theatre International (Europe)

T: 020 7580 2827
W: www.mtishows.co.uk | E: shows@mtishows.co.uk
F: mtieurope | T: mtieurope

Shrek – The Musical

Music by Jeanine Tesori. Book & Lyrics by David Lindsay-Abaire. Based on the DreamWorks Animation Motion Picture and the book by William Steig.

Available for performances after 1 January 2021. Based on the Oscar-winning DreamWorks Animation film, Shrek The Musical is a Tony Award-winning fairy tale adventure featuring all-new songs from Jeanine Tesori (Thoroughly Modern Millie, Caroline or Change) and a sidesplitting book by David Lindsay-Abaire. Shrek brings all the beloved characters you know from the film to life on stage, and proves there’s more to the story than meets the ears.
“Once upon a time, there was a little ogre named Shrek…” And thus begins the tale of an unlikely hero who finds himself on a life-changing journey alongside a wisecracking Donkey and a feisty princess who resists her rescue. Throw in a short tempered bad guy, a cookie with an attitude, and over a dozen other fairy tale misfits, and you’ve got the kind of mess that calls for a real hero. Luckily, there’s one on hand…and his name is Shrek.
Shrek presents a treasure trove of creative opportunities including costumes, sets, puppets (there is a fire-breathing dragon after all), and more! Irreverently fun for the whole family, Shrek proves that beauty is truly in the eye of the ogre.

 

Josef Weinberger Ltd

T: 020 7927 7322
E: shows@jwmail.co.uk | W: www.josef-weinberger.com

The Guardsman by Ferenc Molnar, in a new adaptation by Bonnie J. Monte, from the unabridged English translation by Gabor Lukin

Full-length Play, 3M 4F, 2 Sets, 978 0 856 76376 2, £9.99 (RRP)

A beautiful actress has married her handsome leading man, and their best friend is a critic. A recipe for marital bliss for denizens of the theatre world – until a dashing guardsman enters the scene and starts sending the actress roses. In this new version of The Guardsman, Molnar’s “romantic comedy” finally receives the treatment it deserves as a “comedy of agony.”
The Guardsman is an anguished farce which inspired the work of Pirandello and Pinter. Even as it poses disturbing questions about identity, voyeurism, reality, perception, the masks we wear, and the pain of love, it elicits gales of laughter.

 

The Musical Company

T: 020 7240 0880
W: www.themusicalcompany.com | F: themusicalco
E: laura.hall@reallyuseful.com | T: @themusicalco

Joseph and the Amazing Technicolor Dreamcoat

Lyrics by Tim Rice. Music by Andrew Lloyd Webber

Full length musical, Principals: 6M 1F (Narrator); Featured: 11M 1F; Choir (Men/Women); Children’s Chorus (Boys/Girls), “way, way back many centuries ago, not long after the Bible began” in the land of Canaan and Egypt.

Orchestration:

  • 10 Piece Novello Version (60 minutes) – 1974
  • 10 Piece Version (90 minutes) – 1991
  • 15 Piece Version (90 minutes) – 1991
  • Backing Track Edition (60 minutes)

For the first time, adult amateur societies are being given the opportunity to apply to perform one of musical theatre’s best-loved and most popular shows of all time. The performing window is throughout 2020 and only applies to productions taking place outside the M25 and in auditoriums with less than 1,000 seats.
To date, Joseph… has only ever been available to schools, colleges and youth groups so we hope The Really Useful Group is preparing to be inundated with requests to perform the show which played to sell-out audiences at The London Palladium last summer.
First performed as a 15-minute school pop-opera in 1968, Joseph and the Amazing Technicolor Dreamcoat is based on the story of Joseph from the Bible’s Book of Genesis. Today, Tim Rice and Andrew Lloyd Webber’s sung-through musical has been on a virtual non-stop tour for years, which is one of the reasons why it has never been available to amateur companies.
Featuring songs from just about every musical genre, there can’t be many people who don’t recognise the show’s numbers, which include: Any Dream Will Do; Joseph’s Coat; One More Angel in Heaven; Close Every Door; Go, Go, Go Joseph; Song of the King; Those Canaan Days and Benjamin Calypso.

 

Arts On the Move

T: 0161 881 0868
W: www.artsonthemove.co.uk | F: artsonthemove.co.uk
E: info@artsonthemove.co.uk | T: @artsonthemoveco

Nickolai of the North by Lucy Daniel Raby. Music by Geoff Tinniswood

Full-length Christmas Play with Music, 24. KS2 KS3, 120 minutes, £60.00 (download) £20 (license, up to 5 performances)

Have you ever wondered who filled Santa’s stocking when he was a boy? Or why he carries out his Christmas mission every year? All is revealed in this two-act Christmas play with music.
A refreshing alternative to panto, it tells the magical story of Santa’s childhood. When villainess Magda destroys his home at the North Pole, young elf Nickolai is rescued by a flying reindeer. We follow his adventures as he grows up amongst humans, realises he is different and returns to the North Pole to seek his destiny and ultimately save the world’s children from Magda’s evil.
With fourteen sensational songs from established composer Geoff Tinniswood, including backing tracks and vocals and containing traditional seasonal ingredients such as heroes, villains, witches, fairies, reindeer, wolves and goblins, ‘Nickolai’ is a sparkling family show that provides a fabulous opportunity for ensemble work.
The package includes mp3 music files of backing tracks, vocals and incidental music for performance and practice; lyrics; vocal music score (vocal line only) and the playscript with production notes and lyrics.

 

Brown, Son and Ferguson Ltd

T: 0141 883 0141
W: www.scottishplays.co.uk | E: info@skipper.co.uk
F: Brown-Son-Ferguson-Ltd-1684294391792165 | T: @skipper_uk

A Bit of Land by Agnes Adam

Short-length Comedy, 4M 2F, 978 0 851 74837 5, £1.00

Tommy Boyle, thinking his father has died, persuades Dan Murphy to impersonate the dead man for the purpose of making a will. After a hurried make-up, Dan jumps into bed and poses as the dying man. The schoolmaster arrives to make the will. Finally, he starts to make a new will, but old Andy, the supposed dead man, appears on the scene.
This is rollicking comedy in Ulster dialect at its raciest, but is playable in any dialect.

 

Building Bridges by Marie Dunlop

Full-length Play, 2M 2F, 978 1 849 27085 4, £5.00

Building Bridges is set in 1965 in Anderston, Glasgow and examines the reaction of deserted husband, Billy Speirs and his family to the return of his estranged wife, Bernie, whose mother has been taken seriously ill.
It is a tale of bitterness and betrayal but also of the absolute enduring strength of love at a time when a community was being sliced up to make way for a stretch of inner city motorway and the Glasgow Kingston Bridge. Just as the earmarking of Anderston as a Glasgow Comprehensive Development Area faced mixed reactions, the couple’s tentative and nervous steps back to one another face opposition and difficulty and like the opinion of much of the community at that time, it was clear that things were never going to be the same again.
The heart was getting ripped out of the place, just as it had been ripped out of Billy. Decisions have to be made, loyalties examined and painful truths faced. Better days were coming, however, in the promise of new corporation housing and it is against this backdrop of demolition and renewal that Building Bridges opens.

 

False Widows by Rebecca Bond

Two-act Play, 2M 5F, 978 1 849 27069 4, £5.00

It’s 1955 and Roland Ayre, the Earl of Dunshire has passed away; but at his funeral his family find out he was not the man they thought. In the forty-eight Hours that follow Heathersett House is turned into a battle ground as his families go head to over the inheritance – and things take a very strange turn.

 

Redemption in Salamanca by Rebecca McCallum

Three-act Play, 6M 1F, 978 1 849 27086 1, £5.00

The soul of Don Félix de Montemar, a young Spanish aristocrat, is on the brink of damnation as he makes his way through the night streets of Salamanca in the direction of the Carnaval. On his travels, he encounters a duel, a gambling den, a lost lover and the wraiths and priests who will fight over his soul.
Adapted for the stage from the Romantic poem by José de Espronceda, which is a variation of the Don Juan legend, the play brings to the fore the question of mortality, faith, eternal law and redemption.

 

Scobie Raeburn had a Ten Pound Note by Alistair Ferguson

Six-act Play, 5M 8F, 978 1 849 27082 3, £5.00

Scobie’s rent is due. While paying he produces a £10 note from his sock, but changes his mind and decides to hold on to that one – it’s his lucky one and has some kind of sentimental value. During passionate negotiations with his landlady the note is torn, making it quite identifiable. Scobie manages to retain the £10 note, which he then decides to spend at the shops instead.
The note then goes on an adventure, seeing a few snapshots into people’s lives, before ultimately finding its way back to Scobie, who ends the play quite philosophically.

 

Whisky Galore by Compton Mackenzie. Stage Version by James Scotland

Full-length Play, 16M 8F, 978 1 849 27086 1, £4.00

October, 1941. The Hebridean islands of Great Todday and Little Todday are sunk deep in the doldrums of a spiritless wartime existence, till the S.S. Cabinet Minister runs aground nearby, and by a miracle there is uisghe beatha gu leoir.
Various young couples find the path of true love smoothed and the village schoolmaster slays his personal dragon, but the commander of the local Home Guard finds his duty becoming harder every day. Compton Mackenzie’s immortal tale is world-famous. He expressed his warm approval of this stage version, which was first performed at the 1966 Edinburgh Festival by the Edinburgh People’s Theatre.

 

Smith Scripts

T: 0844 997 1000
W: www.smithscripts.co.uk | E: info@smithscripts.co.uk
F: smithscripts | T: @smithscripts

A Carol’s Christmas by Keith Badham

Full-length Comedy, 4M 8F, Contemporary, £5.00 (download only)

Carol is struggling to organise her Christmas with a dysfunctional family, friends and neighbours. A surprising discovery changes her Christmas and her relationships. Shock announcements, catering issues and the odd game of charades make the perfect Christmas menu. Based very loosely on A Christmas Carol, A Carol’s Christmas is a bittersweet comedy that is perfect for the festive season.

 

Hollywood The Musical by Shaun Blake

Full-length Jukebox Musical, 8M 13F plus extras – may be performed by 15 M/F with doubling, Contemporary, £5.00 (download only)

Hollywood the Musical is the tale of Bryan and Jennifer who make it into the movie industry in Hollywood for the first time. There they meet several people along the way, some who will help them to success and others who will show them the possibly scandalous side of the industry. A jukebox musical set to many of your favourite film soundtracks.

 

Ride a White Swan by Tom Kelly

One-act Play, 2M, Contemporary/Simple staging, £3.50 (download only)

Joe returns to the family home, after his divorce and has to share with his younger brother Mark, who has been living alone since the death of their parents. After years of being apart, they have to learn to live together and find that adjustment is difficult.
Mark has a passion for the music of Marc Bolan as a way of coping with a lack of parental love. The brothers bicker, drink and reflect on their lives, family and growing slowly and sometimes painfully closer together.

 

Six Views by Max Porter

Six Short Plays, Min. 2M 2F. Max. 8M 4F, Contemporary/Simple staging, £5.00 (download only)

Six ten-minute two-handers all set on a bench in a park overlooking a town. May be performed individually or in groups.
Some serious, some serious, but all with a slight twist in the tale, these duologues are suitable for a variety of ages and all in a very easily staged.

 

Bloomsbury – Methuen Drama

T: 01256 302699
W: www.bloomsbury.com | E: direct@macmillan.co.uk
F: BloomsburyPublishing | T: @bloomsburybooks

Theatre Books

Actors’ and Performers’ Yearbook 2020 – Essential Contacts for Stage, Screen and Radio | Edited by Lloyd Trott

978 1 350 10757 1, £11.89 (Online price, paperback)

This well-established and respected directory supports actors in their training and search for work on stage, screen and radio. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the actor.
With several new articles including The multi-hyphenate comedy actor-performer-writer; Ignition, inspiration and the imposter; Be prepared for publicity; and Equity pension scheme, Actors’ and Performers’ Yearbook 2020 features aspects of the profession not previously covered, as well as continuing to provide valuable insight into auditions, interviews and securing work alongside a casting calendar and financial issues. This is a valuable professional tool in an industry where contacts and networking are key to career survival.
All listings have been updated alongside fresh advice from industry experts.

“A map, compass, guide-book” Simon Callow. “Use of this book will save you time and money” Samuel West

Plays

Methuen Drama’s Modern Plays: 60th Anniversary Gift Set by Shelagh Delaney, Edward Bond, John McGrath, Caryl Churchill, Sarah Kane, Kwame Kwei-Armah, James Graham

978 1 350 13666 3, £56.00 (Online price, hardback)

Published in a limited-edition box set, this special celebratory set includes the following plays:
A Taste of Honey by Shelagh Delaney (1959)
Saved by Edward Bond (1960s)
The Cheviot, The Stag and the Black, Black Oil by John McGrath (1970s)
Top Girls by Caryl Churchill (1980s)
Blasted by Sarah Kane (1990s)
Elmina’s Kitchen by Kwame Kwei-Armah (2000s)
This House by James Graham (2010s)

Methuen Drama’s iconic Modern Plays series began in 1959 with the publication of Shelagh Delaney’s A Taste of Honey and has grown over six decades to now include more than 1,000 plays by some of the best writers from around the world. This new limited-edition hardback box set of seven plays celebrates the 60th anniversary of the Modern Plays series and features a play from each decade from 1959 to 2019.
Starting with Shelagh Delaney’s A Taste of Honey, the six other plays were chosen by public vote from a shortlist of plays from each decade. The resulting collection tells a unique story of British theatre from a period of restriction and censorship through to a period of radical retaliation against the status quo and norms of theatrical storytelling. The box set brings together first plays by remarkable women, the first Black British voice in London’s West End, often-revived classics, student favourites and contemporary Olivier Award nominees to offer a diverse picture of British playwriting. Methuen Drama’s Modern Plays series has been at the heart of British theatre for the past 60 years and looks forward to publishing landmark plays of future decades.

 

Stagescripts Ltd

T: 0345 686 0611
W: shop.stagescripts.com | E: sales@stagescripts.com
F: Stagescripts | T: @stagescripts

A Very Scottish Play by John Waterhouse

Full-length Play, 3M 3F (30s – 50s), Contemporary/Simple staging, £7.95 (printed)

Terry, a highly stressed businessman, decides to go away with his wife for some rest and relaxation on a remote Scottish island. Soon after arriving, he discovers the idyllic looking cottage in the brochure is actually very uncomfortable and has a strange atmosphere. To make matters worse, Sid, the landlord, who is also the local undertaker, describes a host of natural hazards on the island, from sudden fog to quicksand and this is in addition to numerous dangers from local animals and insects.
Terry’s wife, Angela, is determined that they will enjoy their holiday and they venture off to a local pub, only to fall into bogs whilst a mysterious woman in black arrives and just stares at them. Sid believes that they have seen the ghost of the ‘dark lady’ and this is confirmed by Valerie, a curious clairvoyant who checks into the guest house that evening. The ghost is seen pointing at Terry and this is interpreted by Valerie as a warning. Then Gerald a flamboyant American film producer arrives looking for set locations, accompanied by his girlfriend Fenella. The old guesthouse is exactly what he needs for his latest film.
The ghost of the dark lady makes further appearances and Terry believes that his life is in danger. Sid knows of a reclusive medium called Gertie who lives on a remote island, who can exorcise the spirit that is tormenting Terry, for a fee. Gerald is fascinated in the ghostly background to the guesthouse and hopes to film the dark lady’s next appearance.
Valerie emerges as a lady of many talents and Gerald puts her in his film, finding her surprisingly athletic for a clairvoyant and arousing jealousy from Fenella, who is the star of the film.
Will Terry and Angela be freed from the attentions of the ghost? Is Valerie really just a clairvoyant writer? What is Sid really up to? And why is this island the focus of paranormal activity?

 

Oberon Books

T: 020 7607 3637
W: www.oberonbooks.com | E: permissions@oberonbooks.com
F: OberonBooksLondon | T: @oberonbooks

[BLANK] by Alice Birch

978 1 786 82948 1, £17.99 paperback

She can’t stay awake. She sold drugs. She’s good at interrogations. She drinks in the mornings. She ate a rabbit. She smashed up a shop. She stabbed a man. She used a hammer. She had a baby. She can’t find her mother. She’s covered in blood and doesn’t know why.
Alice Birch’s heartbreaking new play reaches across society to explore the impact of the criminal justice system on women and their families.

 

Cyrano by Peter Oswald

4 – 13M 3 – 7F, 978 1 786 82945 0, £9.99 paperback

A new version of the classic French romantic comedy from Peter Oswald.
Cursed with the looks of a clown, he weaves his secret longing into love letters of exquisite beauty that he will never dare to send. All he needs is a perfect nose to match his perfect prose. The handsome Christian has also fallen for Roxane – but while he looks like a god, he sounds like a fool. Sacrificing physical love for fantasy, Cyrano hands his words of love to Christian to speak for them both. Will Roxane fall for the ‘perfect’ man? Can Cyrano exist with only half her heart? Is true love more than skin deep?

 

Dirty Crusty by Clare Barron

1M 2F, 978 1 786 82976 4, £9.99 paperback

“We must be the women of the future standing here in this bathroom because we look like sex and power, we look like sex and power, and you don’t even know it, standing there in that motherfucking pantsuit.”
Jeanine is determined to improve her life. With sex. With dance. With new hobbies, like horticulture. But self-improvement is hard. Reclaiming your dreams is hard. And personal hygiene is really, really hard.

 

Dr Jekyll and Mr Hyde by Glyn Maxwell, Robert Louis Stevenson

2M, 2F, 978 1 786 82951 1, £9.99 paperback

A new version, from award-winning poet Glyn Maxwell, of Robert Louis Stevenson’s Gothic masterpiece. A decent man finds himself stalked and confronted by his own evil alter-ego.

 

Essex Girl by Maria Ferguson

1F, 978 1 786 82987 0, £9.99 paperback

“Essex Girl: a young working-class woman from the Essex area, typically considered as being unintelligent, materialistic, devoid of taste and sexually promiscuous.” Collins English Dictionary.
Kirsty is a sixteen-year-old girl growing up in ’00s Brentwood. She likes WKD, Elton John, Pie & Mash and Charlie Red body spray. She’s on a quest to win Sexy Ricky’s heart and pass her GCSEs. She also has a secret to tell you. One she can’t tell anyone else.
Follow Kirsty’s story through the house parties and Irish pubs of Essex. From West Ham matches to choir practice, pre-drinks to registration, she will tell you what it’s really like to be an Essex Girl.

 

Feeding the Dragon by Sharon Washington

1F, 978 1 786 82626 8, £9.99 paperback

‘Once upon a time, there was a little girl who lived in a library…’
Deep in the bowels of a New York Public Library lies a dragon: the monstrous coal furnace that Sharon’s father, the live-in custodian, must feed every night.
A moving examination of family secrets, forgiveness, and the power of language, Feeding the Dragon explores Sharon’s life growing up in the library and the fire she never allowed to fade.

 

Five Guys Chillin’ by Peter Darney

978 1 786 82003 7, £9.99 paperback

A graphic, gripping, funny and frank verbatim drama exposing the chill-out chem-sex scene. “Wanna pair of shorts? Shot of G? Line of Meth?” From surgeons to students, couples to kink; guys that love it and lost guys longing to be loved. An original look into a drug-fuelled, hedonistic, highly secret world of Grindr, and instant gratification.

 

for all the women who thought they were Mad by Zawe Ashton

978 1 786 82958 0, £9.99 paperback

“they like to see us fall, to slip on branches full of fruit we have not tasted”
Lately, it’s small things. Pop songs. The radio. Every day, anguish becomes madness. Call on your family. Call on the ancestors. Can they guide you home?
for all the women who thought they were Mad is an urgent piece of theatre examining the myriad of forces that collide and conspire against women of colour in Britain today.

 

Gail Louw: Plays Three by Gail Louw

978 1 786 82959 7, £17.99 paperback

A third collection of plays by South African writer, Gail Louw.
Includes the plays The Ice Cream Boys, Being Brahms, A Life Twice Given, and Killing Faith.

 

 

Gods & Kings by Paul Whittaker

1M, 978 1 786 82778 4, £9.99 paperback

At the age of 23, Paul walks into a psychiatrist’s office believing he is either a God, or a King. He leaves with a diagnosis of bi-polar manic depression, and facing a life-changing decision: take the pill and live, or don’t take the pill and die.
Challenging perceptions of what it is to live with mental illness, Gods & Kings is a bracingly honest and darkly funny real-life tale, expressing what it is to live a life ruled by mental illness.
This special edition also contains a range of materials from the National Centre of Mental Health, covering diagnoses and issues raised in the play.

 

The Ice Cream Boys by Gail Louw

2M 1F, 978 1 786 82940 5, £9.99 paperback

There are some enemies you’d wait a lifetime to see face-to-face. Charismatic, corrupt and dangerous, Jacob Zuma was until recently President of South Africa. But before Zuma came to power, Ronnie Kasrils masterminded the intelligence services. Now at last they’re alone together. When you’ve been betrayed, it’s never too late to settle old scores.

 

It’s True, It’s True, It’s True by Breach Theatre

4F, 978 1 786 82662 6, £9.99 paperback

Fringe First and Total Theatre Award- winning Breach (Tank, The Beanfield) restage the 1612 trial of Agostino Tassi for the rape of baroque painter Artemisia Gentileschi.
Based on surviving court transcripts, this new play dramatises the seven-month trial that gripped Renaissance Rome, and asks how much has changed in the last four centuries. Blending myth, history and contemporary commentary, this is the story of how a woman took revenge through her art to become one of the most successful painters of her generation.

 

Mephisto (A Rhapsody) by Chris Campbell, Samuel Gallet

3M 5F, 978 1 786 82953 5, £9.99 paperback

In the town of Balbek the far right are about to seize power. At the local theatre, Aymeric dreams of celebrity; Lucas longs for a liberal revolution; Michael is seduced by the extremists. Juliette Demba is in fear for her life.
As this political earthquake ripples through the town, Aymeric must make his choice: resist the forces of hatred or harness them for his own success.
Based on the real life story of Gustaf Gründgens, whose dreams of fame led him to betray everything, and at the peak of his career, perform Faust for Hitler, Mephisto [A Rhapsody] is a searing contemporary response to Klaus Mann’s banned, and fiercely political cult novel. Samuel Gallet’s urgent new play asks: what would you sacrifice to do the right thing?

 

The Monstrous Heart by Oliver Emanuel

3F, 978 1 786 82955 9, £9.99 paperback

Mag lives in a rustic cabin in the Canadian wilds, far from neighbours and further from her past. It’s an unremarkable life, save for the enormous bear carcass on the kitchen table.
But when her estranged daughter Beth turns up on the doorstep having been freshly released from prison, the past becomes terrifyingly present – and the bear isn’t the only thing with a dangerous bite.
The Monstrous Heart is a play about motherhood, the cycle of trauma, and how you can never really leave your past behind.

 

The Niceties by Eleanor Burgess

2F, 978 1 786 82965 8, £9.99 paperback

At an elite East Coast university, an ambitious young black student and her esteemed white professor meet to discuss a paper the college junior is writing about the American Revolution. They’re both liberal. They’re both women. They’re both brilliant. But very quickly, discussions of grammar and Google turn to race and reputation, and before they know it, they’re in dangerous territory neither of them had foreseen – and facing stunning implications that can’t be undone.

 

Sh!t Theatre Drink Rum with Expats by Sh!t Theatre

2F, 978 1 786 82978 8, £9.99 paperback

In 2018, island-monkeys Becca and Louise got invited to Valletta, the European Capital of Culture in Malta. They thought they were going to drink rum with Brits abroad, celebrating their final year as Europeans, and make a play. Instead they found corruption, hypocrisy, and murder in the fight to be European.

 

Shuck ’n’ Jive by Cassiopeia Berkeley-Agyepong, Simone Ibbett-Brown

2F, 978 1 786 82942 9, £9.99 paperback

Opera singer Simone very quickly discovers that London is not the BNP-free utopia she’d always dreamed of. Meanwhile, actress Cassi battles it out for the illustrious roles of ‘Sassy Friend’, ‘Spunky Slave’ and ‘Third Crack Whore From The Left’ at every audition.
Desperate to be seen as they are, not as the colour of their skin, they decide to take control and write their own story.
With songs and searing honesty, Shuck ’n’ Jive is the laugh-out-loud story of two friends trying to break out of racist typecasting and create a story for themselves.

 

Terra Firma by Barbara Hammond

5M 1F, 978 1 786 82961 0, £9.99 paperback

Inspired by a real-life event and its aftermath, Terra Firma is set in a not-so-distant Beckettian future–years after a conflict known as the Big War, in which a tiny kingdom wrestles with the problems of running a nation – and opposing notions of what makes a citizen, a country, and a civilization.

 

There’s A Room by Three Performance Texts By Third Angel

978 1 786 82752 4, £17.99 paperback

There Is A Room brings together three works by Third Angel: Where From Here, Presumption and What I Heard About the World.
Taken chronologically, these shows turn their attention outward, from the intensity of personal relationships and our domestic lives, to the overwhelming number of stories and events taking place in the world beyond.

 

The Watsons by Laura Wade

8 – 10M 8F, 978 1 786 82638 1, £9.99 paperback

What happens when the writer loses the plot? Emma Watson is nineteen and new in town. She’s been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast. If not, they face poverty, spinsterhood, or worse: an eternity with their boorish brother and his awful wife.

New Plays,  Books & Musicals

New Plays, Books & Musicals

Our regular up-to-date selection of recently published books as well as new or re-released plays and musicals, many of which are now available for amateur performance.
To find out more about the availability of any specific performing licenses please make contact with or visit the relevant publisher’s website.

Samuel French (A Concord Theatricals Company)
E: licensing@concordtheatricals.co.uk
E: customerservices@concordtheatricals.co.uk
W: www.concordtheatricals.co.uk
F: ConcordShows | T: @ConcordUKShows

THE ALTERNATIVE by Michael Patrick, Oisín Kearney

Full-length Drama, Modern day, 978 0 573 11681 0, £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
What if Ireland was still part of the United Kingdom? What if Home Rule had passed? What if there was no War of Independence? No Civil War? No partition? What if the island had only one soccer team?
The year is 2019 and it is the eve of the Referendum. British Prime Minister Ursula Lysaght is returning to her hometown of Dublin to convince voters to Remain. With the threat of chaos in the streets, and personal conflict behind the scenes, the final debate is set to begin at BBC Dublin: Should Ireland leave the UK?

 

THE BUTTERFLY LION by Michael Morpurgo, Anna Ledwich

Full-length Play, 978 0 573 11682 7, £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
When Bertie is sent away from the African farm of his childhood to school in England, he leaves behind not only his beloved mother and the beautiful land, swarming with wildlife, but also his best friend – a white lion he rescued as a cub.
Bertie’s struggle to adjust to his new life in harsh, grey England is alleviated only by a chance friendship with the equally lonely Millie and his dreams of his treasured lion, now trapped in a French circus. But their remarkable journey is only just beginning, and the pair are destined to meet again.
The Butterfly Lion combines music, design and puppetry to bring a magical adventure to life: celebrating nature, friendship and the triumph of love. Based on Michael Morpurgo’s best-selling novel, which won the Smarties Prize and the Writers’ Guild Award, this stage adaptation was commissioned by Chichester Festival Theatre and written by Chichester Festival Theatre’s Writer-in-Residence Anna Ledwich.

 

A CHRISTMAS CAROL by Charles Dickens, Alan Harris

Full-length Play, Victorian, 978 0 573 11696 4, £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
It’s Christmas Eve and Ebenezer Scrooge is miserable – will he ever get into the Christmas spirit?
Set in North Wales, this version of Dickens’ festive classic tale explores a living, breathing Victorian community.
This adaptation by Alan Harris is a funny immersive family show filled with music and mystery that whisks away the audience to a dream world where anything can happen and ghosts are just around the corner.

 

LITTLE MISS BURDEN by Matilda Ibini

Full-length Drama, 978 0 573 13017 5, £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
They are the coolest, fiercest, most super talented girl band ever assembled: Big Sis and Little Sis are waiting for the third member of their trio to arrive. Little Miss is on her way. It just takes her a little bit longer.
At thirteen, Little Miss is given a gift which cannot be returned. She has to share her body and life with it. And she needs to find a way for the two of them to get along as they can’t both be Player One. Little Miss Burden explores rewriting your narrative and embracing your identity on your own terms.
Matilda Ibini’s coming-of-age tale smashes together 90s nostalgia, Nigerian family, East London and Sailor Moon to tell the sometimes tricky, often funny truth about growing up with a physical impairment.

 

THE WIND OF HEAVEN by Emlyn Williams

Full-length Play, 4M 4F, 19th Century, 978 0 573 01653 0, £9.99

Dilys Parry lives in Blestin, a Welsh mountain village which has no children and worships no god since a disaster snatched away all its youth.
Inconsolable since her husband died in the Crimean War, Dilys is gradually re-awakened to life when a prophet-like child working in her household is called by God to serve the world.
In the wake of vast social inequality and a mismanaged war, one small community rediscovers its lost faith, with startling consequences for the village, and the world beyond…
A parable about healing the wounds inflicted by a national trauma, The Wind of Heaven was first produced in the West End in April 1945, just three weeks before the end of the Second World War in Europe, starring Emlyn Williams himself.
It received its first London production in nearly seventy-five years at the Finborough Theatre, London, in November 2019.

 

Bloomsbury – Methuen Drama
T: 01256 302699
W: www.bloomsbury.com | E: direct@macmillan.co.uk
F: BloomsburyPublishing | T: @bloomsburybooks

Theatre Books…

Introduction to the Alexander Technique by Bill Connington

978 1 350 05295 6, £19.99

This practical guides for actors includes over 150 practical, easy-to-follow exercises to improve alignment, flexibility, and poise. The book is supported by a range of online videos demonstrating key exercises described throughout the book.

 

 

Questors, Jesters and Renegades by Michael Coveney

978 1 350 12837 8, £25.00 Hardback

The Story of Britain’s Amateur Theatre
This is the vital story of the amateur theatre as it developed from the medieval guilds to the modern theatre of Ayckbourn and Pinter, with a few mishaps and missed cues along the way. Michael Coveney – a former member of Ilford’s Renegades – tells this tale with a charm and wit that will have you shouting for an encore.
Between the two world wars, amateur theatre thrived across the UK, from Newcastle to Norwich, from Bolton to Birmingham and Bangor, championed by the likes of George Bernard Shaw, Sybil Thorndike, and J.B. Priestley. Often born out of a particular political cause or predicament, many of these theatres and companies continue to evolve, survive and even prosper today.
This is the first account of its kind, packed with anecdote and previously unheard stories, and it shows how amateur theatre is more than a popular pastime: it has been endemic to the birth of the National Theatre, as well as a seedbed of talent and a fascinating barometer and product of the times in which we live.
Some of the companies Coveney delves into – all taking centre stage in this entertaining and lively book – include The Questors and Tower Theatre in London; Birmingham’s Crescent Theatre; The Little Theatre in Bolton, where Ian McKellen was a schoolboy participant; the Halifax Thespians; Lincolnshire’s Broadbent Theatre, co-founded by Jim Broadbent’s father and other conscientious objectors at the end of World War II; Crayford’s Geoffrey Whitworth Theatre, where the careers of Michael Gambon and Diana Quick were launched; Anglesey’s Theatr Fach, a crucible of Welsh language theatre; and Cornwall’s stunning cliff-top Minack.

Methuen Drama (Bloomsbury) is pleased to offer readers a 35% discount on Questors, Jesters and Renegades.

Enter the code QUESTORS35 at checkout online at: www.bloomsbury.com to apply the discount.
Offer valid until 31 May 2020.

 

Screen Acting Skills by Roger Wooster and Paul Conway

978 1 350 09303 4, £18.99

This handbook addresses the fact that many screen actors beginning their careers lack the necessary pre-shoot preparation and knowledge of studio protocols that are required of them, and offers practical, focussed exercises that can be explored in low-tech workshop situations.

 

 

Music Fundamentals for Musical Theatre by Christine Riley

978 1 350 00175 6, £24.99

Offers a series of lessons in music fundamentals, including theory, sight-singing and aural tests, giving readers the necessary skills to navigate music and all that is demanded of them without necessarily having had a formal music training.

 

Plays…

Rough Magic Theatre Company, Edited by Patrick Lonergan

978 1 350 11979 6, £24.99

Celebrating the work of one of Ireland’s most daring theatre companies, this anthology gathers five plays by established and emerging playwrights. They include vibrant new adaptations of Peer Gynt and Phaedra alongside vital new dramas that explore issues of urgent contemporary concern, such as sex and sexuality, emigration and climate change.

 

 

The Sugar Syndrome by Lucy Prebble

978 1 350 17457 3, £10.99

Dani is 17. She’s looking to meet someone honest and direct. What she finds is a man twice her age who thinks she’s an 11-year-old boy.
Lucy Prebble’s debut play is a devastatingly and disturbingly funny exploration of an unlikely friendship, our desire to connect, and the limits of empathy.

 

 

Death of England by Roy Williams and Clint Dyer

978 1 350 16789 6, £10.99

After the death of his dad, Michael is powerless and angry. In a state of heartbreak, he confronts the difficult truths about his father’s legacy and the country that shaped him. At the funeral, unannounced and unprepared, Michael decides it is time to speak.
A powerful new monologue play by Roy Williams and Clint Dyer that explores family feelings and a country on the brink.

 

The High Table by Temi Wilkey

978 1 350 14718 8, £10.99

With her wedding to Leah drawing nearer, Tara’s future is thrown into jeopardy when her Nigerian parents refuse to attend. This kind of love is unheard of, they say. It’s not African. High above London, suspended between the stars, three of Tara’s ancestors are jolted from their eternal rest. Stubborn and opinionated, they keep watch as family secrets are spilled and the rift widens between Tara and her parents. Can these representatives of generations passed keep the family together?

 

 

Judgment Day by Ödön von Horváth, ad. by Christopher Shinn

978 1 350 15935 8, £10.99

This new adaptation offers a fresh take on the portrait of a society struggling to take responsibility for its actions in a search for public retribution, themes that still resonate in today’s societal climate.

 

 

American Moor by Keith Hamilton Cobb

978 1 350 16530 4, £10.99

A play that examines the experience and perspective of black men in America through the metaphor of Othello. It is a play about race in America, but it is also a play about who gets to make art, who gets to play Shakespeare, about the qualitative decline of the American theatre, about actors and acting, and about the nature of unadulterated love.

 

 

Nick Hern Books
T: 020 8749 4953
W: www.nickhernbooks.co.uk | E: info@nickhernbooks.co.uk
F: NickHernBooks | T: @NickHernBooks

Christmas Carol: A Fairy Tale by Charles Dickens, Piers Torday

Full-length Play, 4-9F 3-16M up to 10f/m, 19th Century simply staged, 978 1 848 42914 7, £9.99 (£7.99 direct from publisher)

Jacob Marley is dead. And so is Ebenezer Scrooge… In this reinvention of the timeless classic, Ebenezer has died and his sister Fan has inherited his money-lending business. At Christmas, she is haunted by three spirits who want her to change, but will she? Witty, urgent and empowering, this bold adaptation will prove a festive gift for amateur theatre companies seeking an original, female-led version with lashings of goodwill to all men – and women.
“Delightfully surprising and subversive… offers both the story, and its 19th Century writer, a welcome 21st Century transformation.” The Guardian

 

Hedda Tesman by Henrik Ibsen, Cordelia Lynn

Full-length Play, 4F 3M, Adapted for the present day can be simply staged, 978 1 848 42895 9, £9.99 (£7.99 direct from publisher)

In this vital exploration of motherhood, power and sabotage, Cordelia Lynn breathes new life into Henrik Ibsen’s classic. After thirty years of playing wife, Hedda is bitter and bored. When her estranged daughter, Thea, suddenly reappears asking for help, the present begins to echo the past and Hedda embarks on a path of destruction.
This ingenious adaptation offers an older female performer the opportunity to dive into the iconic titular role.
“Lynn reveals how Hedda’s torment is just as applicable today as it was a century or more ago.” WhatsOnStage

 

Mary Shelley’s Frankenstein by Mary Shelley, Rona Munro

Full-length Play, 3-6F 4-9M plus 1F/M (additional chorus possible), 19th Century ideally spare and non-naturalistic set, 978 1 848 42917 8, £9.99 (£7.99 direct from publisher)

An eighteen-year-old girl, Mary Shelley, dreams up a monster whose tragic story will capture the imaginations of generations to come. Rona Munro’s imaginative retelling of Shelley’s Gothic masterpiece places the writer herself amongst the action as she wrestles with her creation and with the stark realities facing revolutionary young women, then and now. This version puts a fantastic role for a young female performer at the centre of the classic, with flexible casting for the Monster and scope for a large cast.
“An inventive feminist adaptation… an exploration and celebration of female creativity.” The Stage

 

nut by debbie tucker green

Full-length Play, 3F 3M plus one voice, Contemporary, can be simply staged, 978 1 848 42335 0, £9.99 (£7.99 direct from publisher)

debbie tucker green’s play nut is a drama about a woman who wants to withdraw from the world. Elayne doesn’t want company but company won’t leave her alone. Everyone’s got an opinion but no one’s listening and things are starting to slip.
A powerful play for a company looking for great opportunities for black performers.
“Provocative, touching, darkly humorous… its understated power is remarkable.” Time Out

 

One For Sorrow by Cordelia Lynn

Full-length Play, 3F 2M, Contemporary single interior setting, 978 1 848 42761 7, £9.99 (£7.99 direct from publisher)

During an attack on London, Imogen joins a social media campaign offering refuge to victims. Before her family have had a chance to discuss it, John is at their door. He isn’t what they expected. And although they’d never admit it to themselves, he isn’t necessarily what they want.
This pressingly topical socio-political drama sends up the modern manners of the middle class, and offers an opportunity for companies wanting to stage something challenging for performers and audience alike.
“A riveting, quicksilver, subtly manipulative thriller… electrifyingly plugged into the moment… a rich, fascinating work.” The Stage

Rathmines Road by Deirdre Kinahan

Full-length Play, 3F 2M, Contemporary can be simply staged, 978 1 848 42777 8, £9.99 (£7.99 direct from publisher)

While hosting friends for drinks, Sandra comes face-to-face with someone she never wanted to see again. A play about secret trauma and public revelation, Rathmines Road is set over one evening that bristles with tension. Fraught, funny and ferocious, it testifies to the pain of carrying the memory of sexual assault throughout a lifetime. A challenging ensemble piece with a meaty role for a female performer.
“Kinahan’s rollercoaster script has an awful lot of important and necessary things to say. Thought-provoking and uncompromising.” The Arts Review

 

The Small Hours by Katherine Soper

Full-length Play, 8F/M (add’ chorus possible), Contemporary can be simply staged, 978 1 848 42896 6, £9.99 (£7.99 direct from publisher)

Written specifically for young people, The Small Hours formed part of the 2019 National Theatre Connections Festival.
It’s 1am. Eight young people are staying up through the night. Peebs and Epi are the only students left at school over half-term; former step-siblings Red and Jazz try to navigate their reunion; Jaffa tries to help Keesh finish an essay; Wolfie is getting up the courage to confess a secret to VJ. Set over four hours, where the choices are small yet feel momentous, this play offers rich opportunities for a large cast of young performers.

 

When They Go Low by Natalie Mitchell

Full-length Play, 6-10F 3-4M (larger cast possible), Contemporary can be simply staged, 978 1 848 42902 4, £9.99 (£7.99 direct from publisher)

Written specifically for young people, When They Go Low formed part of the 2018 National Theatre Connections Festival.
Reprimanded after social media goes into a frenzy over pictures of a girl at a party, Louise wages war on her school’s systemic misogyny. When she threatens popular boy Scott, things escalate horribly. Exploring everyday feminism, consent and the changing face of teenage sexuality in an online world, this topical drama offers rich opportunities for a large cast of all genders, with particularly strong roles for young women.

 

Music Theatre International (Europe)
T: 020 7580 2827
W: www.mtishows.co.uk | E: shows@mtishows.co.uk
F: mtieurope | T: mtieurope

KINKY BOOTS

Music and Lyrics by Cyndi Lauper. Book by Harvey Fierstein. Based on the Miramax motion picture of the same name, written by Geoff Deane and Tim Firth

Winner of six Tony Awards including Best Musical, Kinky Boots features a joyous, Tony-winning score by Cyndi Lauper and a hilarious, uplifting book by four-time Tony winner Harvey Fierstein.

Charlie Price has reluctantly inherited his father’s shoe factory, which is on the verge of bankruptcy. Trying to live up to his father’s legacy and save his family business, Charlie finds inspiration in the form of Lola. A fabulous entertainer in need of some sturdy stilettos, Lola turns out to be the one person who can help Charlie become the man he’s meant to be. As they work to turn the factory around, this unlikely pair finds that they have more in common than they ever dreamed possible… and discovers that when you change your mind about someone, you can change your whole world.
Kinky Boots is full of opportunities for a theatre to flex their artistic muscles with elaborate costumes, exhilarating choreography and a truly moving and powerful story. A sure-fire crowd pleaser, Kinky Boots will have your audiences dancing in the aisle and discovering why sometimes, the best way to fit in is to stand out!

 

Smith Scripts
T: 0844 997 1000
W: www.smithscripts.co.uk | E: info@smithscripts.co.uk
F: smithscripts | T: @smithscripts

THE FOX by Tim Kenny

One-act Drama, 1M, 1M/F, Contemporary, £3.50 (online)

This play has won a national award and continues to be performed. An old man goes to a beach at dusk to see the foxes. A young police officer, send out to look for him, finds that his expectation of the aged people is turned on its head.

 

 

GARDENING LEAVE by Nicolas Ridley

One-act Drama, 2M 1F, Contemporary, £3.50 (online)

Bob is on ‘gardening leave’ but he’s anxious ‘to get back in the saddle’. Work is Bob’s life. For him, it’s an imperative, a compulsion. What is life without a job? It has to be the right job, of course. That’s not to say that money isn’t important. And although there’s no urgency, sooner would be much, much better than later. Which is why his meeting with Tom in a West End club is so important. Can Tom point Bob in the right direction? Better still, does Tom have any openings himself? The problem is … Well, there are lots of problems. Mistaken identity, cross purposes, a surprising revelation and a terrible let-down, for which free theatre tickets – gold dust though they may be – isn’t really sufficient recompense.

 

INVISIBLE EDDIE by Becky Kimsey

Full-length Comedy, 6M 3F or 4M 3F, Contemporary, £5.00 (online)

Eddie is an introvert who is still living with his sister Mary in her London flat. When he loses his job, Mary and her fiancé, George, decide to have Eddie hypnotised to make him feel ‘invincible’ around strangers. Unfortunately, the Hypnotherapist (who has had a few too many) mistakenly convinces Eddie that he is ‘Invisible’ around strangers instead. Throw in a cockney super, a lustful landlady, a blustering boss, a blind Bonny and a baited barkeep at the Cock and Poppy Pub and you’ve got yourself a cracking good British comedy!

 

MR TEN DAYS by Jon W. Baker

Full-length Comedy/Drama, 3M 3F, Contemporary, £5.00 (online)

Andy is a neurotic commitment-phobe. He prides himself on not doing relationships longer than ten days. Then he meets Emma; bright, attractive, optimist, and training to be a marriage guidance counsellor. Emma fixes relationships, Andy doesn’t do relationships
Do opposites ever attract? Can the man who never dates, date? And how does the psychologist get together with someone who declares psychology to be the dark art?
All will be revealed in this charming, very, very funny romantic comedy for the stage. It’ll make you laugh… and cry.

 

ROBIN HOOD by Jonathan Edgington

Full-length Comedy/Drama, Large Mixed Cast, 12th Century England, £5.00 (online)

Robin Hood is a two-act comedy-drama with a running-time of just under two hours which successfully premiered in Winchester in 2016.
Its narrative is driven by three ancient, irascible witches and the plot centres around their desire to obtain the ingredients for a spell which will make them all young again.
Expect the unexpected and lots of laughs in this swashbuckling new version of the much-loved tale!
Twelfth Century England. Weary from The Crusades, Robin of Loxley returns to Nottingham intending to marry his childhood sweetheart and claim his family inheritance. Instead he finds a much-changed world packed with romance, mystery, intrigue and dastardly deeds in which his archery and sword fighting skills and those of his new comrades, the Merry Men, are regularly put to the test…
This comedy/drama cleverly combines the traditional elements of the legend with brand-new material and characters in an exciting, fun-filled adventure.

 

Oberon Books
T: 020 7607 3637
W: www.oberonbooks.com | E: permissions@oberonbooks.com
F: OberonBooksLondon | T: @oberonbooks

Before I Was A Bear by Eleanor Tindall

1F, 978 1 786 82925 2, £9.99

On a rainy Wednesday evening, Cally sits at her local pub waiting for her best friend. She notices someone in the corner. She recognises them. It can’t be them though, can it? It isn’t. This doesn’t happen. She won’t go over. She won’t.
A darkly comedic coming-of-age solo play, Before I Was A Bear is a modern myth about friendship, the power dynamics of sexuality and hot TV detectives.

 

Bubble Schmeisis by Nick Cassenbaum

1F, 978 1 786 82994 8, £9.99

Bubbemeises: Noun. Yiddish; a grandmother’s story, a tall story, an old wives’ tale.
Nick Cassenbaum invites you into the warmth of the Canning Town Schvitz, East London’s last authentic bath house. Amongst the steam and ritual Nick will take you on a journey to find the place he belongs.
Bubble Schmeisis is full of intimate and personal true stories about identity, home and getting schmeised (washed) by old men.

 

I Can Go Anywhere by Douglas Maxwell

2M, 978 1 786 82910 8, £9.99

Stevie is a disillusioned academic who once wrote an unfashionable book on youth movements in Britain, now struggling to cope after a painful break-up. His misery is interrupted by Jimmy who lands unexpectedly on his doorstep beaming with excitement. Jimmy is 100% Mod: oversized military parka, fitted Italian suit, dessy boots, pork pie hat. The full package.
Jimmy is seeking asylum in the UK. With just a few days before the substantive interview that’s going to decide his fate, the stakes are high. So he came up with a brilliant plan. A plan that’s going to work against all odds. It has to work. He can’t go back. And Stevie has an important part to play.

 

Fairview by Jackie Sibblies Drury

3M 5F, 978 1 786 82938 2, £9.99

It’s Grandma’s birthday and the Frasier family have gathered to celebrate. Beverly just wants everything to run smoothly, but Tyrone has missed his flight, Keisha is freaking out about college and Grandma has locked herself in the bathroom. But something isn’t right. Who is watching them?
A radical examination of the power of spectatorship and the pressure of destructive preconceptions. Jackie Sibblies Drury’s 2019 Pulitzer prize-winning Fairview.

 

Hela by Mari Izzard

1M 1F, 978 1 786 82923 8, £10.99

Erin, a young mother, has lost her son – but no one will listen. Driven and desperate, she must find him by any means necessary. When everything – including justice – is determined by an algorithm, can data truly be trusted? Can deep-seated pain ever be defused? And how far will Erin be willing to go to see justice happen?
Mari Izzard’s debut bilingual play Hela is a dark and unsettling tale of dirty family secrets and vigilante justice.

 

A Kind of People by Gurpreet Kaur Bhatti

3M 4F, 978 1 786 82928 3, £9.99

Friday night and someone’s having a party. It seems like a laugh, but not everyone’s having fun. Nicky and Anjum want their kids to get into the best schools, and Gary is feeling the pressure after applying for a promotion. What happens when not everyone will get what they want?
Gurpreet Kaur Bhatti’s new play about a group of working-class friends dreaming of a better life for their children questions the dream of class mobility, and what happens when the odds are stacked against you.

 

Land Without Dreams by Tue Biering, Sophie H. Smith (trans)

1F, 978 1 786 82906 1, £9.99

A woman walks onto the stage. She says she is from the future. She says that we have stopped dreaming. She says we can change everything. She says that she can help end all our dystopian nightmares. But we know plays don’t change the world. Right?
Land Without Dreams is a hopeful, funny and courageous new show by experimental Copenhagen-based theatre company Fix&Foxy.

 

Midnight Movie by Eve Leigh

978 1 786 82930 6, £9.99

A girl fights for her life in a lift. New Window. A protest in Trafalgar Square. New Window. A naked man in a bathtub. New Window. Janelle Monae, dancing.
The possibilities are endless. Even at 2am. That’s the thing about being Extremely Online: there’s no limit on where you can go.
Eve Leigh’s new play explores what the internet means for those who are disabled – what does an online life feel like to those whose bodies are deemed out of the ordinary by the rest of society?

 

Playstart 2: Short Plays from New Voices by Mono Box Ltd., Grace Tarr, Kiran Benawra, Vivian Xie, Maatin Patel

978 1 786 82920 7, £10.99

Four short plays by brand new writers, each of whom has been mentored by an experienced playwright and supported by the Mono Box team.

 

 

Ravens – Spassky vs. Fischer by Tom Morton-Smith

9M 3F, 978 1 786 82932 0, £9.99

Reykjavik, 1972. All eyes are on Iceland ahead of ‘the Match of the Century’: Boris Spassky vs. Bobby Fischer. For the two contenders, the stakes have never been higher – the world title, unprecedented prize money, and stratospheric fame are all on the table.
But as the Cold War begins to heat up, each side of the Atlantic spots a major opportunity to demonstrate superiority over the other. So why hasn’t America’s knight in shining armour shown up? And why won’t Russia’s grandmaster listen to orders? As the two superpowers prepare their opening gambits in a proxy battle of ideologies, with sport as the weapon of choice, both sides find themselves undermined by their pawns, who seem oddly unwilling to cooperate.

 

Snow White Devised by the company

3M 3F, 978 1 786 82893 4, £9.99

In a wild and windswept land, far, far away, snow falls on a castle nestled amongst the trees, where a cruel Queen is assured by her magic mirror that her beauty surpasses all others. Until one day – when the mirror proclaims that Snow White, the Queen’s step-daughter, is the fairest in the land. Fleeing the Queen’s rage, Snow White runs deep into the forest, where she finds refuge with a motley crew of characters that accept her as one of their own, and show her a different way to live.
This joyful re-telling of the classic Brothers Grimm fairy tale is about growing up, growing old, growing your own food, and why you shouldn’t trust a very shiny red apple.

 

Three Sisters by Inua Ellams, after Anton Chekhov

10M 10F, 978 1 786 82966 5, £9.99

Chekhov’s iconic characters are relocated to Nigeria in this bold new adaptation. Owerri, 1967, on the brink of the Biafran Civil War.
Lolo, Nne Chukwu and Udo are grieving the loss of their father. Months before, two ruthless military coups plunged the country into chaos. Fuelled by foreign intervention, the conflict encroaches on their provincial village, and the sisters long to return to their former home in Lagos.

 

Cressrelles Publishing Company Limited
T: 01684 540154
W: www.cressrelles.co.uk | E: simon@cressrelles.co.uk

If you would like to read a free-for-approval-purposes pdf, please email. Printed copies of these plays are also available via post at the usual approval rate.

My Name Is Oscar Wilde by Norman Holland
A stark, powerful play. For a flexible cast of up to nine men and four women. Duration is fifty-five minutes but can be cut for Festival performance.
My Name Is Oscar Wilde sees the famous playwright and wordsmith facing the harsh realities of incarceration in Reading Gaol. He takes refuge in memories of his earlier triumphs and his subsequent fall from grace.

Pieces of Hate by Richard Franks
For three men and three women. Running time is approximately 50 minutes. This one-act, very dark comedy won the Scarborough Theatre-In-The-Round Festival in 1978, adjudicated by Alan Ayckbourn.
Judi and Thomson are about to host a fancy-dress party to introduce themselves to their new neighbours. From this simple plotline, the play gathers momentum and drama. Unbeknownst to our hosts, who have troubles of their own, the other two couples are inter-connected, with a tense back-story. The black humour is funny without becoming sick. The characters, their individual ‘kinks’ and the constantly fluctuating relationships between them are a source of amusement.

Poppy by Leonard Rogers
Poppy is a one-act comedy for two men and two women in their twenties. Running time is approximately 45 minutes.
Young, flirty Poppy, a figment of Mike’s imagination, materialises at the most awkward moments! Mike’s wife exorcises the problem, only to benefit Rodney!

Post Mortems by Jill Hyems
A one-act play for two women in their forties.
Post Mortems is a dissection of a widow’s downward spiral following the death of her beloved husband. Eight months of grief and isolation have driven Gerda to a total breakdown and Jan is to be part of her macabre suicide plot. Performed on TV and radio. A marvellous play by the talented author of the TV series, Tenko.

Spotlight Publications
T: 01383 825737
W: www.spotlightpublications.com
E: wwpanto@gmail.com | F: spotlightpublishing

Robin Hood & the Babes in Verse by Dave Buchanan

5M 6F 4M/F, Castle, Village square and Forest

The Babes come to visit their uncle, the Sheriff of Nottingham, little suspecting that he is planning their demise. But never fear, help is at hand! – in the shape of Robin and his Merry Men, plus Lady Marian, and Nanny Dame Dannii (with two Is).
The plot combines the Babes-lost-in-the-forest story with the Robin Hood legend. Musical highlights include parody lyrics of songs by Abba and The Village People, and one from The Sound Of Music. The comedy comes thick and fast with the comedy hitmen and Robin’s motley crew of Men in Tights. Plus, a really villainous Sheriff, and an unforgettable Dame!

New Plays, Books & Musicals

New Plays, Books & Musicals

Our regular up-to-date selection of recently published books as well as new or re-released plays and musicals, many of which are now available for amateur performance.
To find out more about the availability of any specific performing licenses please make contact with or visit the relevant publisher’s website.

Samuel French (A Concord Theatricals Company)
E: licensing@concordtheatricals.co.uk
E: customerservices@concordtheatricals.co.uk
W: www.concordtheatricals.co.uk
F: ConcordShows | T: @ConcordUKShows

ADMISSIONS by Joshua Harmon

Full-length Drama, F3 M2, Present day, 978 0 573 70748 3, £10.99

A new play from Joshua Harmon (Bad Jews, Significant Other) that explodes the ideals and contradictions of liberal white America.
Sherri Rosen-Mason is head of the admissions department at a New England prep school, fighting to diversify the student body. Alongside her husband, the school’s Headmaster, they’ve largely succeeded in bringing a stodgy institution into the Twenty-First Century. But when their only son sets his sights on an Ivy League university, personal ambition collides with progressive values, with convulsive results.

 

 

A Bunch of Amateurs by Nick Newman, Ian Hislop

Full-length Comedy, F4 M3, Present day, 978 0 573 11373 4, £9.99

5 STARS “terrific comedy packed with killer comic dialogue… plety of twists and turns” Whatsonstage.
Keen to boost his flagging career, fading Hollywood action hero Jefferson Steele arrives in England to play King Lear in Stratford – only to find that this is not the birthplace of the Bard, but a sleepy Suffolk village. And instead of Kenneth Branagh and Dame Judi Dench, the cast are a bunch of amateurs trying to save their theatre from developers. Jefferson’s monstrous ego, vanity and insecurity are tested to the limit by the enthusiastic am-dram thespians. As acting worlds collide and Jefferson’s career implodes, he discovers some truths about himself – along with his inner Lear!

 

 

MRS BEETON SAYS… by Eamonn O’Dwyer, Helen Watts

Full-length Musical, F5 M3, Between 1854 – 1865, 978 0 573 11664 3, £9.99

A new musical based on the life and times of Isabella Beeton…
‘As with the commander of an army, so is it with the mistress of a house.’ Isabella Beeton was only 23 years old when she penned these words in “Mrs Beeton’s Book of Household Management”, first published in 1861. She could not have predicted how they would resonate with the women of England, nor could she have imagined how her name would become synonymous with culinary expertise and domestic bliss for generations to come.
Mrs Beeton Says…is a charming and vibrant musical examining the life and legacy of this extraordinary woman: a spirited journalist, a tireless entrepreneur, and if not a perfect homemaker, then certainly a queen of organization. In a world where a woman could not vote, own a house, nor even ride a bicycle, Mrs Beeton’s book gave the women of England something they desperately wanted: a bit of control.

 

PROOF by David Auburn

Full-length Drama, F2 M2, Contemporary, Chicago, 978 0 573 11685 8, £9.99

Catherine has spent years caring for her brilliant but unstable father, Robert. When he dies she has more than grief to deal with: there’s her estranged sister, Claire, and Hal, a former student of her father’s who hopes to find valuable work in the 103 notebooks that Robert left behind. And a further problem: how much of her father’s madness – or genius – will Catherine inherit?
Gwyneth Paltrow starred in this Pultizer Prize-winning play which opened at the Donmar Warehouse in 2001.

 

 

SHAFTED! by John Godber

Full-length Drama, F1 M1, Docudrama/Historic, 978 0 573 11623 0, £9.99

Shafted! moves forwards and backwards over time, starting after the Miners’ Strike in 1984. Act I demonstrates the depression and hopelessness which engulfed a West Yorkshire mining village post the strike and the plethora of menial jobs which Harry found in order to try to make a living. By the late 1990s Dot had suggested they move to Bridlington to start a new life running a Boarding House. Act II starts in 2016 with Dot suffering from cancer, immobile in a wheelchair, the act moves backwards through the success of the boarding house and their new life together, to the time they left Upton to run the boarding house in the 1990s.

 

 

Time and Tide by James McDermott

Full-length Drama, 978 0 573 03109 0, £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
Norfolk’s bootiful. Miles of coastline, endless sea, endless sky. So much space to dream big dreams. But… yeah: there’s nowhere round here to make those dreams come true.
May runs a crumbling caff on the end of Cromer Pier. Her delivery man Ken is losing customers to Costa. Her head waiter Nemo is desperate to leave Norfolk and tread the boards in London. Nemo’s unrequited love Daz is burying his head in the sand over his best mate leaving.
Time and Tide is an LGBTQ-themed comedy drama about a Norfolk community struggling with change. The play was longlisted for The Bruntwood, Papatango and Verity Bargate Playwriting Prizes and was developed on Park Theatre’s Script Accelerator Programme 2018 before having its world premiere at Park Theatre in February 2020.

TRIAL BY LAUGHTER by Nick Newman, Ian Hislop

Full-length Comedy, F2 M6, 19th Century, 978 0 573 11595 0, £9.99

This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
Following critical acclaim for The Wipers Times, Ian Hislop and Nick Newman have once again taken inspiration from real life events for their new play Trial by Laughter.
William Hone, the forgotten hero of free speech, was a bookseller, publisher and satirist.
In 1817, he stood trial for ‘impious blasphemy and seditious libel’. The only crime he had committed was to be funny. Worse than that he was funny by parodying religious texts. And worst of all, he was funny about the despotic government and the libidinous monarchy.

 

 

THE WIPERS TIMES by Nick Newman, Ian Hislop

Full-length Drama, F1 M6, 1910s / WWI, 978 0 573 11351 2, £9.99

A stage adaptation of the award-winning BBC film by Ian Hislop and Nick Newman. This title is not currently available for performance. To be informed as soon as it becomes available in the future, please submit a license application.
The true and extraordinary story of the satirical newspaper created in the mud and mayhem of the Somme, interspersed with comic sketches and spoofs from the vivid imagination of those on the front line.
In a bombed out building during the First World War in the French town of Ypres (mispronounced Wipers by British soldiers), two officers discover a printing press and create a newspaper for the troops. Far from being a sombre journal about life in the trenches, they produced a resolutely cheerful, subversive and very funny newspaper designed to lift the spirits of the men on the front line.

 

Nick Hern Books
T: 020 8749 4953
W: www.nickhernbooks.co.uk | E: info@nickhernbooks.co.uk
F: NickHernBooks | T: @NickHernBooks

1972: The Future of Sex by The Wardrobe Ensemble

Full-length Play, F4 M3 multiple characters (large cast possible), 1970s, flexible staging (ideally with live musical accompaniment), 978 1 848 42847 8, £9.99 (£7.99 direct from publisher)

It’s 1972. Ziggy Stardust is on Top of the Pops, Penny is writing an essay on Lady Chatterley’s Lover, Christine is watching Deep Throat and Brian is confused. Devised by the creators of amateur hit Education, Education, Education, this entertaining show incorporates the company’s trademark theatricality, irreverent humour and ingenuity to tell the story of three couples having sex for the first time – and a country on the brink of a sexual awakening. Perfect for groups looking for a fun and energetic ensemble piece.
“Terrific work… Funny, true and a little bit heartbreaking.” The Guardian

 

Apologia by Alexi Kaye Campbell

Full-length Play, F3 M3, Contemporary, single interior (kitchen), 978 1 848 42053 3, £9.99 (£7.99 direct from publisher)

Kristin Miller is an eminent and successful art historian. As a young mother she followed her politics and vocation, storming Parisian barricades and moving to Florence. Her birthday should be a time for celebration but, when her two sons deliver their versions of the past, everyone must confront the cost of Kristin‘s commitment to her passions. A sharp, perceptive and political family drama.
“A fascinating play that tackles, head on, the subject of women, ageing and motherhood… eviscerating and funny.” The Times

 

 

Collapsible by Margaret Perry

Full-length Play, F1 M1, Contemporary, minimal requirements, 978 1 848 42839 3, £9.99 (£7.99 direct from publisher)

A funny, furious, award-winning one-woman play about holding on in this collapsing world, with a fantastic central role for a female performer. Essie’s lost her job. Her girlfriend’s left. But she’s alright. Except lately she feels more like a chair than a person. One of those folding chairs. Solid one minute. And then.
“Compelling… the images pour forth in a lava flow of language.” New York Times

 

 

 

Flights by John O’Donovan

Full-length Play, M3, Contemporary, single interior (abandoned building), 978 1 788 50314 3, £7.99 epub (£6.40 direct from publisher)

A haunting and funny drama about bereavement, brotherhood and breaking away from your past. On a dark and stormy night, three men gather for the anniversary of a childhood friend, killed in a road accident when they were seventeen. Expecting a crowd and tearing into the cans, the three slowly realise they’re the only ones coming. As they drink to their uncertain futures – and their receding youth – they’re forced to face up to the ghost that has held them together.
“Bleak, tender and shot through with stinging black humour… skilfully written.” The Stage

 

 

Machinal by Sophie Treadwell

Full-length Play (shorter versions available), F10 M14, 1920s, various interiors and one exterior, 978 1 854 59211 8, £8.99 (£7.19 direct from publisher)

NHB has just acquired the performing rights for Machinal, Sophie Treadwell’s bold, renowned 1920s masterpiece inspired by the true story of Ruth Snyder who, with her lover, murdered her husband and was sent to the electric chair. With a cast of over twenty characters, including a powerful central role for a female performer, Machinal is perfect for ambitious companies throughout the world looking to dazzle audiences with an intense theatrical experience, which is still strikingly relevant today.
“Gripping… doesn’t loosen its hold on the senses until its shattering climax.” The Independent

 

 

Sink by John O’Donovan

Full-length Play, F1, Contemporary, minimum req’, 978 1 788 50315 0, £7.99 epub (£6.40 direct from publisher)

A play of two voices for one actor, about memory, catastrophe and sacrifice. Bríd’s coming home to convalesce after drying out in rehab. Ciara’s headed west too, investigating a potential archaeological site on a parched area of bogland. How will Bríd cope in her old haunts? How will Ciara confront a past she thought forgotten? And will they unearth the hidden truth that binds them together?
“O’Donovan is a gifted writer, the lines curl about each other with elegance and depth.” Irish Independent

 

 

Snowflake by Mike Bartlett

Full-length Play, F2 M1, Contemporary, can be simply staged, 978 1 848 42817 1, £9.99 (£7.99 direct from publisher)

Three years ago, Andy’s daughter Maya left home, and they haven’t spoken since. But this Christmas, she might be coming back. Andy knows she’s going to stay. Maya knows she’s not. Mike Bartlett’s Snowflake is an epic story about generational conflict, fathers and daughters, and whether we’re living in the best or worst of times. This insightful family drama is a bittersweet alternative Christmas show from the writer of Contractions and TV’s Doctor Foster.
“A Christmas show that feels simultaneously festive, caustic, refreshingly woke and authentically heartwarming… tremendous fun.” WhatsOnStage

 

 

The Tyler Sisters by Alexandra Wood

Full-length Play, F3, Contemporary, minimal requirements, 978 1 848 42927 7, £9.99 (£7.99 direct from publisher)

Three women, forty years, one ever-evolving bond. The Tyler Sisters is a funny, heartening exploration of time, and the unassuming moments that make up our lives. Alexandra Wood’s innovative play explores the deep and unruly waters of sisterhood. Spanning over forty years, this lovely and well-crafted play offers an exciting challenge for three female performers.
“Wood’s spirited story of modern womanhood reminds us that the blood-bond of sisterhood has hard edges… refreshing… emphatically contemporary.” The Guardian

 

 

The Unreturning by Anna Jordan

Full-length Play, M4 doubling (large mixed cast possible), Contemporary, minimal requirements, 978 1 848 42787 7, £9.99 (£7.99 direct from publisher)

Three young men are coming home from war. Their stories, set at different times over a hundred years, are beautifully interwoven in Anna Jordan’s The Unreturning, a play that explores the complexity of masculinity, and the profound effect that war has on young people’s lives. When experience has shattered you into a million pieces, will home help to put you back together again? A moving and beautiful piece offering meaty roles for four male performers, or a large mixed cast.
“A feverishly intense drama… visceral and insightful.” Time Out

 

 

Music Theatre International (Europe)
T: 020 7580 2827
W: www.mtishows.co.uk | E: shows@mtishows.co.uk
F: mtieurope | T: mtieurope

The Bridges of Madison County

Music and lyrics by Jason Robert Brown.
Book by Marsha Norman.
Based on the novel by Robert James Waller.

Based on the best-selling novel, and developed by the Pulitzer- and Tony Award- winning creative team of Jason Robert Brown (The Last Five Years, Parade, Songs for a New World) and Marsha Norman, The Bridges of Madison County captures the lyrical expanse of America’s heartland along with the yearning entangled in the eternal question: “What if…?” Winner of the 2014 Tony Award for Best Score and Orchestrations, this sweeping romance about the roads we travel, the doors we open and the bridges we dare to cross will leave audiences breathless.
Francesca Johnson, a beautiful Italian woman who married an American soldier to flee war-ravaged Italy, looks forward to a rare four days alone on her Iowa farm when her family heads to the 1965 State Fair. When ruggedly handsome, National Geographic photographer, Robert Kincaid, pulls into her driveway seeking directions, though, what happens in those four days may very well alter the course of Francesca’s life.
With a soaring score and a heartbreaking story, The Bridges of Madison County is a touching and powerful addition to any theatre’s season. The tour de force roles of Francesca and Robert are a dream come true for any actor, while the ensemble is rich with characters that tell their own individual stories and receive plenty of focus onstage.

Elf The Musical

Book by Thomas Meehan and Bob Martin.
Music by Matthew Sklar.
Lyrics by Chad Beguelin.
Based on the New Line Cinema film by David Berenbaum.

A title known the world over, Elf The Musical is a must-produce holiday musical that can easily become an annual tradition for any theatre. Based on the cherished 2003 New Line Cinema hit, Elf features songs by Tony Award nominees Matthew Sklar and Chad Beguelin (Disney’s Aladdin On Broadway, The Wedding Singer), with a book by Tony Award winners Thomas Meehan (Annie, The Producers, Hairspray) and Bob Martin (The Drowsy Chaperone).
Buddy, a young orphan mistakenly crawls into Santa’s bag of gifts and is transported to the North Pole. The would-be elf is raised unaware that he is actually a human, until his enormous size and poor toy-making abilities cause him to face the truth. With Santa’s permission, Buddy embarks on a journey to New York City to find his birth father and discover his true identity. Faced with the harsh reality that his father is on the naughty list, and his step-brother doesn’t even believe in Santa, Buddy is determined to win over his new family and help New York remember the true meaning of Christmas.
This modern day holiday classic is sure to make everyone embrace their inner elf. After all, the best way to spread Christmas Cheer is singing loud for all to hear.

Josef Weinberger Ltd
T: 020 7927 7322
E: shows@jwmail.co.uk | W: www.josef-weinberger.com

The Fulstow Boys by Gordon Steel

Full-length Drama Comedy, F3 M10, Interior/Exterior, 978 0 856 76380 9

At the turn of the centenary of the armistice, the award-winning writer of Studs, A Kick in the Baubles, Albert Nobbs and Grow Up Grandad gives us this comedy-drama that is based on true stories from the town of Fulstow, Lincolnshire in 2005, and the Great War. When Sky News and the rest of the world’s press descends on a small village in Lincolnshire all hell breaks loose. Why doesn’t the village have a war memorial? And what are they going to do about it? Determined to right a wrong that has been hanging over Fulstow since the First World War, the tenacious Nicola Pike leads the village committee to make a decision that threatens to tear the community apart … but Graham is desperate to cure his constipation, Maurice’s back is playing up and Moira is furious that someone else has been asked to make the chocolate cake at the forthcoming fete. Set across two time frames, the tale of a village’s monumental decision is both heart-breaking and hilarious.

 

Bloomsbury – Methuen Drama
T: 01256 302699
W: www.bloomsbury.com | E: direct@macmillan.co.uk
F: BloomsburyPublishing | T: @bloomsburybooks

Questors, Jesters and Renegades by Michael Coveney

978 1 350 12837 8, £25.00 Hardback

The Story of Britain’s Amateur Theatre…
This is the vital story of the amateur theatre as it developed from the medieval guilds to the modern theatre of Ayckbourn and Pinter, with a few mishaps and missed cues along the way. Michael Coveney – a former member of Ilford’s Renegades – tells this tale with a charm and wit that will have you shouting for an encore.
Between the two world wars, amateur theatre thrived across the UK, from Newcastle to Norwich, from Bolton to Birmingham and Bangor, championed by the likes of George Bernard Shaw, Sybil Thorndike, and J.B. Priestley. Often born out of a particular political cause or predicament, many of these theatres and companies continue to evolve, survive and even prosper today.
This is the first account of its kind, packed with anecdote and previously unheard stories, and it shows how amateur theatre is more than a popular pastime: it has been endemic to the birth of the National Theatre, as well as a seedbed of talent and a fascinating barometer and product of the times in which we live.
Some of the companies Coveney delves into – all taking centre stage in this entertaining and lively book – include The Questors and Tower Theatre in London; Birmingham’s Crescent Theatre; The Little Theatre in Bolton, where Ian McKellen was a schoolboy participant; the Halifax Thespians; Lincolnshire’s Broadbent Theatre, co-founded by Jim Broadbent’s father and other conscientious objectors at the end of World War II; Crayford’s Geoffrey Whitworth Theatre, where the careers of Michael Gambon and Diana Quick were launched; Anglesey’s Theatr Fach, a crucible of Welsh language theatre; and Cornwall’s stunning cliff-top Minack.

Enter the code QUESTORS35 at checkout online at: www.bloomsbury.com to apply a 35% discount.
(Valid until 31 May 2020)

Our Country’s Good (Based on the novel ‘The Playmaker’ by Thomas Keneally) by Timberlake Wertenbaker. Editor: Sophie Bush

Student Edition, 978 1 350 09788 9, £9.89 (online price)

Australia 1789. A young married lieutenant is directing rehearsals of the first play ever to be staged in that country. With only two copies of the text, a cast of convicts, and one leading lady who may be about to be hanged, conditions are hardly ideal…
Winner of the Laurence Olivier Play of the Year Award in 1988, and many other major awards, Our Country’s Good premiered at the Royal Court Theatre, London, in 1988 and opened on Broadway in 1991.
“Rarely has the redemptive, transcendental power of theatre been argued with such eloquence and passion.” Georgina Brown, The Independent

 

 

Oberon Books
T: 020 7607 3637
W: www.oberonbooks.com | E: permissions@oberonbooks.com
F: OberonBooksLondon | T: @oberonbooks

Antigone by Lulu Raczka

F2, 978 1 786 82885 9, £9.99

The war is over.
The dead have been buried. The traitors have been punished. People feel more alive than they have in a long time. They are ready to start again.
But Antigone is not. She will not move on, and she will not forget. She will drag everyone back if she has to.
Lulu Raczka’s searing adaptation of Sophocles’ classic text hands the reins to the young women at its heart, creating something messy, irreverent and vital.

 

 

Ask Me Anything by The Paper Birds

F3, 978 1 786 82864 4, £9.99

The Paper Birds invited young people to “ask them anything and now they’re trying to come up with the answers.
Inspired by the magazine problem pages they read growing up in the 90s and 00s, in Ask Me Anything, The Paper Birds become the agony aunts. Using the real letters sent to the company, this verbatim show explores what young people think, want and worry about today.
Set in our teenage bedrooms, this is a show about what different generations can learn from each other whist celebrating teenagers, grandparents and everyone in between, who, like us, are still figuring it all out.

 

 

Blood Wedding by Barney Norris

F3 M3, 978 1 786 82980 1, £9.99

A Wiltshire village, 2019. Rob and his fiancée Georgie are checking out the village hall for their wedding reception. Rob’s mum wonders if they are rushing into things. Just when they begin to talk her round, an old flame who could shatter the wedding plans turns up, and very soon Georgie’s past is making her question who really is the love of her life…
Barney Norris’s explosive retelling of Lorca’s classic tragedy sets the action firmly in a modern day village community that’s rocked by revelations and gossip.

 

 

Can I Help You? by Philip Osment

F1 M1, 978 1 786 82851 4, £9.99

Philip Osment’s final play, Can I Help You? is a magical realist examination of the role race and gender have to play in mental health and suicide.
An off-duty English policeman is about to throw himself off Beachy Head when he is met by a Ghanaian woman carrying a laundry bag and a cat box. Over the course of one night, two disparate characters learn what it truly means to be touched by the magic of hope.

 

 

 

Idol by Jamal Gerald

978 1 786 82859 0, £9.99

A daring and unapologetic examination of religion, pop culture and Black representation.
Who would you rather pray to? Beyoncé or white Jesus?
Jamal grew up Catholic in a Caribbean household, but would rather light a candle and worship celebrities than white saints. Combining African diasporic ritual, music and storytelling, Idol is a spiritual journey that asks what happens when you don’t see yourself represented – featuring a host of celebrity appearances.

 

 

Passengers by Kit Redstone

F1 M2, 978 1 786 82872 9, £9.99

Max wants to tell you a story. He’s not entirely sure why or even who he is: savage, peacekeeper or critic. But he’s hoping you’ll be able to help him.
A dark comedy about the epic battles and alliances within the psyche, and the beautiful power of the mind to protect itself from pain.

 

 

 

The Rage of Narcissus by Sergio Blanco

M1, 978 1 786 82855 2, £9.99

When writer Sergio arrives in Ljubljana to give a lecture on Narcissus, the first thing he does after checking in to his hotel room is get on an app and look for someone to have sex with. A few hours later, once Igor has come and gone, Sergio spots a dark brown stain on the floor. Looking closer, he sees that it’s a blood stain. And looking around, he discovers more and more blood stains all over the room.
As he begins to investigate, he gets drawn deeper and deeper into a dark murky world of desire, infatuation and murder. Perfect material for the new play he’s trying to write – if he can get out of Ljubljana alive…

 

 

Scrounger by Athena Stevens

F2, 978 1 786 82895 8, £9.99

Everyone likes to make speculations about Scrounger. Scrounger doesn’t care. A successful online personality, she’s got more power from her bedroom than anyone on the Southwark estates could dream of. She’s educated, she’s ballsy, Scrounger is a woman who knows how to make change happen. That is, until an airline destroys her wheelchair.
Inspired by real events and a lawsuit initiated by Stevens herself, Scrounger drives towards the realities of how Britain is failing its most vulnerable and the extreme cost paid by those seeking justice.

 

 

Since U Been Gone by Teddy Lamb

978 1 786 82861 3, £9.99

When friends die and pronouns change, what’s left of the memories that don’t fit anymore?
Brought to life with storytelling, an original pop music score, and way too many America’s Next Top Model references, Since U Been Gone is a moving and powerful autobiographical account about childhood co-stars, teenage rebellion, growing up queer in the mid-noughties, and finding yourself while losing a friend.

 

 

 

So Many Reasons by Racheal Ofori

F1, 978 1 786 82853 8, £9.99

Melissa is having a bit of a crisis. This bold, funny and honest piece explores the reasons why: starting with her mum, God and sex… What happens when we realise mums don’t always know best?
Told by a first-generation British-Ghanaian woman on the hunt for an orgasm, Racheal Ofori’s brave and exuberant So Many Reasons explores cultural and generational shifts, religion and sexuality.
“Ofori’s excellent writing fuses poetry and prose to allow each character to vividly leap off the page.” The Stage

 

 

Trainers …Or the Brutal Unpleasant Atmosphere of this Most Disagreeable Season: a Theatrical Essay by Sylvan Oswald

978 1 786 82857 6, £9.99

The only rule is to break the rules.
In a parallel present, two queer radicals meet in the fallout of The Second American Civil War. If love is the most radical act, can their desire survive the revolution?
Based on Montaigne’s intellectual love affair with political thinker Étienne de La Boétie, Sylvan Oswald’s brand-new play Trainers is a visionary story exploring the different ways we can connect as lovers, activists, and humans.

 

 

TSL Drama
W: tslbooks.uk/drama | F: TSLpublications | T: @TSLpub

Against the Tide by Stephen Baker

6 monologues, F3 M3, Simple settings, 978 1 912 41642 4, £5.18

All the characters in Against the Tide are fictitious, reflecting individuals who see situations very differently to mainstream society; and who, due to circumstances, feel isolated and somewhat estranged even from those around them. Politics features in Queen of South Faxby and Moving with the Times, and in a previous work, The Waiting Man. This no doubt is due to 12 years spent in the political arena of local politics. Although light hearted, some of the characters lead quite sad existences.

 

 

Connie’s Lovely Boy by Beatrice Holloway

1 Act, 25-30 minutes, F2 M1, Sitting room & entrance hall of an elderly woman’s house, 978 1 912 41695 0, £5.28

Connie’s son Paul comes to visit after a long absence. Recently released from prison, Paul suggests to his mother that he’s been away on business. Emma, Connie’s friendly neighbour decides to visit and there is an encounter between her and Paul, including mention of a robbery which happened the day before… How far does a mother go to protect her boy?
Beatrice Holloway is a playwright and author. The London Borough of Hillingdon library service has published two of her children’s stories and awarded her with a Certificate of merit — ‘In recognition of an outstanding contribution to the Arts’. Beatrice was also awarded a Lottery Grant to write a commissioned historical play: Commoner to Coronet.

 

Small Mercies by Melville Lovat

2 Act comedy/drama 90 minutes, F2 M4, Flat and shop – single stage setting (diagram provided), 978 1 912 41625 7, £5.26

In Small Mercies, people’s lives hang well and truly in the balance.
Shop owner Donald and wife Andrea are desperate people with a failing business. They decide to pay an arsonist to set fire to the shop so they can claim on the insurance and start a new life. Little do they know that two late customers have inadvertently been locked inside! As the two couples, each with their own very different problems, touch each others’ lives with unexpected results, the dark comedy, pathos and fragility of existence shines through in this ultimately uplifting play.
Small Mercies developed as a continuation of Melville’s one act play, The Lamp and includes much of The Lamp’s text whilst focusing mainly on the furniture shop owner, Donald and his family.

 

Trust by Christopher X Morris

1 Act, grotesque, 20 minutes, M2, Bright pink room, 978 1 912 41686 8, £4.99

Boris decides to take his life into his own hands by kidnapping his ex-lover Jay. Despite the gruesome circumstances, Jay and Boris form a sense of trust, which Jay can use to his advantage. With trust comes vulnerability. And when you’re vulnerable anyone can take advantage of you … Boris learns this the hard way.
Christopher is an author, producer, and playwright with a love for the surreal and intense. His plays often involve grotesque subject matter, and can be very cheap to produce. His work has been performed in several One Act Festivals, the “Hudson Guild Theatre”, and the “NYSummerfest2018” where, TRUST, was acknowledged for Most Creative Play and Best Short Play.

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